Ask king of comedy's film review!

First of all, from the character's point of view, it is very accurate to grasp the humble and eager psychology of the little people, which can be seen from the hero and heroine it sets:

Yin Tianchou. There is no doubt that this character is also a nobody, but it is different from the characters created by Master Xing in the past. In the past, the characters created by Master Xing had more or less the shortcomings of philistinism, lewdness and greed, and another major feature of the characters created by Master Xing was exaggeration, and even a little neurotic character was rarely seen in this role. A prominent character of this role is persistence, simplicity and kindness. For example, he is just an extra actor, but he always reports an "actor's accomplishment". He fought for the opportunity to play again and again, failed again and again, and was even humiliated again and again. Finally, he insisted on his own sentence: "In fact, I am an actor." His simplicity is always accompanied by simplicity and persistence. Complex people will certainly have a lot of thinking and naturally have a lot of concerns. Think about it, how many young people yearn for the road of acting, just because they love acting? Nowadays, there are far more people taking part in Chinese opera, Chinese opera and northern films than in the past. In addition to the support given to candidates by the improvement of material conditions, another motivation comes from the scenery and glory of stars that everyone can see in the overwhelming entertainment information, and the temptation of economic benefits that can be obtained by becoming a star. So now there are more people who want to be stars than actors. Yin Tianchou, do you remember those two scenes? He went to Sunny, the deputy director for the second time, and said that he could do anything without money, as long as he had a lunch box; In another scene, Sister Juan asked him to be the leading actor and asked him if he had any questions. He said, "Do you have lunch every day?" What a simple idea, what a persistent belief: as long as you have a bite to eat, you must stick to your ideal to the end. About his kindness, there may not be much performance in the play. There is a plot in which a man in Ye Hong is trampled by Yin Tianchou, and Ye Hong takes him to an old lady to ask for money. He took the old lady's only one hundred dollars. Seeing all this, Yin Tianchou walked over and threw a hundred dollars on the ground, saying that the old lady had lost your money. This detail shows the kindness of this role. In this way, Yin Tianchou does have many advantages, but he is still a nobody, and he is still humble. He loves acting, but he never has a chance. He was poor and wanted to have lunch, but Ng Man Tat (sorry, I can't remember the name of the person he played in it) threw the lunch to the dog. However, he still craves respect. The most obvious scene is that when I first met Liu Piaopiao, the other party kept calling him a "walk-on", but he smiled and seemed to inadvertently emphasize: "In fact, I am an actor." After being laughed at by Piao Piao many times, he also has emotions. He said: "In fact, you are out to sell. If you know how to respect others, then others ... "Of course, this sentence was interrupted by fluttering before it was finished. In fact, little people are like this. They are eager for respect from others. When their self-esteem is hurt, they often choose to seek psychological balance by hurting others. This sentence "for sale" is a response to fluttering "dead walk-on". Of course, Yin Tianchou is always kind. When Piao Piao stood up angrily and said, "What did you say?" At that time, he immediately said, "I'm sorry."

