Ancient antithetical poems with folded hands

A poem about crossing hands 1. What are the poems about bergamot?

1, "Two Poems by Yang Liuzhi" Tang Dynasty: Si Kongtu

Taoyuan Liurao has a lofty love for this gentleman.

Where is a better poetic scene? Every new cicada pillow smells first.

Take good care of a few branches and soak them in the blue waves, and the infinite dust heart will be temporarily freed from the busyness.

If you are tired of the heat and smog in summer, you will use bergamot to cool yourself.

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The Potter is surrounded by willows, and he loves you dearly.

Where is better to add poetry, the new cicada always smells the pillow first.

A few branches cherish the blue waves, and the infinite dust heart is temporarily free from busy.

When the weather is sultry and smoky, use bergamot to cool down.

2, "Hell View" Tang Dynasty: Guan Xiu

I'm not a sword pavilion, there are trees that are difficult to climb. The bergamot can't cover it, and his heart seems idle.

Zhou Wang should not be snowed, why should it be white? The sky is full of fingers, and the world is boundless.

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Towering is not a sword pavilion, there are trees that cannot be climbed.

The bergamot can't cover it, and people's hearts are idle.

If it doesn't snow in Zhou Wang, why is it white?

The sky is full of fingers and the world is boundless.

3, "Fishing Song" Song Dynasty: Li Peng

Huanglong is a perfect place. Cutting back can break Mount Tai.

Finger citron donkey hoof unknown. Have nothing to do with this matter

Hu Jia has an extraordinary tune.

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It is true that Huanglong is a festival. It will be behind the old lady in Mount Tai.

People with bergamot and donkey's hoof don't understand. There is no trick.

Hu Jia has an extraordinary tune.

4. "Bergamot Flower" Song/Dong Siwei

You can't rub your neck over a garden, nor can you pretend to be pure and fragrant.

The claws are blue and clean, and the heart and bones are shining.

However, the mystery is empty, and I hope that Wu Zongmen will point to Zen.

Who will dip in the spring morning light and insert a tile bottle for the white fairy?

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You can't rub things in the garden to make it a fresh fragrance and legend.

Leaf claws are marked with jade, and the heart and bones are beautiful.

But the mountains and rivers are empty, and I hope to wake up and point to Zen.

Who comes to take a bath from the spring early in the morning and puts a vase in to worship the white fairy?

5. Interpretation of Song /38 Ancient Fu Poems

How can my hands look like bergamot? I see Beidou, palm facing south.

Male prostitute pushed the bright moon to Qianfeng, and Hanshan smiled.

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How's my hand, bergamot? Put your hands together and look at Beidou in the south.

The rabbit draws the bright moon to a thousand peaks, and the cold mountain laughs.

2. What is the "crossing hands" in poetry?

Put your palms together (as a Buddhist greeting)

Crossing hands is a poetic disease. It is impossible to prove when the saying of crossing hands originated. Song Wenzhi's poem "First Arriving in Huangmei" says: "Spring on the way." Ji Yun's "mistakes in the publication of Yingkui Law" commented: "On the way, immediately, in late spring, cold food, it is not easy to cross hands." From Ji Yun's comments, it is not difficult to see that the concept of putting hands together has prevailed at least in the Qing Dynasty. At the same time, we can also boldly estimate from the poems of the Song Dynasty-at least in the Tang Dynasty, there was no saying that hands were folded. Shen Kuo's "Meng Qian Bi Tan" and Cai Kuanfu's "Song Poetry" both point out that "one sentence and one meaning" should be avoided in confrontation. Wei Qingzhi, a poet in the Southern Song Dynasty, summed up "two sentences can't agree" in Jade Chips. Poets in the Yuan and Ming Dynasties came up with the name "fighting". Probably the origin of the earliest crossing of hands.

Why is there a reference to crossing hands?

