Meng: It doesn't matter whether you are a champion or not. It doesn't make any sense.

Meng, member of Deyun Shehe Branch, captain of Deyun Sheqi Team, 1988, from Harbin, Heilongjiang. He is a new cross talk champion, the champion of Deyun Douxiao Club in the first season, and he studied art 1 1 year.

1.

Meng, an art school in high school, majored in acting. After graduation, I participated in the recruitment of crane characters in Deyun Society with the recommendation of my classmates. But it may be bad luck. Although I prepared a lot carefully before the exam, I was still sick and my throat was swollen on the day of the exam. I barely passed the exam by a familiar passage. After entering Deyun Society, I worked as an assistant to Mr. Yu Qian as a student, helping the teacher drive, taking care of the racecourse and doing some chores. In this way, he solved the problem of food and clothing while studying.

Meng took the stage to speak crosstalk for the first time. His lips were numb with nervousness, his face turned white and his hands were cold. Almost by muscle memory, he played it without making a mistake. For the next three years, he was not very confident. He was afraid of the stage, so every move on the stage was very unnatural, with a fake smile and unreal noise. Everything seems to rely on the muscle memory formed by frequent practice to support his performance. At that time, he should have been feeling and confused, not knowing what to do in the future.

But fortunately, he is a good talent, and Meng himself works hard. The performances he learned before are icing on the cake, adding a lot of color to his stage. And the partner is also very tacit, and has been a partner for more than ten years now. Meng's stage style is lively and divergent. And Jiu Liang happened to be in a safe state when he was holding a hat. Although he is young, his hat is slow and steady, which often has the effect of making the finishing point.

2.

Won the titles of "New Crosstalk Couple" and "De Du Yun Xiao She", and now the master Degang Guo seems to be pushing him. It is reasonable to say that an ordinary person is prone to some complacency, but obviously Meng is not. Although he really began to get angry, the heat began to get higher, and he began to participate in more variety shows, he was still the polite and grateful boy in front of his master and teachers and mothers. In front of the younger brother and the team members of the Seventh Team, he is still the teacher and captain who looks "easy to bully", which is also the reason for the joke that "the team leader of the Seventh Team is overhead".

Meng's mind and feelings are very delicate. He looks lively and generous on the surface, but familiar audiences will know that he respects his masters, Degang Guo and Yu Qian, and they are also very important. It is not difficult to see in "De Yun Dou Xiao Hui" and "Crosstalk of Newcomers" that whenever Mr. Guo or Mr. Yu criticized or praised his performance works, their comments often brought tears to his eyes, as if every word was deeply remembered by him.

He has no strong expectations about whether he will be famous or not. He said, "Whether it is red or not depends on his life. Crosstalk has to be prepared for a lifetime."

3.

Due to the rapid spread of the Internet, crosstalk performers can't say what they want to say on the stage as before and act like performances. No matter what you perform, someone will "live" your performance below. Moreover, many of Deyun's clients are young people, especially young women. Newcomers and young fans may not know much about crosstalk, but they can't ignore their demands. They want to hear something new. A program created today was put on the stage, and the next day it became an old work. "He feels that a program for him for half a year will definitely have a better effect. However, after only a few performances, he was afraid to perform, for fear that everyone would think the joke was always unhappy.

Their cross talk is constantly innovating in inheriting the tradition!

However, he also encountered a very important multiple-choice question: Do you want to play with old works or create new works? Meng said: "When there is a new work, it is an incentive to try to perform it well. If you don't have this inspiration, don't blindly create some works that feel like new works, but the effect is not good or you can't master them. If you perform that kind of work on the stage, it is irresponsible to the audience and too blind innovation. When I feel uninspired, I can study traditional programs and see how the old gentlemen perform, so I may find new inspiration here. "

How to master when and how long to play a new work, he has his own steelyard in mind.

May everyone be an ordinary audience quietly and continue to witness his future growth and changes!