From storytelling to crosstalk, it comes down in one continuous line. Why are there fewer and fewer storytellers and more and more crosstalk?

When it comes to stand-up comic dialogue, the first thing that comes to mind is the king of stand-up comic dialogue who can compete with Hou and Ma. Up to now, there are very few people who say stand-up comedy, and some people still say it, but what they say is usually to mix a few small jokes and jokes to make a small stand-up comedy, such as Fang Qingping's, which is long and short.

The objective reasons determined by the macro environment.

Stand-up crosstalk like storytelling is basically impossible to say because there is no way to say it. At present, a cross talk performance is generally controlled at about ten minutes, and the longest is no more than fifteen minutes. What do you think of this book in such a short time? Fifteen minutes. You haven't started yet. Even a short paragraph will take nearly an hour. On this stage, a party lasts only two or three hours, and you will spend an hour going out to watch a stand-up comedy. How can you let others perform? Television is even more impossible. A stand-up comedy for more than an hour, other TV programs are still on. People don't know how full TV dramas and movie variety shows are.

The only place that can be used is broadcasting, what's more, broadcasting has declined, and people's broadcasting has been occupied by storytellers. The reason is the same. Your cross talk can be a short cross talk or an opposite play, which can be performed on the stage. They are powerless to tell stories. They only need at least half an hour, so their traditional field is broadcasting.

Subjective reasons are the most difficult to be independent.

There are also the subjective reasons of the crosstalk performers themselves. Cross talk is the most difficult of the twelve subjects of cross talk, and the most difficult is stand-up cross talk. It is much more difficult for one person to say it than for two people.

Two people say they are holding Doby, but they can also make fun of each other and run on each other. The stage looks lively and the effect is easy to come out. It is not good to stand alone. It's like a big play. It's not difficult for a person to perform a big play.

In stand-up comedy, the most difficult thing is telling stories. Although telling stories looks like endorsement, it is very difficult here. Why are there many incomplete paragraphs in stand-up comedy that can't be filled out? Because it's too difficult. A word and a meaning, a small plot change, may lead to the collapse of the whole stand-up comedy, and some people have made up for it, but it was finally removed. You have to be an amazing person to make up stand-up comedy.

Single mouth is not conducive to solving employment.

Another reason is that talking to each other can solve the employment and work of two employees, and only one person can talk to each other, wasting stage time. Don't laugh, it's true. At that time, many leaders really thought so, especially various art groups. Master Shao Ma has a representative joke called "Disputes". The original is a monologue. Let their leaders have a look. The leader said that you said stand-up comedy, and you didn't consider your partner's feelings. You didn't unite your comrades. Finally, I changed to a counterpart.

Therefore, for various reasons, there is basically no storytelling stand-up crosstalk in the current cross talk performance. Some people even say that most middle-aged crosstalk performers can't speak stand-up comic books except the old gentleman. They learned it, but you can't use it. If it is not used, it will be abandoned after a long time. This is especially true for the younger generation. Even some masters don't teach his disciples stand-up crosstalk, and he doesn't know much about it himself, so it's useless to teach.

At present, there are only a handful of young and middle-aged crosstalk performers who can really speak stand-up, especially those who can speak stand-up in books. Degang Guo, Meng Fangui, Fang Qingping, Wang Yuebo, Xu Liang and others may be famous. Degang Guo's stand-up crosstalk is more likely to favor ghosts and gods, and simple fairy tales always have dense jokes from him, just like Zhang Xiaoyi's Visit to Ning, which is also called haunted house sophistry. The whole story is not long, but the jokes are really too dense. And after laughing, there is a little reflection on people and society. Meet by chance, repay kindness with kindness, reward good and evil, and persuade people to do good, all these are Degang Guo's abilities. I suggest you listen to them.

Another interesting phenomenon is that the disciples of Deyun Society are not prominent in stand-up crosstalk. On the contrary, Cao Yunjin had talked a lot about "Dream of a Brothel", "Romance of Sui and Tang Dynasties" and "Strange Cases of Piku Hutong" before, and he also had many famous stand-up crosstalk in Wei Yun.