These seemingly unknown writers can be so powerful.

Nowadays, online writers are very powerful. They can create 100 million yuan a year, and literature can also talk about GDP. Don't forget, som

These seemingly unknown writers can be so powerful.

Nowadays, online writers are very powerful. They can create 100 million yuan a year, and literature can also talk about GDP. Don't forget, some classic writers' works are amazing, although they are not well known to the public. Do you know who they are?

Liu Yichang

China's first stream of consciousness novel.

Speaking of Liu Yichang, you may not know it, but you must know that Wong Kar-wai, Wong Kar-wai, the king of sunglasses, likes to watch Liu's works.

In the sixties, Liu Yichang, who was in his forties, wrote a book called "Drunk Life and Dream Death", which was very powerful. Known as China's first stream-of-consciousness novel, it is regarded as a milestone of Hongkong novels? The masterpiece of Hong Kong literature, the classic of modern Hong Kong literature, almost reached its peak.

But few people know that drunkenness is the story source of Wong Kar-wai's film 2046. In his eighties, his novel Down was adapted into the movie In the Mood for Love by Wong Kar-wai. At the end of the film, Wong Kar-wai also specially thanked Liu Yichang. Two sentences in the movie are quoted directly from the novel. In the novel, Spring Baiyu, who has entered his later years, describes his first love in this way:

I used to watch Wong Kar-wai's movies with a little stream of consciousness, but later I learned that they were all from Liu Yichang. Reading Liu Yichang's book, you will unconsciously experience the story from the author's point of view, and listening to the author's narrative is also very interesting, and you will gradually indulge in the author's flowing.

Hsien Yung Pai

The tree is like this, chinese odyssey.

To tell the truth, Bai Xianyong, as a writer, is not as famous as his father Bai Chongxi.

Father Bai Chongxi joined the army at the age of eighteen, starting from the student death squads of Wuchang Uprising, and going from War of Resistance against Japanese Aggression to China Civil War. He was called "Little Zhuge" and "Anti-Japanese Hero" respected by China, and "China God of War" by the Japanese. But his son Bai Xianyong is different. He loved literature all his life, contrary to his father's path.

Speaking of Mr. Bai Xianyong's literary achievements, it can be said that China's contemporary literature can't be bypassed. You can't find any books below 8 points when you search douban.

His most famous book is The Taipei Man, which ranks seventh among the "Top 20 China Novels 100" selected by Hong Kong Asia Weekly, and is the highest among the living writers. The top six are Lu Xun's Scream, Shen Congwen's Border Town, Lao She's Camel Xiangzi, Zhang Ailing's Legend and Qian.

Even San Mao said that he grew up reading Bai Xianyong's novels. Xia Zhiqing, a famous literary critic, said, "Since the May 4th Movement, his artistic achievements can rival or surpass those of Bai Xianyong's later novels, and there are only five or six people from Lu Xun to Zhang Ailing."

But what is more special is Bai Xianyong's homosexual identity. Although he was born in a rich family, he was displaced in the war all his life. Although his father is a great star, he is a brave homosexual. 1976, he wrote the novel "Evil Son" with the theme of homosexual love, which is also the pioneering work of homosexual writing in China literature.

In particular, his article "Song of Life with Blood and Tears and the Pure Feelings in the World"-"Trees are as Good as Like" in memory of his homosexual Wang Guoxiang tells how they decorated the courtyard, drank and boiled crabs together, planted three Italian cypresses, how the cypresses grew and withered, and how Guo Xiang's condition deteriorated step by step until his death. After reading it, everyone cried.

Reading Mr. Bai's book, you seem to see a warm and clean old man, wearing a robe and carrying soft yellow wine, telling you about life in the pavilion on rainy days.

Lilian Lee

If I love you, I will eat you in one bite.

For many readers, the familiarity with Li Bihua began with Chen Kaige's Farewell My Concubine.

But in fact, apart from Farewell My Concubine, many of Li Bihua's novels have been adapted into film and television works, such as Rouge Kou and Green Snake. These novels have richer connotations than love, giving people historical, social, aesthetic and philosophical thinking, which is incomparable to ordinary romance novels.

In her works, the female images are both rebellious and beautiful, such as Ju Xian in Farewell My Concubine, the glamorous dissatisfied wife in Rouge Kou, and the white snake in Green Snake. For a spring rain of apricot blossoms, she defied her fate regardless of life and death.

Men's images are generally selfish, mean and ugly. For example, in the previous life of Pan Jinlian, there are stones in Luring Monks, farewell my concubine, and dozens of people who broke their promises and stood me up in Rouge Kou.

Throughout her novels, most of them are selected from well-known historical allusions and legendary stories, such as the Green Snake in The Legend of the White Snake, Pan Jinlian's past life in The Water Margin, and Yoshiko Kawashima, who describes a mysterious female spy's life.

As a popular writer, she is not well known to the public compared with the silver screen superstar. Her anecdotes and popular novels are rooted in the soil of Hong Kong civil society, full of love, hate and drama. Hong Kong people like her stories because they are fantastic, mysterious, exciting and even have strong erotic elements.

People in Li Bihua are also very free and easy. She once said that life is happy. She doesn't write slave articles, and she is not in a hurry to work with the title of writer. She only writes her mind, not deleting it or changing it, just for fun.

This kind of free and easy pervades the stories in her novels. In her wild imagination, she always tries to reel off the cocoon as an outsider. Her book can't go on, and when you read it, you invade your heart carefully, which makes people want to stop.

Bi Feiyu

China is a male writer who can best describe women's psychology.

Bi, a male writer known as "China can best describe women's psychology", knows that most of his works started with massage, but he only knows massage because it was made into a film by Lou Ye and won the Golden Bear Award.

In fact, Massage is a rare literary work with the theme of the blind in China. What is impressive is not only that Bi Feiyu writes about the ups and downs of society and life from the perspective of the blind, but that he writes about the blind with the mentality of the blind, without high-profile eulogy and praise, only with delicate emotions.

The pain of massaging the blind comes from people in the bright world and people who are related to them in one way or another.

For example, Wang Dafu's younger brother not only disliked his brother's appearance at the wedding, but also forced his troubles on his brother; Tailai's parents think that the marriage of two blind people is not decent, and they don't want to hold a wedding for their son, for fear of being laughed at; Kong Xiao was bullied by the "front desk" many times during the deep massage; The "mutton dispute" provoked by Gao Wei and Jin Jie quickly caused a rift between the two blind bosses who had been good enough to have a heart-to-heart relationship; Xiang Tianzong suffered 16-year-old Sha Fuming's "little love" for more than two hours in order to compete with his rival in love, which was extremely cruel. ......

But Bi Feiyu's best works are definitely more than that. Many of his works are worth seeing. For example, "Corn" tells the story of a rural girl from simplicity to destruction, depicting the warmth and coldness of human feelings. "Tsing Yi" describes the life of an actress before and after the stage, and there are several long paragraphs describing the posture of women on the stage, which is also very beautiful.

Just as in Nobel Prize in Literature in 2009, scholar Lu Jiande commented on Bi Feiyu: "Reading such words gives birth to a sense of relief. In fact, the favor of any literary prize is not very important, and this kind of vigilance against oneself is more valuable, because it is a moral value. I haven't seen Bi Feiyu's works. As far as memory is concerned, he is more mature and honest than Mill. "

After all, great writers will not be regretted by future generations, but will shine more and more with time, leaving it to future generations to say.