Classical prose poems and their authors. It's better to be full

novel

White handkerchief, red handkerchief, Mei Zhu Lanju and Panduna.

essay

Going to the mountain, the end of the carpet, the magical season, the trees, I like it, a bucket of gold, I have, homesick stones, the first snow, a poem, post-robbery, epilepsy, rain, encounter, questioning stones, bound fights, ten views of the West Lake, encounter, I will give you a child, the first full moon night, a woman's love view, a kind word. In which unit? I know who you are. I have a dream. I want to walk into that joke. How can it be so easy to explain the feelings between you and me? What kind of person are you? You are like my teenager Chen Yi, with a wall in the east, six bridges, Chang Yu and him. I like the life in the crevice, the woman on the swing: I hate that I can't complain like this. It's all caused by bamboo, treating shrimp as lobster and flowers as roses, the vacancy of the president of the United States, aliases, aliases, looking at women, stupid women without rice and so on.

drama

Painting love, the fifth wall, Wu Lingren, He Shibi, the third harm, self-cooking, etc.

selected works

90-year prose anthology, Sanxian, Song of the Earth, novel classroom, Zhang Xiaofeng Modern Chinese Literature Department, Modern Chinese Literature Department (2): Taiwan Province Province, 1989-2003? Prose volume, heart, anthology, what? She? Yu Xiang, rebirth, the end of the carpet, if you have a song, safety, love, the world of love, blood flute, your silhouette is beautiful, you haven't loved it yet, I am here, and I know who you are. Sankoh has something to say: Grandma's cornucopia, the prayer room in the zoo, question novels, selected works of Zhang Xiaofeng, from your beautiful watershed, the first poem, the fifth wall, the temperature of this coffee is just right, cooking and marrying, painting love for you.

Yu

Cultural tour

Cultural Journey 1992 Mainland Publishing 1995 Taiwan Province Publishing Cultural Journey 1995.

Cultural Journey is Mr. Yu's masterpiece. This book is mainly based on Mr. Yu's visit to cultural sites all over the country. His thoughts are very profound and his language is very powerful. It reveals the great connotation of China culture and deeply tortures human nature. The whole book shows readers Mr. Yu's profound knowledge of literature and history, as well as his rich cultural perception and artistic expression, and also provides a new example for the field of contemporary prose.

Shanju notes

Notes on Mountain Residence 1995 The writing of the book Notes on Mountain Residence began in 1992 and was completed in 1994, which lasted more than two years. In order to write this book, the author resigned from the administrative position of the college and stopped working, so these two years were pure and almost devoted. It is inefficient to spend so much time writing eleven articles, but the author's writing is linked to investigation, and he has to go to many places over and over again, so he can't get up quickly. I remember once, in order to check the two words on the couplet of a historic site in Hainan Island, I wrote several letters and couldn't get an accurate answer, so I had to go again. It is absurd to calculate the economic gains and losses, but there are other gains and losses in the article, which is called "the gains and losses are well known".

A frigid river

First frost River 1999 is surprisingly quiet, but this quietness makes it the purest river. Clear, indifferent, magnanimous, no excitement on the shore, no wait and see, almost no houses and docks, so it has not been reduced to a vein of water and a passage. It retains the character of the river itself and makes everything on the shore pass by. No matter how important, cruel and exciting these things are, they can't compare with the current state of the river itself. A bit desolate, but refused to open; It is extremely lonely, but complacent. Soon it will freeze, this is its own schedule, and it will take a proper rest when it is time to rest. ...

A sigh in a thousand years

A Millennium sigh, in 2000, a Millennium sigh.

This is a diary, which records Yu's experience of hiking 40,000 kilometers with Hong Kong Phoenix TV's "Millennium Journey" off-road vehicle at the turn of the Millennium. They went to look for the roadbed of ancient human civilization, only to find that there were so many roads, blurred grass, dense trenches and bandits. I don't know what I will meet in the next kilometer. I only know a series of real horror stories. At the end of "A Thousand Years Journey", the author wrote this passage: "Four months of adventure, every day we miss the finish line. Today, we are here. Looking back, we are attached to tens of thousands of kilometers of feet. That is the meridian system of human civilization. From then on, all the cold and warm pains there will be quickly transmitted to my heart. "

Travelers have no boundaries.