Let's look at the historical changes first. Tang dynasty, unrestrained, atmospheric, famous sentences emerge one after another, but at this time there is no one crossing their hands. The stability, ease, the rise of ci and the creation of poetry in the Song Dynasty were far inferior to those in the Tang Dynasty. At first, there was a saying to avoid "one sentence and one meaning", but it was far from mainstream. During the Ming and Qing dynasties, the idea of putting hands together prevailed, and many faults were found in Tang and Song poems, but few of them can be called famous works through the ages. On the contrary, the creation of vernacular novels reached its peak, and the creation of poetry couplets (which can be regarded as a part of poetry) changed from focusing on content to focusing on form. Why do we have to do that？ The malicious guess is-don't upgrade now.

Let's look at the table again. Poetry, in the Tang dynasty, long poems emerged one after another; In the Song Dynasty, it seemed that only metrical poems and quatrains were left, and long poems became scarce. During the Ming and Qing Dynasties, quatrains and couplets became the world. In other words, in the Tang Dynasty, creative space was more free and more words could be written. There is nothing taboo about two sentences and one meaning, because the author has enough space to express them. In the Song Dynasty, the length of creation was reduced, and in order to enrich the content, I began to realize that two sentences with one meaning should be avoided. But after all, there are words and rhymes, and the space is enough, so it is not popular. During the Ming and Qing dynasties, there were only four or even two sentences left in the mainstream of creation. At this time, it is necessary to whisper the righteousness, and the space is insufficient, so the statement of crossing hands becomes taboo. This is something that can't be helped. Just two sentences, you wasted another sentence. In addition, stereotyped writing prevailed in Ming and Qing Dynasties, and the imperial examination had strict restrictions on the format and method of composition, which was also a reason for the prevalence of cross-hand theory. ...

In fact, in the Ming and Qing Dynasties, when the cross-hand theory prevailed, there was already a division in literature: the literati poems of Yangchun Baixue and the vernacular novels of Xialiba people. Poems with folded hands frequently appear in vernacular novels, which is strange-this is a poetic disease, not good, and should be taboo! Sorry, nobody cares, because there is enough space and words to express the content, and poetry is just embellishment. Who cares if you cross your hands?

In the 1980 s, rhythmic poetry rose, and the idea of avoiding the cross of hands advocated by literati poems in Ming and Qing Dynasties was put forward again.

For a long time, even in the Ming and Qing dynasties, there was no exact definition of crossing hands. In the forties of last century, Wang Li gave the definition of "hand play": hand play is a phenomenon with the same double meaning in poetry and prose, and it is actually synonymous. In 1980s, Wang Li revised this definition. In recent twenty years, poets have put forward the theories of narrow crossing, partial crossing, heterotopic crossing and small crossing. Concepts defined on the basis of sentences are transplanted (expanded) into words and phrases.

Personally, I think that the theories of narrow cross, partial cross, ectopic cross and small cross are simply jokes. Hu Zili of Guilin summed up the characteristics of Chinese: "Morphemes, words, phrases and sentences are grammatical units at different levels, which constitute a complete structure and have different grammatical functions. The main function of words is to form phrases and act as sentence components. The actual unit of language use is sentences, because only sentences have the ability to express a relatively complete meaning, while words and phrases do not have this function. " In other words, from the perspective of language application, the theories of narrow span, partial span, heterotopic span and small span are simply untenable.

Let's take another widely criticized example of crossed hands to illustrate.

Hanging Qu Yuan on Dragon Boat Festival;

The water is full of resentment, and the dragon boat sacrifices the loyal soul.

Worrying about the country and the people, you speak frankly and remonstrate, and it is bitter for cynics.

I would like to keep company with clean water, not with turbid waves.

Li Sao has been a song for thousands of years, and the Wei government has a high wind, which is clear in the past and present.

This is a poem written by a netizen, "Gan and Qing are companions, why not follow the turbid waves?" It has also been approved by some experts as a cross hand. Since "sweetness is accompanied by clean water", of course it is "Are you accompanied by turbid waves?"

