Japanese animation illustration-If Japanese animation draws nostrils, teeth and lips, it will be very strange and ugly. what do you think?

Does anyone know the name of this picture? This is Japanese anime.

Railway War! -Japan's state-owned railway police "(or" RAILWARS! 》》)

The first picture is from episode 5, 4:22 seconds.

Here, the second picture is a related illustration. Railway War! -Introducing the Japanese national railway police force.

TV cartoon "Railway Wars! Adapted from the original work of Japanese novelist Akio Toyoda and the novel Railway War! The Japanese state-owned railway police team. On July 5th, 20 14 was launched. All 12 words.

This work is based on the parallel world where Japanese state-owned railways are divided and privatized, and mainly describes the positive performance of four high school students, such as Naoko Takayama, and police members who are assigned to the railway police team (equivalent to railway police employees in real life).

Type: workplace, inspirational

Type:

Takayama Naoko, a high school student, worked for the long-awaited national railway and became a driver. He was in the fourth alert class of the Central Railway Public Security Department in Tokyo, belonging to OJT (On-the-job Training System), commonly known as "Police No.4".

I don't know why I became an ordinary straight mountain man represented by the monitor, and Sakurai Aoi, who is better than men and has excellent shooting and fighting skills, Koumi Haruka, a big miss with excellent memory, Yan Quanxiang, a simple-minded hot-blooded man, and other members, faced with events from finding lost children to defusing bombs! ?

Can four policemen solve the incidents that have been involved one after another?

The youth railway action film interwoven by four high school students is about to leave!

producer

Original: Toyota Joe

Original illustration: バニバ 600

Producer: Yoshishi Ueda

Series composition: Masashi Suzuki

Role design, overall painting supervision: Uno Shing

Deputy role design, painting director: Sha Yaxiang Xiaoji

Artistic background: Hiroki Matsumoto

Artistic Director: Du X Xing Hao

Color design: Sano ひとみ

CG director: the history of cross-domain v

Music: Seichang Fujisawa

Animation: Passione

Role dubbing

Naoko Takayama: Jun Fukuyama

Sakurai Aoi: Manami Numakura.

Koumi Haruka: Uchida Maaya.

Yan Quanxiang: Satoshi Hino

Massari Zanuma: Hiromi Igarashi.

Five energy students: なかはら まこと Division.

Iida Nai Nai: Yui Horie.

Kashima Naiya: Maoyuan G plum

Hiromi Konno.

If I can help you, please click adopt ~

Who is this Japanese animation illustrator? Thanks to Xigaoli's animation collection [Xigaoli ァニメションワクススススススススス] ] If Japanese anime draws nostrils, teeth and lips, it will be weird and ugly. what do you think? The nose and mouth in the first and second metacharacters are not obvious,

It is the result of narrowing the dark area of the five senses under strong exposure. The stronger the exposure, the less obvious the fine structure of the face, leaving only big light and shade. The volume of the five senses is weakened, and the gray surface of the nose and lips disappears, leaving only the dark part of the nose. Therefore, although the nose and mouth structure of the second element is not obvious, the structure of other parts of the face except the five senses is not obvious, and the whole picture is unified. The upper contour of the alar is not visible under strong light. If the alar is still obvious under strong light, it means that the alar has deep decree lines. Because the pursuit of plane in two-dimensional illustration will inevitably weaken the volume, in sketch, the volume is realized through light and shade. So planarization will inevitably weaken the light and shade. And people who have no light and shade at all will lose their sense of reality.

Second, then how to have a sense of plane without losing the sense of reality?

So I use "exposure" to vividly describe the simplicity of the characters. And they are all works and styles with high public acceptance. Tell me what's weird and ugly. There is no need to answer a lot of horror valley effects in front, because the question itself is not established! If you draw nostrils, lips and teeth, it will look weird and ugly. There is no other reason, that is, the author's painting style itself is weird and ugly, which has nothing to do with our innocent nostrils, lips and teeth. "Exposure" is to use three-dimensional photos, but also to show that the second dimension is simple planes and lines, but it can still imply the volume, thus giving people a sense of reality. In this case, as soon as you row down, you think you are painting freckles, but in fact it has exceeded the level of freckles. It will soon look like a mole. Because even a small point, the contrast is too big.

