What are your top comedies?

From what aspects should our creators consider making a comedy? There are various answers to this question, but one thing can't be ignored, that is, comedy must first make people happy, and then there will be many touching or heartless criticisms and satires that shock the soul. If a comedy can't make people happy, then the rest are invalid, and it can even be said that it is not a comedy. It can be seen that the basic problem is the basic problem that needs our attention most, but unfortunately, no one is willing to take this most basic problem seriously, and those creators who take it seriously often reap the rewards, and it is not small.

Pray for God's mercy is a very good work, which makes the most basic comedy details, and behind this basic detail, the film has made a good extension and extension.

Pray for God's mercy tells the story of a doctor in a mental hospital who led four patients to watch a football match. During this period, the doctor was admitted to the hospital because of the attack, and the other four patients began to look for their own doctors on the streets of new york. However, they are patients and they can't do something with normal logic. Finally, the search process shows a cynical side.

These four patients have their own distinctive characteristics, rooted in these characteristics, and the plot setting of this film is also very reasonable. Sick Henry is the only normal person among the four, and his mind is very meticulous. He planned a plan to find his attending doctor from beginning to end and finally won the battle with the police. Jack is an extremely neat man. He once had a problem with Henry, but he was able to help him at a critical moment.

The other two patients, a Christian TV viewer with the feelings of savior, have well completed the plot setting of the creator by virtue of their own personality characteristics, which is the most critical point for the audience to finally approve the film. However, this most critical point was gradually buried after decades.

What we think of comedy in contemporary times has been gradually reduced. Exaggerated performance and blunt final grandstanding have gradually become the golden rule for comedy performers or creators to follow. It seems that only comedies centered on tragedy are comedies, and other comedies are no longer comedies. This is a big joke. Behind this joke is our narrow understanding of comedy by drama practitioners. Are they really talking about comedy? I don't think so.

Comedy has never been a fixed pattern worthy of strict compliance. It can only be said that comedy is rooted in our life, and all comedies close to life will eventually gain the audience, and at the same time, more comedy forms can be derived. This form of comedy will eventually enrich the content of comedy itself, which we need to know and understand, because only in this way can our creative library really gain a certain reserve, so as to create works better.

However, when we take a narrow view of comedy as a creative carrier, what do we gain? Nature is not the whole creative basis of comedy, because of our own cognitive problems, the road of comedy will get narrower and narrower, and eventually a situation will be formed, that is, what we think of comedy will inevitably end in tragedy. If we don't do this, the comedy will fail, or the comedy must be sensational in the end. If we don't do this, the comedy will fail. But after watching more such works, we can easily find that every comedy that tries to do this will eventually get farther and farther away from the audience, so it will fail more and more.

There is no way to attract the audience's comedy, and it is useless to talk about it, because the creator has focused on tragedy and touching from the beginning. When the creator roots such a core point in the framework of the script, it will only be regrettable, because these two core points are not the most basic components of the drama, so the whole work will be biased towards the general feature film rather than comedy. How does "asking God for mercy" work?

It does not tie itself to such creative ideas, but creates a joke with a core story according to different settings of roles, which is the basis and core of creation. Only by shaping different stories according to different characters to adapt to the plot, in the end, we are lyrical. At the core of the tragedy, we just summarize the previous stories, so that the whole movie is very smooth.

The final trend of "Begging God for mercy" is also humanistic care, but this is the result of comparison with the last one, rather than prejudging in advance. The trouble is that many of our creators like to predict the ending and then infer from it. This is a comedy, but full of sadness. But this is regarded as a benchmark by many people, which is very embarrassing. Broaden our creative horizons, perhaps our comedy types will be richer, the audience will like it more, and the creators will make progress.