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Calligraphy contains philosophy of life.
Calligraphy contains philosophy of life. Calligraphy is not just a simple practice. Simple writing is not calligraphy. Calligraphy is art, just like walking is not art, dancing is art, and calligraphy will bring us some philosophy of life. The calligraphy shared below contains philosophy of life.
Calligraphy contains philosophy of life. 1 Calligraphy is life. What are the ways to be a calligraphy person?
The ancients regarded calligraphy as practice. Only when you have a clean heart can you write well, and in the process of writing, you can achieve the effect of "clearing your heart".
Tang Taizong said in "On Writing Techniques": "When you want to read a book, when you close your eyes and listen to it, you will never worry about it, your heart will be healthy and harmonious, and it will be wonderful ..."
Ou Yangxun said that to be "calm and honest", we must get rid of other thoughts, forget all the honors and disgraces, and concentrate on it, so as to achieve a static and single-minded state.
Then flexibly and freely mobilize the strength of the whole body and convey it to the layout of the characters through the end of the pen. This is called "using the power of the whole body."
Zhou Xinglian's My Opinion on Linchi pointed out: "Sitting still and writing a few crosses or hundreds of words in regular script makes you feel uneasy.
From justice to danger, finally return to justice.
Learning calligraphy emphasizes "seeking righteousness first; Knowing that justice is right, we must pursue danger; Return to righteousness after knowing danger. "
This is like being a man, the first principle of being a man is integrity; However, when I was young, it might seem boring, so I pursued a dangerous and happy life. After experiencing danger and joy, I realized that the highest realm of life is frankness, insipid and ordinary.
Learning books is like this, and life is even more so. The so-called "seeing mountains is not mountains, and seeing water is not water" is exactly the case.
"Gentleman's Way" in Calligraphy
Calligraphy is often used to describe "the way of a gentleman".
Xiang Mu said elegantly in calligraphy: "The contact between the circle and the square, the square and the end, can tolerate strangeness, and the strangeness must be harmonious, while the beauty is good. Those in the middle are not too bad. He is innocent and heartless. "
Calligraphy pens can be divided into Fang Bi and round pens, while Fang Bi is square in writing and strokes. For example, the Zhang Qianbei and the Ritual Monument in Han Li, and the European style in Wei Bei and Tang Kai can all serve as models, with sharp edges and corners, which can give people a firm feeling.
The round pen is the beginning of the stroke and the circle in the stroke. Such as seal script and Han Li's Ode to Shimen. Fiona Fang in calligraphy is also similar to the principle and flexibility of interpersonal communication. "Gentleman's Way" is the unity of the two, and "Harmony is the most precious" is the way of a gentleman.
Calligraphy embodies character.
The ancients commented on books, "First, we must have high character, and second, we must learn from the ancients", which shows the position of character in calligraphy.
As the saying goes, books are like people, and words are like people. In fact, it originated from a famous saying of Yang Xiong, a writer in the Western Han Dynasty: "Books and heart paintings are also. As the name implies, the word is true.
Throughout all the calligraphers in China, the bold and unconstrained Yan-style characters are maintained by Yan Zhenqing's upright and upright character. Zhang Xu and Huai Su's cursive script, flying while flying, has an extraordinary momentum, corresponding to their broad-minded and uninhibited temperament.
Wang Xizhi, the author of the world's first running script Preface to Lanting Collection, is natural and interesting. Therefore, calligraphy contains high personality cultivation and life realm, and also contains deep philosophy of life.
I'm not Shangshu.
Books and heart paintings are also available. As the name implies, the word is true.
Calligraphy contains philosophy of life. What philosophy did you learn from calligraphy study?
There are too many dialectical relationships in calligraphy art, such as white cloth making full use of the unity of black and white, and white brushwork making full use of white to make black. There is a dialectical and unified relationship in the form of writing. How to achieve harmony in close strokes, big and small characters and lifting pressure must be arranged reasonably and properly to solve these contradictions. Make full use of skills and solve them properly.
The core of dialectics is the law of unity of opposites. China's calligraphy explores the special laws of writing and the special beauty of calligraphy. Calligraphy contains rich dialectical thoughts. For example, creation has the unity of tradition and innovation, and on this basis, it inherits the classics and creates changes. Only in this way can the habitual appreciation of calligraphy be consistent.
The realm, meaning and method of cursive script are perfect. Pen-and-ink drawing is when writing cursive script, it is necessary to unify emotion and statutes, and statutes should not be neglected. If it is biased, cursive script will lose its emotional interest. If you blindly pursue lewdness and debauchery, you will lose your degree and the charm of books.
