Commenting on his Spring Festival Gala works, Jiang Kun said that cross talk can't just be funny. what do you think?

Crosstalk is a language art, which needs humor and humor, and also has certain ideological and social significance. I have to say that Jiang Kun's understanding of cross talk is still in place. But since Yun Qi was born in Deyun Society, Jiang Kun has been praising his mainstream cross talk, but it seems that such cross talk can't make the audience pay the bill. First, crosstalk performances should bring laughter to the audience. We often say that the language art of cross talk focuses on word games between the lines, and let the audience appreciate the charm of cross talk through one package after another. The social pressure of modern people is increasing. Many times, people watch cross talk to relax themselves, so cross talk itself still has a large part of humorous elements. If we simply follow the script, talk about ideals, talk about planning and talk about preaching, I am afraid that there will be fewer and fewer people who like cross talk in the future, and this art may lose its meaning of existence.

Second, cross talk should also have its own meaning. Of course, personally, I agree with Jiang Kun. After all, crosstalk, as a form of mass cultural communication, also has certain connotations. Whether it is educational significance, personal statement or adding satirical elements, it will play a certain "propaganda role". To some extent, this is also one of the charms of art, which is understandable. If it is meaningless to cater to the audience, it is difficult to balance the difference between cross talk art and daily chat.

Third, two-way combination and advancing with the times can conform to the trend of the times. Many people say that the mainstream crosstalk advocated by Jiang Kun is no longer suitable for the development of this era, and even the platitudes can't reach the stage of the new era. Actually, it's not. Sometimes traditional things have to be carried forward. Only by combining the advantages of all aspects, ancient and modern, Chinese and foreign, can this art be better developed and passed down. The times are progressing, the society is developing, and each era has its own characteristics, which requires all things that want to keep pace with the times to make positive changes and strive to keep up with the trend of the times.

Maybe it's because Deyun Society is so hot. Jiang Kun and other crosstalk performers of the older generation seem ready to leave at any time, but in any case, the outstanding contributions made by their predecessors to crosstalk performances deserve our respect. I hope that the cross talk business will flourish in the future and make persistent efforts to create a better future.