The gag in traditional Chinese opera refers to

In traditional Chinese opera, gag refers to the actions or language that make people laugh.

In traditional Chinese opera, gag refers to the funny actions or language inserted by the actors of traditional Chinese opera and folk art in their performances. It is a means to increase the interest and artistry of traditional Chinese opera and Quyi, and it is also a way to express the personality and style of actors.

gag is a common performance skill in traditional Chinese opera and Quyi, which can be flexibly changed according to different operas, roles, occasions and audiences, so as to achieve different effects such as amusement, ridicule, satire and criticism. For example, in Beijing Opera, some clown characters are good at gag, such as Wu Dalang in Sanchakou, Wang Cuihua in Zhulian Village and Wang Baobao in Shiro Visiting Mother.

where "ke" refers to funny actions and "Hu" refers to funny language. This kind of performance skill comes from Song Zaju, which is mainly funny and playful, but it is only interspersed with comedy in traditional Chinese opera. After the middle of Ming Dynasty, critics noticed the role of Keju and suggested that the playwright should pay attention to the arrangement and application of Keju.

Idiom source:

The idiom "gag" is used to describe joking and joking in a serious situation or topic. Its origin is "Pipa Story Reporting the Scenery".

The Story of Pipa is a legendary drama created by Gao Ming in the Ming Dynasty, which tells the love story of Li Yannian and Cui Shi. In the first play, there is a saying: "Don't talk about gag, and don't look for the palace, just look at the filial piety and the wife." Here, "gag" means that opera actors add some funny actions and humorous language to their performances to make people laugh.

gag is a common performance skill in traditional Chinese opera and Quyi, which can be flexibly changed according to different operas, roles, occasions and audiences, so as to achieve different effects such as amusement, ridicule, satire and criticism. It can not only increase the entertainment and interaction of traditional Chinese opera and Quyi, but also reflect the creativity and talent of actors, as well as social customs and changes.