This shows that there are different contradictions in calligraphy writing. How to deal with harmony is the beauty of calligraphy.
The beauty and ugliness of calligraphy are a pair of contradictions. The beauty of calligraphy art, harmony, emotion, form and quality are all excellent works. Beautiful scenery with calligraphy and ink. Without its laws and regulations, writing is ugly.
Dialectical thinking, sometimes books are in line with the habit of appreciation, which is related to the background of the times. Jin advocates rhyme and Song advocates meaning. Therefore, the study of steles in Qing dynasty was not valued in the past. Later it developed. Enriched the content of calligraphy art. From the Southern and Northern Dynasties to the Jin Dynasty. There is a landscape of post-school and stele study. A gentle and graceful, a square vigorous. But mutual transformation and mutual benefit. Now calligraphers have achieved the unity of inscriptions and inscriptions. There is a grand view of combining rigidity with softness.
Therefore, without dialectical thinking, there would be no conflicting and harmonious calligraphy. The Tibetan front is retrograde, which makes the pen and ink full of power. Bending and straight are also a corresponding posture.
The process of writing calligraphy is to solve the contradiction of strokes. If handled well, it will be beautiful. Improper handling will lead to failure.
Calligraphy contains philosophy of life III. Understanding the philosophy of life from calligraphy.
I have studied for more than ten years since I was eleven.
Black and white, ink rhymes, it's really a trip, Zhong Zhang Xixian, tern Liu Zhao, Su Huang Camouflage, Cheng Tieweng Liu, stop-and-go, stop-and-go, just a glimpse of the door. It was a hobby, and it didn't succeed.
I can't remember how much ink I used in Dege Pavilion and yellow paper in Jiugong Pavilion, but the beauty and tranquility of the years under the influence of calligraphy are like drugs flowing in my blood, which are addictive, intoxicating and memorable. It is more difficult to give up after a long time, especially after a long time. We can appreciate some secrets of life from calligraphy.
1, calligraphy pays attention to hiding the front, and so does being a man. Implicit beauty is the unique wisdom of China art and China people.
2, good calligraphy, to leave blank, to be a person, to do things, to talk and do things, and so on, we must leave three points room, there are too many things to do, too many words to say.
3. There should be both Fang Bi and a round pen in the cursive script, and the same is true of being a man, sometimes tall and straight, sometimes smooth.
4, calligraphy should be gradual, first learn regular script official script, and then learn running script cursive script. Regular script is the posture of a person standing, running script is the posture of a person walking, and cursive script is the posture of a person running. If you can't even stand up and want to run, you will undoubtedly plant a big one-off.
5, calligraphy works can have their own personality, but this personality should be based on black and white and red seals, based on ancient legal posts, based on the aesthetic feeling of the public, innovation without rules is not called innovation, but [silly] coercion. People can also have their own personality, but they must conform to the rules, otherwise they will be hated.
6, writing must be kept in mind, so that the words written can be done in one go, I don't know the number in my heart is impossible to write with a pen. If you are not completely sure, you'd better not do it Reluctantly, success is a fluke, failure is a joke.
7. Calligraphers should also be writers. He should be familiar not only with inscriptions, but also with the subset of Confucian classics, Tang poetry and Song poetry, otherwise he is just a good calligrapher. No matter what kind of occupation, you should read more books. Your theory goes up, your strength goes up, and you will be full of poetry and painting.
8. The inscription should be slightly smaller than the font of the text, and the name of the author of the text should be above the title to show modesty and respect. People should be modest and understand the truth that "goodness is like water".
9. When writing, you can write cheerfully, leisurely, drunk or tearfully, but don't write angrily. If the words are not written well, the paper will be scratched, which is not worth the loss. Nothing can be impulsive, especially anger, which is easy to break down.
10, talent is very important, but when talent is not as good as genius, we must make up for it with efforts. Everyone can't be Wang Xizhi, but everyone can be Wang Xianzhi. Wang Xianzhi's diligence can be imagined. Although his talent is not as good as his father's, he is still tied for the "two kings" through his efforts the day after tomorrow.
Five thousand years of calligraphy contains the wisdom and philosophy of China people, so Zhu Ziliu in "The Condor Heroes" can realize the essence of a Yang finger from calligraphy, so I can also realize some knowledge of dealing with people in the vast ink sea, just like the couplet that Jia Baoyu saw in Qin Keqing's room in "Dream of Red Mansions":
The world is full of knowledge and the cultivation of human feelings is an article.
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