How to evaluate Peisi Chen's and Zhu Shimao's short play The Leading Role and Supporting Role?

The whole sketch has a compact structure, no nonsense, many and crisp burdens, which are related before and after, that is, the burdens upstairs and downstairs. This is an important criterion for judging whether a comedy is good or not-whether it has a aftertaste.

Contradictions and conflicts are one of the roots of good cross talk or sketch. The protagonist and supporting role are full of contradictions and conflicts from beginning to end. The conflict in the whole sketch is visible to both roles, and the interests are unevenly distributed, instead of the vague conflict between good and evil that the audience understands and the actors are "confused" as in Police and Thieves.

The protagonist and supporting role start from the simple conflict between two roles, one is a traitor, and with the development of the story, the conflict of assigning roles begins to emerge, which is also the most important conflict. The burden of this sketch revolves around this conflict, and the difficulty lies in this. There are no smelly jokes all over the street, no fun for the disadvantaged, no boasting and flattery with the main theme, no baggage and melodramatic catching people's feet. It is the short story itself that brings such a wonderful performance. I can't refuse to accept it

Back to the sketch itself, the first conflict (every conflict is accompanied by a well-designed burden) is caused by the contradiction of assigning roles. Chen said that I defected in this scene again? "Another word" rang, and then the whole sketch entered its first climax. Peisi Chen robbed/stirred up the well-structured play. Chen expressed the definition of "grabbing/stirring drama" with practical actions (body language and language). First, he smiled with a cynical attitude, which made people laugh. Then, Lao Mao said I was a telephone pole, and I was, and I robbed the play according to your meaning. Chen: Why? Lao Mao: That makes me a good shooter. Chen: Of course! Then Mao fell down without shooting. Lao Mao: Not yet. Why did you fall? Chen: Oh, it shows that you are a good marksman! ! !

Every time I see this, I laugh like an audience. First, Chen Wanmei has turned over a burden that I will fall as soon as you raise your hand. Second, Chen's expression, that meanness, that little man's success, that injustice and unconvinced, he didn't play the leading role, that lewdness, that old hair, you see how good my cooperation is. He played the role of the gods.

Then the story tends to be dull, and the second derivative conflict, Lao Mao said that you can't play the leading role, and Lao Chen said that I can! This conflict is transitional. Let the audience who are tired of laughing have a rest and pay attention to the development of the story, because there is still room for laughter. At this time, Lao Mao began to calm Chen's mood and told him that not everyone can be the protagonist. Chen Ziran refused to accept and fought. With the development of the story, Lao Mao naturally wants to play the leading role for him. Finally, Lao Mao lit the fuse of the loudest firecrackers in the story, which was also the last big conflict. Switch roles! Lao Mao: Today, I will let you be the protagonist for a while! Mr. Chen undressed and said, what a change! At that moment, I thought he was too natural. I was completely fooled by their performance and didn't think it was a performance at all. This is the farce that really happened in front of me! ! ! !

Let's not talk about the story of being shot and broken.

Peisi Chen wearing that dress is a joke and a contradiction. We are used to the tall "Zhu Shimao" Eighth Route Army. If Mr. Chen wears it, he won't laugh. He doesn't look like a good man.

Finally, Teacher Chen fully experienced the protagonist's addiction. He finally grasped the initiative of contradictions and conflicts in the "play" and played well with Lao Mao. Of course, Mao is not easy to mess with. He seized the conflict and hit back at Mr. Chen. This is what a traitor looks like! ! ! ! !

You may delay, but time will not. Mr. Chen's plays are almost sold out. Why not all but all? Because the biggest contradiction has just appeared, or the role exchange, Chen is wearing the clothes of the protagonist but can't twist himself from his bones and begins to play a supporting role. Since putting on the clothes of the protagonist, Chen has become more and more happy and excited. Just as everyone watched him get high, he suddenly reversed the contradiction and lamented that I thought only I could defect like this. Unexpectedly, you Zhu Shimao's heavy eyes also defected to the revolution! ! ! ! ! ! ! !

Although the contradiction in clothing is obvious, it is only a foil and bedding, and the spiritual communication or the role setting that cannot be changed in his bones is the climax. Chen finally returned to the role of traitor, and the heavy-eyed Zhu Shimao did not betray the revolution. When we were brought into the play by the actors, the actors brought them into the set for themselves, but the set was so natural that Chen's changes in language and expression were without any sense of disobedience. It was this skill that was finally shot by Lao Mao. This shot instantly took everything back to the beginning and we were taken back to the original scene. After the show, everyone, do what they have to do.

They are the only sketch actors who can turn the conflict in the story into such a wonderful performance.