Wang Shuo: Ma Weidou is an antique dealer. He doesn't know anything in his head?

Wang Shuo and Ma Weidou are very interesting. It means "Zhong Ni will not die, but Yan Hui will be born again". Ma Weidou and Wang Shuo are both children in the compound. They have been playing together since childhood, but they are not closely related. Because they have a good relationship, Wang Shuo is "presumptuous" in front of Ma Weidou, which is also in line with Wang Shuo's character. Wang Shuo is a man who dares to say and hate. He dares to say anything from anyone, leaving as much room as possible for the principle of not being a sinner. It doesn't seem to work for him. Wang Shuo's evaluation of Ma Weidou is very interesting. He thinks that "Ma Weidou is an antique, and he can't count it himself". Why did he say this about Ma Weidou? What are the unknown secrets behind it?

Wang Shuo and Ma Weidou have been playing together since childhood, and they hit it off very well. Ma Weidou's evaluation of Wang Shuo is also very interesting. Ma Weidou said that they fought together when they were young, and Wang Shuo was the most "cowardly". Even Ma Weidou himself didn't know when Wang Shuo was in trouble, so he smelled like a "literary rascal". On the other hand, Ma Weidou is still Wang Shuo's "Bole". When Ma Weidou was the editor of Youth Literature magazine, Wang Shuo's first important work was discovered and published by Ma Weidou.

People who don't know are still wondering how Ma Weidou knew about pearls. When you know the origin of Ma Weidou and Wang Shuo, you will find that Ma Weidou's "excavation" of Wang Shuo is more like a help. When Wang Shuo went all over the world looking for publishing houses to publish articles, Ma Weidou was already famous in the industry by virtue of "Full Moon Tonight". Ma Weidou became famous earlier than Wang Shuo, which helped Wang Shuo to some extent. It can even be said that Ma Weidou made Wang Shuo.

The relationship between two people is endless, and it is easy to chat privately, which is often a mutual loss model. One day, Ma Weidou complained to Wang Shuo that he envied the life of young people and had a lot of nostalgia between his words. Wang Shuo is very interesting. He directly retorted that you were an antique. Why haven't you got anything in mind? Yes, this is Wang Shuo's evaluation of Ma Weidou. In his eyes, Ma Weidou is an antique, and he knows what he has done. Wang Gang, another friend of Ma Weidou, had a similar comment on Ma Weidou, pointing out that Ma Weidou would also resell antiques in the process of primitive capital accumulation.

As can be seen from the comments of friends in Ma Weidou, Ma Weidou's early primitive capital accumulation is indeed a means of dumping antiques. Hai Yan, the eldest brother of Ma Weidou and Wang Shuo, pointed out that Ma Weidou was particularly good at "exchanging five horses for six sheep" in the trading process, revealing shrewdness everywhere. Looking back on Wang Shuo's evaluation of Ma Weidou, Ma Weidou is an antique, not counting himself. Look, in Wang Shuo's eyes, Ma Weidou did a lot of selling antiques. As for Wang Shuo's remarks and Ma Weidou's lack of confidence, this statement can only be understood but not expressed.

Of course, Wang Shuo's evaluation of Ma Weidou in his early years also has certain limitations. Ma Weidou himself is still disgusted with antique dealers selling cultural relics, and now he seldom sells antiques or even does anything. In his early years, Ma Weidou said that he was willing to donate his Guanfu Museum to the society a hundred years later and visit it as a tourist after retirement. Therefore, Ma Weidou is by no means an antique lover as Wang Shuo said. He still knows it in his heart. After all, when people reach a certain age, they will begin to pursue feelings, which is probably unexpected to Wang Shuo.