Some people even commented that the author intends to show his arms in the middle of an opposite, but he only takes images and uses things in a single way, which leads to only one thing and one meaning in the upper and lower sentences: he is willing to keep company with clean water and settle down with turbid waves. So I changed my mind and stopped crossing my hands!

Whether it fits or not, just saying "I would like to keep company with clean water and turbid water" is a genius idea! If we really want to change this way, I would like to ask, is this mourning or scolding Qu Yuan?

Therefore, it is not enough to look at words or single sentences, but also at the writing background (or application background), writing purpose, environment and other factors. At present, many scholars and scholars even discuss the cross-cutting of corpses in the mainstream media. They only look at words and don't look at sentences, or just look at sentences and don't look at writing background and application environment. They use their right to speak, calling names everywhere to show their profound knowledge, and create various nouns such as biased hand, abnormal hand and logical hand, which makes the latecomers "fascinated" and confused. But these people can't give an exact definition of crossing their hands. This is a joke.

3. What poems describe "bergamot"

1. bergamot rock

Year: Ming Author: Li Rihua

Climbing the temple on the platform, the bells and drums are heavy and deep.

Three Chu Bai Yunsheng bergamot, Jiujiang cold moon as Zen.

There is a place to open Lan Ruo on the cliff, and there is no bamboo forest on the cliff.

Andrew gave his life from the old woman, and the futon looked at the gold all day.

2. bergamot

Year: Song Author: Yang Xunzhai

Danpa's pigment is delicate and fragrant, and the light leaves are as light as fingers.

Can you help others after the incense table net bottle is settled?

3. bergamot

Year: Song Author: Dong

You can't rub your neck over a garden, nor can you pretend to be pure and fragrant.

The claws are blue and clean, and the heart and bones are shining.

However, the mystery is empty, and I hope that Wu Zongmen will point to Zen.

Who will dip in the spring morning light and insert a tile bottle for the white fairy?

4. "Brother Yong Zongliang Zhai Tou Bergamot"

Year: Ming Author: Duo Yong

Spring rain is empty and autumn frost is low.

Branches are pulled out to produce cellulose and leaves are curled.

Refers to the enlightenment of the Zen master, and the boxing method is open to the fans.

I doubt that I will sprinkle nectar, as if I were going to win pears.

Color cash world, fragrant meat and navel.

I'm going to quote bodhi after the spiritual luck.

5. Thirty-eight Ancient Poems

Year: Song Author: History from Progress

How can my hands look like bergamot? I see Beidou, palm facing south.

Male prostitute pushed the bright moon to Qianfeng, and Hanshan smiled.

4. What is "hands crossed"?

Crossing hands is a disease of rhythmic poetry. The two sentences in the antithesis have the same or similar meaning, and the two poems have the same meaning, which is the taboo of the poet. Some poems in old novels are not wonderful, the main problem is that there are too many places to cross hands. For example:

The ability to sink fish and fall geese, the appearance of being ashamed of flowers when the moon is closed.

Nanshan kills tigers, while Beihai kicks dragons.

Leaping waves shake mountains and rivers, adding fuel to the flames and shaking the world.

Fierce as stepping on a building, evil as a mulberry door lifting a treasure cover.

These are crossed hands. Crossing hands is not a big problem, and sometimes there will be repetition, which is the rhetorical effect of deepening the impression. Good poems also have crossing their hands, such as:

The quieter the cicada forest, the quieter Tonamiyama.

The elder said it was "definitely not good, and it was bound to get sick."

In fact, the word crossed hands is not exact, and it is easy to misunderstand that syntactic similarity means crossed hands. The two couplets in the middle of metrical poems should be as symmetrical as the left and right hands in form. What's wrong with it? There are many taboos in ancient poetry, such as the waist and knees of bees, big rhyme and small rhyme, loss of adhesion and loneliness, etc. They are all picky about form, and they only say the content of the poem, not the form of expression.

Your help is easier to understand.