Similarly, this painting has no decree pattern. Because looking at the skin color of girls, it seems that the skin is very good. The decree pattern should belong to the lighter kind. Her decree lines are even weaker than the bridge of the nose. Third, you only draw the bridge of the nose as a solid black line.

The shadow under the eyebrow arch has just reached a small gray level. If you take out the thread, it must be an unnatural nose, and so is the nose. Similarly, her teeth are the same as those in other places. The bottom of the nose is just a black line. If a person draws a shadow, it is probably too much. If the teeth are drawn as solid lines, at least the teeth will not be closed, leaving a gap of 1 mm, so it's not that cartoonists and animators don't draw teeth, but that once they are drawn, it's too much. Then, is it possible to draw teeth, figures and decrees in the style of animated illustration? Not necessarily. Everything depends on the overall details of the work. I have been nearsighted for a long time, probably from the fourth grade of primary school, and I can't do anything. When I was a child, how could I lie down and watch cartoons and watch TV without myopia? But it is in this situation that my eyesight is getting worse and worse that I insisted that my father accompany me to get glasses until the first day of junior high school. After all, I didn't study at that time. After blaming me for not paying attention to my life safety, the two waited for glasses. When I got my glasses and put them on, I looked aside and said something that my father will never forget. Dad, you have so many pits on your face.

There is also a difference between the way people look at themselves in the mirror and the way they look at themselves in the photo. When we look in the mirror, we don't notice our shortcomings, but our eyes will correct our faces to the state we want to see. Fourth, but photos make a person's face completely clear at a certain moment.

Leave all the details on the photo paper. At this time, all the shortcomings and details that you try to avoid when looking in the mirror will be put on the table. Naturally there is a gap. After all, animation painting is not a sketch, but only the part that can summarize the characteristics of the role, and for the sake of brevity, the description of the nose and mouth has been omitted over the years. This is why many people are used to watching contemporary animation, and then go to see the works of the 1980s and 1990s, which makes them feel uncomfortable and ugly. The nose and lips are basically depicted, and the structure of the teeth is also drawn in a large close-up article. On the premise of complete description of the five senses, the characters also fully fit the mainstream aesthetics. Simply comparing JOJO's painting style, the fire phoenix is more commercialized. Although the plot threshold is high, the painting style is acceptable to the public. On the other hand, JOJO's painting style is not commercialized. JOJO's painting style is beautiful, very beautiful, but in the comic circle, this beauty is not mainstream and commercial, but it is easy to convince people. The above only talks about the commercialization of painting style, and does not belittle any works. JOJO and Fire Phoenix are excellent works. The two took the opposite path, and JOJO was good at putting simple and rude plots

And set to play with flowers, Fire Phoenix is better at putting the complex brain-burning plot back to nature and sorting it into a simple value concept, which represents a character. See, people will draw teeth one by one when drawing such a fine cover, but there is really no need to draw the main content like this. 5. The above examples are both young and young.

Sen Zheng Hong's hypothesis points out that because robots are similar to humans in appearance and action, humans will also have positive feelings for robots; Until a certain extent, their reaction will suddenly become extremely negative. Even if there is only a little difference between robots and humans, it will be very conspicuous and harsh, making the whole robot look very stiff and horrible, making people feel that they are facing a walking corpse. However, when the similarity between robots and human beings is rising, which is equivalent to the similarity between ordinary people, human emotional response to them will also become positive, thus producing empathy between human beings. The word uncanny valley is used to describe the rejection of robots that are similar to themselves. And "valley" refers to research.

In the relationship diagram of "goodwill versus similarity", before the similarity approaches 100%, goodwill suddenly drops to the level of disgust and rises to the range before goodwill. Generally speaking, in my opinion, the biggest feature of the two-dimensional painting style is simplicity, and the shapes of characters can be summarized by simple lines. This explains why people's chin and nose are summarized by triangles, and also explains that the redundant structure of the face will be eliminated as long as it does not serve the expression. I think the strangest thing about this kind of problem is that the whole is close to reality, but some parts are slightly divorced from reality, which will make people feel strange about the surrounding reality.