I remember that Du, played in Wong Kar-wai's Time Has Changed, had such an opening remark: "After many years, I have a nickname called Du in the Jianghu. In fact, everyone can become very poisonous, as long as you have tried what is called jealousy. I don't care what others think of me, I just don't want to see others happier than me. " The distortion of personality is the beginning. Of course, most of Wong Kar-wai's films depict the dark side of human nature. Liu Piaopiao in king of comedy is such a mentality. She is a prostitute and can be said to be the lowest figure in society. They are humble and cheap. PiaoPiao Piao has been calling Yin Tianchou a "walk-on" because she is humble, and she doesn't want to see others more noble than her. Learning the performing arts and teaching others to act are just "walk-on". Why should we respect you as a teacher? She can't get respect from others, not only prostitutes are not treated as people, but also she seeks psychological balance by hurting others. However, it is this that shows her difference from other prostitutes. I remember Lu Xun's hometown, in which there are three characters: me, Runtu and my sister-in-law Yang Er. I, work hard; Moisturize the soil, hard and numb; Sister-in-law Yang Er, hard-working and unrestrained. If Yin Tianchou is a hard-working person, those prostitutes are hard-working, numb and high-spirited, but they are certainly not hard-working. A hard-working and wanton person must be numb, while Piao Piao is a person who has never been numb. Therefore, when Yin Tianchou said "for sale", Piao Piao got angry, but other prostitutes didn't. A prostitute even grabbed the angry fluttering and said, "Come on, we are." Yes, she doesn't want to be a prostitute all her life. She still yearns for respect and love. Too much suffering twisted her. When she finally found true love, she still had her fears. So, in Yin Tianchou, I said, "I support you." At that time, she refused: "You'd better take care of yourself first." But she was moved. Finally, for this truth, she was beaten black and blue and still said "no". I would rather die than be a prostitute again. When she came to Yin Tianchou again, she still didn't immediately tell the purpose of her visit. She said, "Hey, was it true that you said you would support me last time?" It takes a lot of courage for her to speak. In the last scene, Yin Tianchou came home late and trembled in a series of scolding, which also reflected her humility and fear. "Where have you been, come back so late, cook! Why are you dressed like this? You play the leading role. I tell you, whether you are the protagonist or a walk-on, you must support me for a lifetime. " In fact, she is scared, scared and abandoned, but her words seem threatening, which is the characteristic and performance of fluttering.

She really loved Yin Tianchou, knitted him a scarf and sat at the door waiting for him to come home. Later, when she saw the blood on Yin Tianchou's neckline, she thought it was lipstick and said, "Red, lipstick? You go out fooling around? Let you go this time, not next time. " In fact, any woman will make a fuss when she sees this situation, but she is on cloud nine. "I'll let you go this time, not next time." Also because she is modest, she dare not ask too much of each other. After all, she used to be a prostitute. Later, he said, "What, are you not convinced and hit me?" It is also a fluttering expression. She is humble and doesn't want to be noticed.

On the two main lines of this play-ideal and love.

Ideal. Yin Tianchou's ideal is to be an actor, which is also the ideal of Master Xing. It is said that this film is a biographical film. But biographies often describe a successful person from obscurity to blockbuster, while this film only describes obscurity, and finally gives the impression that the dog's tail continues to be a mink. But I don't think this is the failure of the film. On the contrary, it is such an ending that makes this film great. Everyone can see the glory of success, but few people know the course of struggle. Life often has such an ending because of such a choice, and no one can make a choice just by looking at the ending. If today's Master Xing is not Master Xing, or this Yin Tianchou, will he stick to it? Or did Master Xing foresee that he would persist until today? The figure I admire most is Sun Yat-sen, the father of our country. Although I live in the mainland and have been influenced by Chairman Mao since I was a child, the person I admire most is our founding father. I admire him not because of his historical achievements, but because of his achievements. As far as my education is concerned, who can compare with Mao Zedong and Deng Xiaoping? I admire him because he taught me what is ideal and what is persistence. According to Mr. Sun's ideal in those days, China has never realized his ideal until now. In other words, he didn't succeed until he died. However, what is the definition of success, and is it called success after reaching the goal? Or the process of perseverance and never giving up? King of comedy is about such a process. This process, like Mr. Sun's struggle, shocked my heart. There are few stories about ideals and struggles now, and there is only one "slam dunk master" in my impression.

