Cross talk slang

1. "The blind man" - the words are not correct, and the performance is very random. Ma Sanye once said: "Fighting the blind man" is a technique that makes people listen to one thing in the east and the other in the west without knowing what to say. It seems that the words are wrong. In fact, it is all performed by the actors. But it has to be so that people can't see the flaws.

2. "Diaokaner" - also called spring point. In fact, each industry has its own terminology. Diaokaner is a term for those who used to eat in the world. terminology. This terminology serves two purposes: one is convenience, the other is confidentiality. Why keep it a secret? For example, there are two comedians who want to negotiate the price with a boss, but they cannot talk openly about it. The two of them use a few words to talk about each other, and they understand it, but the boss does not. In just a few words, we negotiated the price. Diao Kan'er is very concise, so the total number of vocabulary words in Chun Dian is only more than two hundred. These two hundred or so can be said to include everything from eating, drinking, having sex, and sleeping. For example, there are many languages ??in life. If you say that the food is not good, it is called "bad", if the person is not good-looking, it is called "ugly", and if the product quality is not good, it is called "not good". So in terms of spring point, it is always The two words *** are all included, called "Nian Leng". This word is a bit weird, but it is easy to remember, but it is not easy to use. If you want to say someone Nian Leng in front of a crosstalk actor, People must be anxious with you.

3. "Kong Ma'er" - refers to cross talk actors or laymen who have no teachers.

4. "Thin-skinned" - Lao She once said: "When it comes to cross talk, you must first keep your composure, put on a cold face, never laugh, and must Control the audience's attention, speak clearly and sharply, use all your strength to say a wisecrack when talking about the important point, and then the whole audience will burst into cheers and burst into laughter. To use a terminology, , this is called "thin skin", which can be broken by one poke. 5. "Showing knowledge" - refers to the ceremony of becoming a master and accepting a disciple.

6. "One head sinks" - A has more lines, mainly focusing on A's narration, introduction, commentary, explanation and imitation. When B heard the narrative, he sometimes discussed with A to express his opinions, sometimes asked questions for A's explanation, and mostly supplemented A's arguments. Through B's perfect background, problems are pointed out, contradictions are deepened, themes are revealed, and "baggage" is shaken off.

7. "Getting to the bottom of things"-meaning to tell the audience or listeners in advance the suspense or baggage that infuses the author's powerful wisdom, thus greatly weakening the impact of the work. Powerful or funny effect.

8. "Guankou" - it is a quick and rhythmic language performance. There are many classic jokes, such as "Reporting the Name of the Dish", "Geographical Map", "Eight Screens", "Opening a Porridge Shop", etc.

9. "Liu Work" - singing Liu'er and playing Liu'er. Simply put, it means learning to sing.

10. "Cardless work" - also known as "incision". Traditional cross talk takes Beijing dialect as the core of the language and uses other dialects, namely "coarse words". The "coarse work" of cross talk is to find misunderstandings caused by misspeaking and mishearing between different dialects, and make fun of them, or make fun of them. Reflect from the irony. "Hang first" - the same as "grab". That is to say, during cross talk performances, actors often pick up ridiculous topics on the spot and insert them into the show to make the audience laugh. And be able to combine program content well to achieve good results.

11. "Padding words" - the opening remarks made by crosstalk actors before performing the formal program. Sometimes it is also a small program to attract the audience's attention or highlight the content of the formal program.

12. "Enter the life" - During a crosstalk performance, a paragraph of content is used to introduce the pretext to the main topic, which has the function of connecting the previous and the following.

13. "Hard work" - When talking about cross talk, as soon as you start speaking, you will ask questions, which is called "hard work".

14. "Opening the door" - that is, "padding words", also played a role in attracting audiences in the old days.

15. "Nunkou" - old, mean and vulgar language.

16. "Consigned image" - a double-act term. The person behind you is rapping, and the person in front of you is imitating his movements and mouth patterns.

17. "Singing straight" and "singing crookedly" - two forms of Liuhuo (learning to sing) in cross talk. "Crooked singing" relies on misinterpretation of homophonic sounds to create baggage, while "positive singing" relies on learning to sing realistically and singing very similar to produce "positive points".

18. "Taokou" - a term used in cross talk, refers to the imitation of dialect in cross talk, also known as "cowardly speaking".

19. "Lai Di" - when cross talk was performed before liberation, performance venues were set up in temple fairs, markets, and open spaces on the streets. The actors performed on the ground, and others rented tables and stools from the audience for the audience to sit. The "laying on the ground" busking can be divided into three grades according to the venue: the upper-grade ones are equipped with shade cloth tents and benches; the medium-grade ones only have a circle of benches; the inferior ones have no facilities. Also known as: "Ming Di'er".< /p>

20. "Huaguo" - some crosstalk actors in the north who performed on the ground in the old days first used white sand to draw circles and write on the ground to attract the audience. This is called "painting pot". "Pot". It means to draw a rice pot so that the performance can generate income and make a living.

21. "Da哏" - a unique term in old cross talk, that is, funny Use a fan to hit Peng's bald head to make the audience laugh.

22. "Laying the net" - the "pretend" that was later developed.

23. "Chanting" - that is, "Liu Huo"

24. "Zanggui" - that is, "eating". The obsolete and vulgar language in cross talk

25. "cross talk double reed" - cross talk double reed is the standard form of double reed. Double reed is attached to cross talk, and formal double reed is composed of cross talk. Therefore, the word "cross talk" is added before the double reed. Regardless of whether the back is squatting or sitting, the cross talk is derived from the octagonal drum. In the past, octagonal drum actors had to sit down to play the strings. , cannot be played while squatting. Therefore, the double spring with two chairs and the back should be the original form of the double spring. Later, the form became independent, and most of the strings could not be played on the back, so it was changed to squatting, hiding the face.

