What does it have to do with Hou? What do you think of this?

Before liberation, Zhang Shouchen was the leader of phonology, and almost the whole phonology was under the command of Zhang Shouchen. Before liberation, although Hou had become a minor celebrity in Tianjin, he was not a big hit, but the person in charge seemed not interested in Hou, and even said in front of Hou that the best singer Hou sang was not crosstalk at all, which was a direct "challenge" to Master Hou. But in the face of the authority of the predecessors, Master Hou can ease it through his own efforts and win superficial respect.

Before the liberation of Zhang Shouchen, he was the authoritative leader of the phonograph industry.

Crosstalk was founded in the late Qing Dynasty. In order to carry forward, the portal system has gradually formed. It has become an important form of cross talk inheritance, and the rules in the cross talk gate are extremely strict, which is still conducive to the development of cross talk in the old society. After all, single-handedness is far less effective than group cooperation.

Zhang Shouchen "killed" Hou.

Hou, originally a Peking Opera actor, later switched to crosstalk and became an apprentice of He. His ability is not small, but his influence is limited after all. Master Hou suffered a lot when he was a child, and he worked hard after studying with him. It is said that when he learned from his master that he paid a meal on the Zhajiang River, it also showed his love for Hou.

Zhang Shouchen is considered as the person who has joined the industry the most in cross talk. The so-called "cross talk industry" is the cross talk segment. In the "Traditional Crosstalk Collection" published now, Zhang Shouchen collected the most jokes. It can be said that the actors who are still telling traditional jokes are all fed by Zhang Shouchen.

Hou is the leader of crosstalk improvement. It is precisely because of Hou's active promotion that crosstalk can get rid of the dross and become a literary light cavalry, which ushered in the golden age of the 1980 s and 1990 s. It can be said that the post-master made a unique contribution to the survival and reproduction of cross talk.

Zhang Shouchen realized that his previous speech was a bit extreme, so he immediately corrected: "You are right. In the future, I will take back crosstalk and say only what you can't sing, saying that learning is funny.

This is actually a normal artistic exchange of crosstalk masters, which is not contradictory. For example, after the fire, he also raised objections to his guitar cross talk. Master Hou believes that "crosstalk is a language art, which focuses on speaking, and accompaniment instruments have influenced the ontology of crosstalk. Can it still be called crosstalk?"

Hehou.

Master Hou's words haven't finished yet, and I immediately understood them. I hurriedly explained them sincerely. You're right. I take them back. This is an admission that Master Hou sang cross talk. It can be seen that Master Hou completely solved the "dilemma" by his own level, and his attitude was neither supercilious nor supercilious, which was a much-told story.

Therefore, for the evaluation of masters, we should pay more attention to their contribution to the industry and art, and try to ignore some war of words they have fought. The former is an immortal achievement, and the latter belongs to the category of entertainment gossip, which cannot be mentioned in the same breath.