I want to ask why Fei Yang in the third part of The Legend of Heroes in Sui and Tang Dynasties is so different from the wishful thinking in the second part. Aren't they all the same person

My friend, don't expect too much from the plays made in recent years. The director is bad, the screenwriter is bad, and a scene is purely shot by a star. In other words, it is to let the stars play, and they cooperate with each other to live. This is called acting. This director only cares about the women in the dinner party, regardless of whether your plot is contradictory or not. The Legend of Heroes in Sui and Tang Dynasties is completely a failed work supported by stars, so the plot will not be spit out, the characterization will fail, and some people will forget if they can't act. Won't the director correct it? Besides, the play has no connotation at all, and it fully embodies the thought of bandits. How can a character meet his spouse as soon as he comes out, and then he is destined? Almost everyone in it has an emotional scene. How can there be such a good thing? Isn't the screenwriter a little made up? I saw the news the other day that "Heroes of Sui and Tang Dynasties are expected to become the longest TV series in China". Haha, I am happy. It turned out that the director made up the plot so badly that it took so long to get this title. In such a big China, there are few TV plays in recent years!