26. "Quyi Double Act" - the so-called Quyi Double Act itself is a folk art cross talk, and its performance is a double act. There is a TV cross talk in the TV broadcast navigation "Quyuan Miscellaneous Talks". , this is an old record and recording of cross talk. The characters mentioned in the cross talk are played by multiple people. They are filmed according to the scenes of the TV series. The lip syncs learned in the cross talk are synthesized into a TV film. It looks like a story play, but it is actually a double act. There are two people in the back recording, and there are many people playing the front face. Crosstalk lines are not qualified for dramatic double reeds, so they can only be called folk art double reeds. This kind of double reeds can be seen in Chang Bao (Xiao Mushroom) and Chang Lian'an's "Xiang Mian", and more recently in Hou Baolin's "Three Sticks and Drums" and "Empty City Strategy". ", etc., and the more recent ones include "The Sound of Mahjong at Night", "The Dispute", etc. Hou Baolin's "Empty City Strategy" is exactly the opposite of the founder of Double Act, Huang Fuchen, and is the front face of his son Hou Yuewen.

27. "Stands" - There are some famous cross talk actor combinations. In the jargon of the cross talk industry, they are called several "stacks", such as Zhang Shouchen, Chang Baokun, and Dai Shaofu. First gear, Hou Baolin is in the first gear, and I, Ma Sanli, am also in the first gear. But it's not exactly the same. "Hei Bao" carries Jiao'er's boots and bags, a carrying bag for Bao'er's utensils, pots and bowls from the drinking hall, etc., and is dedicated to serving Jiao'er, acting in the background and drinking on the stage. , it's all "following the package" work. Although the "cage picker" also carries a suitcase, which contains folding fans and handkerchiefs as props for cross talk, bamboo boards for singing Taiping lyrics, wake wood for tabletops, and pots and bowls for drinking water, etc., there is no need to dress up as a waiter. and drinking area. The "cage picker" not only has to do all the chores for the performance, such as cleaning the venue, setting up stools, fetching water, collecting money, etc., but he also has to "do the work" for the master, either by praising or teasing him, or when the master says he is tired. "As a back-up," tell a joke, do a stand-up, or sing some Taiping lyrics.

28. "Planning" - means to completely expose the contradictions of things in advance, so that the audience can clearly see the development and conflict of the contradictions. The contradiction is repeatedly rendered more vividly in the narrative to further demonstrate the contradiction.

29. "Crosstalk" - crosstalk performed by three or more people, in the past it was only called "three people's life". "Group crosstalk" and "multiple crosstalk" are both names that appeared after liberation. There used to be a saying: "One person is talking, two people are teasing, three people are cooperating, four people are coaxing, and five people are in chaos."

30. "Ni (ni) "四音)儿" - the cheerleader in the crosstalk, standing in the middle of many funny actors. "Ni (ni) seam" means to fill the gap in the brick wall. As the name suggests, it serves as a connection between A and B.

31. "Zhang Xuan" - The kind of person who was in power in the cross talk scene in the old days was called "Zhang Xuan", which is a jargon. People who wander around in the world are called "Xuan", which is pronounced "Xue" in Beijing dialect.

32. "Pull out" - that is, count the treasures.

33. "Su Nian'er" - the cross talk was boring and turned the audience away.

34. "Remembering the New Year" - means there is no audience or very few.

35. "Fire Year" - refers to a large audience.

36. "Men Chief" - The senior brother of each generation in the cross talk world is called "Men Chief".

37. "Live" - ??a joke

38. "Live" together - a joke

39. "The one who does the work" - cross talk lingo, that is, the person who makes fun.

40. "One who measures the work" - cross talk jargon, that is, one who praises.

41. "Child and mother" - two people who tease each other become a relationship of equal importance.

42. "Baggage" - joke

43. "Handling" - rearrangement

44. "Thick-skinned" - not easy to understand

45. "Thin-skinned" - easy to understand

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46. "Before coding" - go faster

47. "After coding" - go slower

48. "Genian" - don't talk about it

49. "Pestlet" - money

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50. "Pestrel throwing" - giving money

51. "Pestlet throwing" - asking for money

52. "Opposite" - just right

53. "Yellow tone" - not in tune

< p> 54. "Reading" - not good

55. "Making appearance" - facial expression

" "Bag" point - audience who loves to laugh

59. "Mud" - poor effect

60. "Getting out of trouble" - a problem occurred

61. "Drawing lots" - a small number of spectators left the venue

62. "Opening" Gate" - a large number of spectators exited

63. "Zan'erliang" - understood in my heart

64. "Yes "Child's Spring" - Crosstalk

65. "Single Spring" - Crosstalk

66. "Sea" ——Big, many

67. “徶”——Small, few

68. “Hard deal” — — Make more money

69. "Booklet" - line book

70. "Wake up"—— Awakened

71. "Xi Liu Gang" - funny words

72. "Tuanchun" - cross talk

73. "媛 scoop" - laugh

74. "Plague" - plain, not good in effect

75. "Getting up" - the audience has left

76. "Pan'erjian" - beautiful face

77. "Pu Su'er" - cry

78. "礤" - hungry

79. "Niangna" - not eating