200 1 year, travelers walk alone in the distant wilderness, unknown, and encounter problems everywhere. Just because of a persistent trust, he dared to step on any piece of land in the world and stepped out of an endless territory for future generations.

Early morning rain

200 1 listening to the morning rain is also one of Yu's works. Only books can give you a wide space and a long time. It can send you all the signals that the noble life has already drifted away, and it can present countless wisdom and beauty to you along with stupidity and ugliness.

Lend me a lifetime

Lend me my life. Lend my life in 2004.

It is Yu's "farewell work" to China cultural circles, involving many unknown experiences of him and his family. It also depicts the whole-person model of "big disclosure" and "big criticism" during the Cultural Revolution in memory ... From the predecessors to himself, the author wrote a literary work with plain and true memory. "I have always disapproved that artists who are in the process of creation are too excited, but they often burst into tears when writing this book." -Yu

A promise

"Where is the flute?" The history of China in 2004 is full of iron horses, but after listening carefully, Hu Jia's flute is still echoed. But the latter voice is too soft and light, and it is often forgotten. Forgotten, history becomes fierce and rough. This book aims to capture the flute sound of Kunqu Opera, which has fascinated China people for two hundred years. In Where is the Flute, Yu still pays attention to another historical and musical intangible culture with his consistent cultural perspective and prose style. Yu said, as early as 12 years ago, I began to prepare "Where is the flute?" At that time, Cultural Journey had not yet entered Taiwan Province Province, and a series of activities in Taiwan were received as Kunqu scholars.

Looking for China

Looking for China Throughout the book Looking for China 2008, there are not many flattering words and flowery words, but there are many wise words and a well-known story. I seldom describe the scenic spots in detail, but I often construct a rich and profound humanistic picture with a turn of the pen, and then enter a straightforward chant, which, together with the momentum of the world, exudes all kinds of reverie and discussion about China culture. It explains the magnificence of Chinese culture and the rise and fall of the Yellow River civilization for every reader, so that readers are infected by the emotion of the article and unconsciously accept the author's voice, thus thinking about life and the future with a brand-new attitude. Yu Xiansheng's new edition of Encyclopedia of Culture is divided into six volumes. The first two books about China, Looking for China and Touching the Earth, were released.

Friction earth

Friction earth, 2008 friction earth

The book "Rubbing the Earth" selects some famous chapters from "Cultural Journey" and "Notes on Mountain Residence", but each one has been carefully revised by the author himself. In the second half of the book, an article about the ecology of ethnic minorities in remote areas was published for the first time. The book has 230,000 words. Since then, all of Yu's cultural prose works are based on the text and title of this set of books, and the previous versions are no longer published, so as not to mislead readers.

Ask Yu

"Ask Yu" For nearly ten years in 2009, Mr. Yu has been investigating Chinese civilization and world civilization by personal adventure, and the results of the investigation have had a great influence on Chinese society around the world through television and books. The origin of this book is the cultural discussion program "Autumn Rain" hosted by the teacher on Phoenix Satellite TV. However, after presiding over Autumn Rain, Mr. Yu Qiu didn't rush to publish an adapted version of related books, but it took him two years, almost word for word, to carefully improve and re-create, before solemnly publishing this book. Teacher Yu will lead readers to deeply explore the cultural essence of different times in the East and China, and combine the communication power of culture and TV media to greatly stimulate readers' desire to explore China's ancient civilization.

New work: I can't wait.

I can't wait 20 10. I can't wait.

Yu explained the original intention of writing this book at the beginning of I can't wait: "Seven years ago, I wrote the memory literature" Lend me my life ". Unexpectedly, after the publication of this book, it triggered a memory craze among many elders, relatives, colleagues and neighbors. They kept pointing out to me what needed to be supplemented and corrected. Even some readers I didn't know before gave me various reference materials in a roundabout way. A professor severely criticized Lend My Life. He said,' What life? You and your wife have had the most thrilling experience in the past ten years, but you obviously worry too much and can't write clearly.' His criticism is quite right. China literature should not shy away from the immediate suffering, because it is not only its own experience. Only when I wrote it down did I find that truth is more literary than literature. Yu said, "Many people related to me have died. I really want to talk to them, whether they can hear or not. So there is the book in front of me-"I can't wait. "Can't wait" narrates the family history in a calm tone. Great-grandfather and great-grandfather set out from Cixi, Zhejiang Province to travel to the seaside. Grandfather, grandmother, grandmother, father, mother, menstruation, uncle, "I" and his wife Malan, the lives of many family figures have been ups and downs in the light and shadow of nearly a hundred years of history; Cousin's life and uncle's death during the Cultural Revolution reflect the abnormal fate of the abnormal times, and the calm narrative contains tragic collective struggle. Yu said that this is a symbolic work and a "China Reader" that goes deep into the soul. It tells readers what kind of spiritual journey your parents had before you were born, and how this spiritual journey penetrated into today and became your life background. " "I can't wait" was written word for word by Yu, so he called it "pure handwritten memory literature" with great treasure. Yu said: "Perhaps this strange name can arouse readers' imagination: an elderly person holds a pen, thinks, writes, daubs, modifies and copies, and then tears off several pages of the manuscript and sticks a paper-cut. This primitive word "handwriting" and "memory" are linked together, which is really appropriate. "

