Tell me about a famous sketch actor who has never made you laugh.

Sun Tao is the actor who made "You're in trouble, you're in trouble".

Sun Tao graduated from the performance class of the Department of Military Arts and Drama and worked in the army propaganda team. Sun Tao participated in the Spring Festival Gala for the first time from 1995, and successively participated in 10. In his essays, the style is mostly positive energy, such as reflecting the life and image of soldiers, three sisters serving as soldiers, and military wives going to the island. And praised the ordinary workers, such as "Three Guarantees of Luck" and "You are in trouble".

Sun Tao's sketches convey harmonious positive energy, which is probably the reason why his works are not funny, but they have won so many Spring Festival Galas. The reason why Sun Tao's sketches are not funny is that the works themselves are too patterned, and the lack of language art is also an important reason. They are too rigid, the whole process is dull, and the performance lacks charm. After reading it, I just felt: I know what it is about, but is it a sketch? What's so funny?

Sun Tao has appeared in movies and TV series, such as the famous "Woman in Charge" and "Judge of Song Dynasty 2".

Pan Changjiang.

I have never laughed at his sketches, and I can't feel any laughter when I see him. The earliest sketches in the early days are also his famous works "Blunt Strike" and "Crossing the River", which I don't think is funny at all. But in the final analysis, the word "sketch" is just a small play, and it doesn't say that it must be funny at all.

In Pan Changjiang's essays in the later period, no matter his partners Huang Xiaojuan, Cai Ming or Black Girl, old terrier, who is about the same height as himself, is used to stir up cold rice. The routines in the works are also fixed, and basically they start to misunderstand, then let bygones be bygones and have a happy ending.

This is of course in line with the main theme of the Spring Festival Evening sketch, but it will always be the main theme, and aesthetic fatigue is inevitable. And his movie "Hands Up" makes me feel very strange.

Looking at Pan Changjiang's works, I have never relaxed. He is not as vulgar as some duet actors, and you laugh at him; Unlike some cross talks, it gives people a cliche. One minute before watching it, you can guess every joke, even the ending. Of course, watching some people's sketches, even if you guess, you still find his performances interesting, such as Guo, Feng Gong and Shen Teng, but Pan Changjiang doesn't have this trait. To sum up a word, it is "plain".

But Pan Changjiang is a good man. He thinks he is usually a very interesting little old man, but he lacks some jokes on the stage.

Jia Bing! Jia Bing! Jia Bing! Jia Bing! Jia Bing!

Jia Bing is the champion comedian. I have always been particularly fond of comedy programs, and the cycle is almost the same. But I don't know why I have a strange antipathy to Jia Bing.

It's always embarrassing to read his sketches. His works are well conceived, but I always think they are too deliberate. Every sentence seems to be funny for fun.

As a sketch actor, I prefer Wei Xiang in Twist FunAge. He was really born with a comedy face. Needless to say, standing there is comedy!

I never laughed when I read Jia Bing's sketches. I only saw him screaming. As for why he is famous, this is not what we know. Anyway, as soon as he appeared this Spring Festival Evening, I willingly turned off the TV and went to sleep with a clear conscience. Thank him for not keeping you up late.

Huang Hong. I haven't seen his sketches since he said that workers should think of the country and I don't think so. His injury to millions of industrial workers in Northeast China cannot be passed overnight.

As long as you see Guo Da, Cai Ming, Pan Changjiang and Yan Xuejing on TV, change the channel with the remote control immediately, so as not to change the channel in time and regret that the remote control is not around. Take a look at the feeling of extreme pain in my heart, discomfort in my stomach and vomiting.

There is a man named Chen Hanbai. We don't know whether he is a sketch actor or a crosstalk performer. Anyway, his program has never laughed, and he still has the impulse to slap him. Pan Changjiang and Cai Ming's sketches are so funny.

Cai Ming, Cai Ming, Cai Ming, Cai Ming, Cai Ming, Cai Ming, Cai Ming, Cai Ming, Cai Ming, Cai Ming, Cai Ming, Cai Ming, Cai Ming, Cai Ming, Cai Ming, Cai Ming, Cai Ming, Cai Ming, Cai Ming, Cai Ming.

In addition to yelling, screaming and being surprised at first sight, Pan Changjiang also jokes about personal appearance and height. It is not surprising that there are many clown actors in plays like him all over the country. Therefore, his sketches can't make people laugh. Besides, Cai Ming, who is quite old, is putting on airs, without any jokes, and they have no self-knowledge in their hearts. It's time to quit the sketch lunch stage.

In the past, my first thought was "I am proud of" Sun Tao and his partner Shao Feng.

However, after watching the comedy program Happy Rice of Liaoning Satellite TV, I found that we may have misjudged Sun Tao and Shao Feng. With the right stage, script and personnel, their performances are still very funny.

Now, I want to talk about Jia Bing.

