Brief introduction of Zhang Shouchen crosstalk writers.

Zhang Shouchen (1899 65438+1October 29th-1July 9th, 970), nickname Shuang'er, storytelling stage name Zhang Yuhua (disciple Shuang Houping), crosstalk master, the fourth generation leader of crosstalk art, storytelling actor, father Zhang Chengfu, storytelling actor, crosstalk. At the age of twelve, I studied under Jiao Dehai in Beijing, but I stayed in Beijing and Tianjin. Take Li Deyang's advice. The masterpiece "Little Fairy" refers to the performances of Yu and Yan Deshan and strives for perfection.

He is also good at cross talk, including article club, hook dart, geographical map, three-section club and so on. His works include Poke Bone Fragrance, Zheng Zhengbu, Foreign Money Typhoid and Exaggeration.

In addition to depicting the world, his works are also mixed with political satire, showing patriotism and a sense of justice. For example, there are "cowards who harm their compatriots and suck up the people's grease" in "Chuai Guxiang"; No bones, enough money, and outsiders are amulets "are all satires on traitors who take refuge in imperialism;" There is also "big bitch, betraying the country and seeking glory, knowing that she is being scolded and pretending to be deaf and dumb", aiming at the traitorous government. "Political Department" means that the cabinet wanted to set up a political department at that time to solve the serious problems of the country and let someone be a minister. The result was a mess, exposing the incompetence of the reactionary government at that time. These programs in the performance at that time, have been the audience's strong * * * Ming. After Li Deyang, Zhang Shouchen moved cross talk from "street open-air performance" to a comprehensive folk art place. In order to meet the needs of the performance at that time, he also created a large number of cross talk words, so that no matter what program he received on the stage, he could connect with the appropriate words of the previous program and naturally transition to the "live" to be performed through "baggage". Nowadays, many popular words are very short, such as ".

Zhang Shouchen is brave in innovation, absorbs nutrition from real life, and creates many vivid characters. For example, the image of a money addict in "Typhoid Fever with Foreign Money" and the emotional change of someone in "Government Affairs" when they receive the power of attorney all make people feel authentic. He also added many details with rich social knowledge and life experience to his works, such as the discussion of martial arts in Pumpkin Darts and the analysis of typhoid fever at the beginning of Foreign Money. When he performed "physiognomy", he could perform many different ways according to the different facial features of the performers, which could make people who took physiognomy as their profession feel shocked after hearing it. His use of "baggage" is characterized by smooth bedding and natural shaking. For example, in "Gourd Dart", it shows that a bodyguard of two brothers A cut off the head of a cow when he was robbed. By paving the way, people mistakenly thought that "the thief was killed" and the result was "the cow was killed". This "burden" is effortless from bedding to shaking off, which shows his profound understanding of the relationship between bedding and shaking off. For example, when Hundred Family Names came to the bottom, he asked the audience to give questions on his own initiative, and he could connect the five sentences of Zhou Wuwang with thimble. So every time the audience asks a question (no matter which sentence is put forward), when he finds "Zhou Wuwang" in five sentences, he immediately turns around and steps down without looking at the audience, showing full confidence. What show? However, this kind of performance shows chic on the basis of stability. Tao Xiangru, Hou and others are the actors who have cooperated with him for the longest time.

Tao Xiangru, a disciple of Yu Delong, was deep and steady when he became famous. Later, he was Guo's apprentice, and his performance was simple, cordial and temperate, which played a good role in setting off Zhang's performance. Zhang Shouchen often performs stand-up crosstalk programs such as Little Fairy, Wheat Field, Wax-melting Qianer, Five People's Righteousness, and a large section includes Man-Han Banquet, Xue Jie, Old Master, Fight and so on.

After liberation, the Chinese Music Association compiled traditional crosstalk. There are also his fairy, glib matchmaker, three nearsightedness, seeing wealth slaves, Yang, wheat fields, waxing money and so on. Tianjin Baihua Literature and Art Publishing House published his stand-up crosstalk anthology. As early as after the "September 18th Incident", in view of the Kuomintang's non-resistance, Zhang Shouchen publicized anti-Japanese on the stage and refused to publicize for the Japanese puppet government, which was approved by General Ji Hongchang. On the eve of liberation, he switched to telling stories. Traditional programs such as The Secret History of the Qing Palace, Romance of the Three Kingdoms, Water Margin, etc. are informative and humorous, and are well received by the audience. He also created and adapted some news feature films, such as shooting and falling in vain, which reflected the social life during the warlord's rule to some extent. However, due to various reasons, his storytelling text is basically lost.

65438-0962, Tianjin Film Studio filmed Zhang Shouchen's stand-up comic dialogue "Thief Talk", which was included in the stage documentary "Quyi Collection". He used to be the director of China Quyi Workers Association and the vice chairman of Tianjin Branch of China Quyi Association. His disciples are, Chang, Feng, Kang, Ye Lizhong, Zhu, Dai Shaofu,.