What is the biggest highlight of "Bay Driver"?

What is the biggest highlight of "Bay Driver"? Without a doubt director Edgar Wright. The eccentric director who became famous for his trilogy of blood and ice cream ("Shaun of the Dead", "Hot Fuzz" and "At World's End") disappointed fans a little this time. Without the other two actors in the iron triangle, Simon Pegg and Nick Frost, Edgar Wright's iconic British dark humor and bad taste have obviously been neutralized by Hollywood, and his personal color has been diluted a lot. Even so, Edgar still made a racing gangster movie unique, and the highlight lies in the use of music. He made the whole movie seem like an MTV medley of the music in the ears of the male protagonist Baby. The plot and pictures were seamlessly connected, allowing the audience to have an exciting drag racing trip along with the music. I quite like this setting, because what I get is exactly the similarity between the male protagonist and myself - a patient with severe music dependence. How to explain this pathology? Most people listen to music to relax themselves, that is, they like to listen to music when they have nothing to do. Patients with severe music dependence are just the opposite. They need music to accompany them in everything they do. On the contrary, they do not rely on music when they need to relax. I am such a person. I must listen to music when driving, working, reading, and typing. If there is no music surrounding me while doing things, I will feel uncomfortable all over. I may even have addiction symptoms such as hand tremors and palpitations. It will gradually settle down until the music starts. An absolutely silent environment is a completely intolerable work environment for me and is only suitable for sleeping. Such a character setting could have created a stronger dramatic tension. The director could have explored the baby's life experience, extended the baby's identity, and developed a deeper relationship between the baby and the big boss played by Kevin Spacey. Lots of grievances and hatreds. But in Wright's eyes, these seemed to have no photographic value. He always downplayed them or dealt with out-of-control situations so that these complexes ended hastily and were shelved. It was a pity. He is more entangled in the boring love between the baby and the heroine Deborah. Although it has a hint of Bonnie and Clyde, the rigid performances of the two make many scenes quite embarrassing, with only the shells of male and female thieves. , without inner spirit.