Jia Bing's rise was a bit unexpected, and he suddenly became very popular. Moreover, he walked steadily, continued to perform various comedy variety shows in the Spring Festival Evening, and then continued to act in movies, which was a smash hit.

Most importantly, many of Jia Bing's works can be highly praised by many experts and bosses in the comedy circle, not to mention his own acting skills, and he can be called an excellent actor.

Then why are many viewers indifferent to his sketches? The author believes that the problem may lie in three aspects:

First, the writer's thinking and level.

Whether the sketch is funny or not is rooted in the screenwriter. Zhao Benshan cooperated with famous screenwriters such as Zhang Chaoyang, He Qingkui, etc. One classic work after another. After changing the young screenwriter, the sketch began to shit. Even the best comedian can't write a good sketch without a good notebook.

Jia Bing's screenwriters can't say that their level is not good. After all, they have been tested by so many comedy variety shows and Spring Festival Gala, but many of their team's sketches have structural problems, that is, the contradiction is not prominent and intense enough, the reversal is not exciting enough, the courage is not enough, it is difficult to perform the hilarious effect, and the audience is not satisfied.

Many of Jia Bing's sketches are funny through homophones, word games and small jokes, which make the audience feel "well, it's not bad" and "well, it's not bad", but there are few comic effects of "wow, hahaha, I'll go, I can't".

The problem of Jia Bing's team is also a common problem in many sketches, including crosstalk. There is no story, no plot, no turning point, no reversal, supported by broken baggage such as network jokes, homophonic stalks and word games. It sounds ok, but it's hard to make you think this work is funny.

In fact, it's not bad to break the baggage, provided that your level is high enough. For example, some of Liang Zuo's comedies are also broken bags, but his level is high enough and his bags are dense. The frequency of three sentences and two burdens is not up to that level.

Second, Jia Bing's personal playing style.

Jia Bing is an excellent actor. His acting is not true, but he has both advantages and disadvantages.

Jia Bing's strength is that he always insists on a relatively advanced funny method. Generally speaking, it is "standing to make money". He told a truth with realistic stories and humorous language. He seldom spilled dog blood in his performance, and occasionally it was just right. Surrounded by all kinds of hilarious comedy sketches, his performance style and persistence are rare, so he can get the support of many industry experts and bosses.

However, Jia Bing's shortcoming is also obvious, that is, he can't get out!

The language style of Jia Bing's sketches is somewhat similar to that of early Zhao Benshan, and the rhythm and style of the language are also somewhat similar. But he can be on a par with Uncle Zhao in Zhuang, but not as clear as Zhao Benshan in He. For example, Zhao Benshan, Fan Wei and Gao Xiumin can really throw caution to the wind for their heart diseases, not to mention his "Morning Grass Collection" and "Thirteen Incense".

In order to have a good effect, it is very important to remove the image of the sketch actor. For example, everyone in the twist FunAge, Shen Teng's early "Hao Jian", has a somewhat similar style to "Liu Neng", which is completely different from that after the big fever. Mary and Allen, they are not free at ordinary times, so the quality of their works has always been guaranteed.

This is Jia Bing's problem. His sketches often have the feeling of acting. Simply put, they are not grounded, and naturally they are not as red as Allen.

By the way, Alan is really a rare comedian. He can eat by his height, but he always ignores his personal image.

Third, the creation trend of sketches

I have to say, one of the reasons why Jia Bing's sketches are spit out is that he often preaches, "I like his head, but I regret his tail".

Jia Bing's sketches at several Spring Festival Galas all had a feeling of being too didactic. In fact, this is not the limitation of the Spring Festival Gala, but their team is better at it. After all, there is no grounded sketch in the Spring Festival Evening, and the key lies in the level.

When Jia Bing became famous in the variety show, the series of General Jia was really good, but after he became famous, his works began to like to play with feelings. This kind of sketch is not to say that it can't be done, but the key lies in quantity and proportion. One of the ten sketches you created is "Happy Head and Sad End", which the audience will find really hard to get. If you do ten sketches, seven or eight of them are "happy at the beginning and sad at the end", netizens will think it's time for you to change careers.

By the way, this is the feeling that Jia Bing's sketches always give the author, that is, it is more like a drama.

Perhaps influenced by the twist FunAge, the sketches of many sketch teams are becoming more and more like dramas, not that the dramas are bad, but that the sketches like dramas are really not funny, and Jia Bing is a typical representative.

Although the sketch was born out of film and television drama, the industry absorbed the nutrition of cross talk, burlesque and duet in the process of popularity. If we remove these nutrients and go back to the original sketch, is this progress or retrogression?

Finally, perhaps Jia Bing's team still lacks one thing, and that is the sense of quality products. By the Spring Festival Evening of 20021,Jia Bing's team still didn't have the representative works of classic sketches that could be famous all over the country, which was a very bad place. After all, what do artists and actors rely on? The energy of a classic works is better than ten or even twenty good works. Now Jia Bing has an important problem, that is, there are many "not bad" sketches, and there are almost no classic sketches that will last forever.