Yu Guangzhong

poetry anthology

Zhou Zi's Elegy, Gale, 1952. Lan Yu, Blue Star Poetry Society, 1954. Stalactites, Chinese and foreign pictorial, 1960. Halloween, Blue Star Poetry Society, 1960. Lotus, satellite, satellite association, 1964. Wuling juvenile, satellite, 1967. Paradise Night Market, Sanmin, 1969. Dale, Blue Star Poetry Society, 1969. During the Cold War, Blue Star Poetry Society, 1969. Dida Baiyu Bitter Melon, 1974. Sirius, Hong Fan, 1976. And the eternal tug of war, Hong Fan, 1979. Selected Poems of Yu Guangzhong (1949- 198 1), Hong Fan, 198 1. Guanyin crossed the water, Hong Fan, 1983. Bauhinia Fu, Hong Fan, 1986. Dream and Geography, Hong Fan, 1990. An pomegranate, Hong Fan, 1996. Five elements are unimpeded, nine songs, 1998. Selected Poems of Yu Guangzhong, Volume II (1982- 1998), by Hong Fan, 1998. Tall building facing the sea, Jiuge, 2000. Lotus God, Taiwan Province Jiuge Publishing House, 2008.

Selected essays and literary criticism

The left-handed muse, satellite, satellite, 1963.

Palm rain, satellite, satellite, 1964. Happy travel, satellite, 1965. The pastoral god of hometown, pure literature, 1968. Crane burner, pure literature, 1972. Listening to cold rain, pure literature, 1974. Worried about the green edge, pure literature, 1977. On the watershed-the complete works of Yu Guangzhong's comments, pure literature, 198 1. Memory is as long as a railroad track, Hong Fan, 1987. With pictures, nine songs, 1988. Crossing the water, nine songs, 1990. From Xu Xiake to Van Gogh, nine songs, 1994. Orderly, nine songs, 1996. The sun never sets at home, nine songs, 1998. Blue ink downstream, Jiuge, 1998. Serial coup, Shanghai literature and art, 1999.

Translated works

Biography of Van Gogh, emphasizing literature and art, 1957. The old man and the sea, emphasizing literature and art, 1957. Interpretation of English Poetry, Satellite, 1960. Selected American Poems, Today's World, 196 1. Selected modern British and American poems, student, 1968. Recorder Batbie, Today's World, 1972. It's no joke, Dida. 1984. Selected poems of modern Turkey, Lindbergh, 1984. Lady Wen's fan, Dida, 1992. Night watchman, nine songs, 1992. Ideal husband, the earth, 1995.

Personally recommend Xu Zhimo.

Xu zhimo

Four collections of poems and songs: Poems by Zhi Mo, Jade Frozen One Night, Tiger and Wandering * * Four collections of essays: Fallen Leaves, Scales in Paris, Autopsy and Autumn * * Four collections of novels: Roulette only: Side only. His works have been edited and published as Collected Works of Xu Zhimo. Xu Shi's poems are fresh, harmonious in rhythm, novel in metaphor, rich in imagination, beautiful in artistic conception, elegant in thought and full of changes. He pursues neatness and splendor in artistic form and has a distinct artistic personality. He is a representative poet of the Crescent School. His prose is also unique and has achieved no less achievements than poetry. Among them, Self-Anatomy, Want to Fly, Cambridge as I Know It and Chatting in Yushan Residence are all masterpieces handed down from generation to generation.