5. What poems describe "bergamot"

1. < < bergamot rock > > Time: Ming Author: Li Richao China temple above the platform, the bell and drum are heavy and deep.

Three Chu Bai Yunsheng bergamot, Jiujiang cold moon as Zen. There is a place to open Lan Ruo on the cliff, and there is no bamboo forest on the cliff.

Andrew gave his life from the old woman, and the futon looked at the gold all day. 2. "bergamot" era white: Song Author: Zhai Danpa paint fine fragrance floating, light leaves lightly strokes refers to soft.

Can you help others after the incense table net bottle is settled? 3. "Bergamot" Time: Song Author: Dong Si-can't move his neck over the garden, his fantasy is pure and fragrant.

The claws are blue and clean, and the heart and bones are shining. However, the mystery is empty, and I hope that Wu Zongmen will point to Zen.

Who will dip in Quandu and insert a tile bottle for the white fairy? 4. "Yong Zongliang Brother Zhai Tou Bergamot" Year: Ming Author: Spring rain is scattered, autumn frost is fruity, and fruit is low.

Branches are pulled out to produce cellulose and leaves are curled. Refers to the enlightenment of the Zen master, and the boxing method is open to the fans.

I doubt that I will sprinkle nectar, as if I were going to win pears. The color is cash, and the fragrant meat is umbilical cord.

I'm going to quote bodhi after the spiritual luck. 5. "Thirty-eight Ancient Poems" Time: Song Author: How can my hands be like a golden bergamot, and my hands are folded to see Beidou?

Male prostitute pushed the bright moon to Qianfeng, and Hanshan was smiling.

6. Poetry that worships Buddha and purifies the soul

First, people are like this all their lives. Desire is like sand in their hands. The tighter you hold, the more you lose. Learn to let go and give up before you can really get it. Gains and losses are only relative; When you think you can get it, you may be losing it; When you feel lost, you may be getting it. If you don't want it, you don't have to lose it.

Second, the Buddha said that life has eight sufferings: birth, old age, illness, death, love to leave, resentment for a long time, begging and clinging. Buddha said: life is made by oneself, and life is born by heart. Everything in the world changes, the heart does not move, everything does not move, the heart does not change, and everything does not change.

Third, if you love, life is lovely everywhere. If you hate it, life is hateful everywhere. If you are grateful, you can be grateful everywhere. If you grow, everything can grow. It is not the world that has chosen you, but you have chosen the world. Since there is nowhere to hide, it is better to be silly and happy. Since there is nowhere to run, it is better to be happy. Since there is no pure land, it is better to meditate. Since I didn't get what I wanted, I might as well be relieved.

Fourth, don't complain about how hard life is, and don't hate how rough life is. He who suffers hardships is a master. After a long time, there will naturally be bitterness and sweetness, and this rare sweetness can only be enjoyed by people who understand life.

With a broad heart, you will be healthy all your life. With an inclusive heart, you will be happy all your life. With a kind heart, you will have no regrets all your life. With a sympathetic heart, you will be safe all your life. With a childhood heart, you will be young all your life.

Extended data

1, stand up straight, with hands folded, feet splayed out, heels separated by about two inches, toes separated by about eight inches. Look at the fingertips in your hand.

2. The right hand comes out first, the left hand is still closed, the waist slowly squats, the right arm stretches forward, the right palm presses down in the center of the mat (or in front of the right knee), the left palm remains still, and the knees kneel down immediately. After kneeling, the left palm extends out and presses on the left side of the worship mat outside the right palm. Don't move or turn your toes when you worship Buddha.

3. Move the right palm forward by half a palm from the right side of the worship pad (or in front of the right knee), flush with the left palm, with the distance between the two palms about six inches, and the forehead flat on the ground.

4, two people master the virtual boxing, palms up, palms up, palms up, back flat on the ground, this is called "face-to-face foot ceremony" when the head touches the ground, touch the ground with your forehead, not your head.