What's wrong with domestic animation?

I am a die-hard anime fan, but to my disappointment, domestic animation seems completely different from Japanese animation. Our country is so bad that we can't bear to look directly at it. Even if we maintain an optimistic attitude, no matter from which aspect, our domestic animation still has a long way to go.

The defects of domestic animation are very obvious, that is, it is too short or too long, and the plot setting is far less rich than that of Riman. There are many other places that make me feel uncomfortable, so I will share them with you.

First of all, China's animation should have the characteristics of China, and don't think it should imitate other countries' animation. Our plagiarism can't bring any benefits. It's better to "take the essence and discard the dross". This kind of development is long-term, so that our country can get lasting development.

For example, The Big Fish Begonia released this year is suspected of plagiarism. Its painting style is similar to that of Miyazaki Hayao's grandfather. Except that the clothes are China's, other parts are full of the shadow of that year. I don't know whether to be happy or sad.

Our country's technology is not bad, what is lacking is the real passion and understanding of animation. Compared with Japanese animation, domestic animation is younger. In fact, the production technology of many Japanese cartoons is also very simple, and the biggest gap is the content.

The popularity of short cartoons with interesting contents, such as Run Comics and 100,000 Cold Jokes, is related to the great pressure of modern people. When you smile, the pressure can be released. Original animation has a great market, because video is a reading medium that more and more people like in modern times.

Moreover, our animation is not only for children, but also for adults. Don't be prejudiced against animation, thinking it is a tool to coax children.

As a post-90s generation, my domestic animation is limited to Journey to the West and Nezha Legend. It's really hard for us to produce decent works after that. These cartoons are called classics because their reasonable plots are fuller.

However, the current animation is too commercialized and the marketing model is not good, so the development of Guo Man has become very slow. Moreover, due to various reasons, Guo Man's development time is very short, and we can't get a good "breeding environment", which is the fundamental reason for our "poverty".

In our country, animation can't be perfectly integrated into our life like Japanese, which is caused by our education system. We can't have a good contact with animation every day, and even some parents regard animation as the chief culprit affecting learning. How can China despise animation so much?