Ciling-Why tell jokes if you want to tell myths?

Zhao Xiaoding's photography and Chung-Man Hai's artistic design highlight the magnificence of the northwest desert and the masculinity of the characters in the film. What is particularly commendable is that the soundtrack of this film combines grand western symphonies, intense electronic music and chic flamenco style, and it is an excellent film in China in recent years. It can be said that "The Thorn Tomb" is the China martial arts version of the western gunfight movie, so Cheng Xiaodong's action design not only retains the action style of the martial arts movie, but also incorporates elements such as close-range martial arts and gunfight that conform to the fashion action movie. The first action scene reminds me of the desert war between Donnie Yen and Tony Leung Ka Fai in New Longmen Inn, and the action design of Fei Qiao played by Jay Chou is imaginative. With the help of special effects, the action scene of the big scene of The Thorn Mausoleum is more intense and abnormal, especially a scene of the Sandstorm Corps, which is perfect from scene, photography, editing to equestrian action and soundtrack, and is not inferior to the desert war of The Mummy. In the last section of the underground kingdom, the horror element of "ghost blowing lights" was basically applied, and the scene of the appearance of four evil spirits was still very thrilling. This is a commercial film with excellent technology. Although it is far from excellent because of the lack of the plot, I can still enjoy the process because of its outstanding characteristics and full entertainment elements. Although "The Grave of Thorns" has done a little deliberately to please the fans on Jay Chou, it is not an exaggeration. Among them, Jay Chou has the largest exhibition space, with all kinds of cool tricks.