Love. The love in A Chinese Odyssey is really shocking and classic, but it is a castle in the air after all. On the other hand, king of comedy is about a love that you think will really happen. And the greatness of this love lies in its purity. Yin Tianchou's simplicity created this kind of purity, and his lingering hope for life created this kind of purity. I still remember when Yin Tianchou finally got the chance to be the leading actor, she was beaten black and blue. She shouted to the car in the distance, "Hey, was it true that you said you would support me last time?" How did Yin Tianchou answer: "Yes." Piaopiao: "You won't lie to me, will you?" Yin Tianchou: "Of course not. I am waiting for you. " In fact, everyone knows why Yin Tianchou has such an opportunity. And his "yes" will ruin his future. But he blurted it out without thinking, and then went to see Sister Juan with great interest. In fact, he never thought about some phenomena existing in these societies. The so-called gentleman loves money and takes it properly. Yin Tianchou only knows this right path, and only decides this right path, regardless of other ways. And fluttering, she followed Yin Tianchou, is it really just hope that someone can support her? To tell the truth, being a prostitute is definitely much more comfortable than living with this "dead walk-on". But what she wants is this respect, this truth. I still remember the sentence "No matter you are the leading role or a walk-on, you must support me all your life". Piaopiao is not a vain woman. She follows Yin Tianchou, and whether he succeeds or goes bankrupt, she will follow him. This love is pure, and this love is precious. I still remember that on the morning after Piao Piao spent the night with Yin Tianchou, Yin Tianchou asked the lady what the price was for the night outside Ye Hong, and then gave Piao Piao all her savings. Why did he do this stems from the humbleness of his little people. How can a person who even has problems eating believe that he can have love? When Piao Piao saw the money, his reaction was: "Thank you, boss." What a self-destructive remark. And a moment ago, sitting on the windowsill fluttering, without makeup, is so pure and beautiful. Until this moment, she realized that she was a prostitute, so why should she have love? Love, in the eyes of these little people, is so noble and out of reach. When I watched king of comedy, it was the hit period of Meteor Garden. Strangely, after watching the play, except for the boys, they didn't feel the theme of the play-love. They are all too rich. For them, love is a problem that needs to be considered after dinner. They have too much social status, the right to talk about nobility, and of course the right to have aristocratic love. And Liu Piaopiaohe, in terms of their living conditions and social status, can still believe in love, is it very commendable? Think about it, a person who owns a golden hill is willing to share his golden hill with you, which makes you more moved than a person who is willing to give you half of his steamed bread. At least for me, it's the latter. Therefore, in fairy tales, I never like Cinderella. I only love the little girl who sells matches. I often wonder why the prince wants to marry Cinderella instead of helping the little match girl. I'm glad that Yin Tian and Chou He Liu Piaopiao finally broke through the fence, broke through themselves and got up the courage to say, "I support you?" Summon up your courage and ask, "Is it true that you said you would support me last time?" This love is really great.

Two key words about this play-humbleness and greatness.

"Shit, I am a pool of shit. Life is cheaper than ants. You take the Mercedes, I pick my nose, knowing that death is hard to move. " When I heard this song, I was really sad, especially the sentence "I know it's hard to move even after death". There are so many people all over the world. How many are successful and great? A person's life is so short that some people are just a piece of shit when they die. There is a TV series called "He is My Brother", in which Li Qi and Xie Yuan are a bit like the stars in life and Tony Leung Chiu Wai. Of course, Master Xing is not as unlucky as Qi. We only showed 20 episodes of "He's My Brother" there. It is said that Li Qi, who was notorious and broke, later became a taxi driver. I still remember Lee's Reginald Edward stubbs in Fire Ambition. Just because his father can't write outstanding words, his name is Reginald Edward stubbs, and so is his life. He was always "pulling" but never "taking", and he didn't spell success clearly until his death. Their lives are so humble. This is the case in Yin Tianchou. But he's great. His persistence and persistence in his ideals and his purity and cherish of love have made him great. Greatness doesn't vary with your occupation. Sun Yat-sen is as great as Yin Tianchou. Everyone who sticks to his ideals is great. Everyone who "loves money wisely" and insists on taking the right path to realize his ideal is equally great.

I said "king of comedy" is Master Xing's best work, because it is endowed with more meaning, and it is a film worth remembering and rewarding.