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Are there any crosstalk performers from Deyun Society who are very popular, but you can't like them anyway?

Meng and Qin Xiaoxian

Now there is a popular view on the Internet that the cross talk industry is very popular, which is brought by Deyun Society. You see, every year or two, they will introduce one or two cross-talk actors who are in a terrible fire. From, to Meng and Qin Xiaoxian.

However, there is also a view that only the word "crosstalk" is popular now, but the real crosstalk art is at a low ebb. Some popular crosstalk performers have made little achievements in crosstalk, and it is difficult to represent the art of crosstalk.

For example: Meng and Qin Xiaoxian.

The author believes that the crosstalk industry does have the problem of virtual fire, which is somewhat similar to today's music industry. "Thunder" and other shouts of wheat fire, can it show that the music industry is on fire? Can the online celebrities who sing Thunder represent the music industry?

As far as Deyun Society is concerned, the so-called cross talk stars they launched in recent years have indeed shown a trend that crabs are not as good as crabs in cross talk art. In a popular saying, they are "pumping".

Speaking of Meng and Qin Xiaoxian, I feel that these two traffic stars have obvious traces of network celebrity, just like the industrial products coming down from the star-making assembly line, which are as featureless as the cross talk art.

The author doesn't say much, just emphasize that Meng and Qin Xiaoxian don't even have a basic "cross talk"!

What is crosstalk?

This is a bit mysterious. The simple understanding is that an actor can tell whether what he said is crosstalk or not as long as he opens his mouth on the stage.

This is like a comparison between professional players and amateurs. You don't have to play this game. A few steps on the court can tell who is a professional and who is an amateur. Actors with cross talk and those without cross talk can be recognized at once. Artists with cross talk don't care what they say, and artists without cross talk don't care what they say is a bit messy.

The author has always insisted that crosstalk is still an art based on "saying" and with "saying" as its core expressive force. To put it bluntly, "teasing" is not as important as "saying".

What do you mean? If you can "talk", you won't have any burden in this cross talk. For example, Ma Zhiming's Controversy is as popular as the audience. This is the charm of "talking"

Excellent "speaking" is the perfect combination of pronunciation, tone, rhythm, mouth shape and volume. The basic standards are relaxed, moderate volume, accurate pronunciation and pleasant voice.

For example, several cloud artists, He and Cao Yunjin, who became popular in Deyun Society in the early stage, are all "talking" and are all standard "crosstalk mouths". As soon as you listen, you will know that they are very talented and have the foundation of acquired training, similar to the old-timers of cross talk.

Among several Yunzi artists who became popular in the later period of Deyun Society, although the sound of burning cloud cakes sounded like a cat scratching an enamel basin, he was the best in terms of "cross talk", and the third brother was not bad, but the exposure times were less. Like Luan, they are all average, but they are enough. The worst is Zhang Yunlei, who basically has no cross talk, so he talks like an amateur. Fortunately, there are willow workers.

By the branch of crane, the "speaking" of Deyun Society began to decline obviously. Zhang Helun's speech was not a cross talk at all, but two people spoke in turn. Funny is really funny, but it is not a cross talk.

I can't listen to it when I get to Mongolia. He doesn't taste like cross talk. The "saying" is similar to the level of the cross talk club in the university. Recite a word and go on stage. If you have luggage, you can also have coke, but you can't have a joke full of luggage. 、

Let's just say that Li Yugang is quite famous, right? Do you think he is a famous Peking Opera actor? In the same way, Meng's "cross talk" is not a cross talk. He hasn't even started talking yet.

Therefore, the author has always sneered at Degang Guo's so-called "young actors can't cross talk for fifty paragraphs and won't be allowed to go on stage". How can it be called "meeting"? Can you recite lines? The problem is that many people, including the popular apprentice, have not even heard the most basic "talking". Can cross talk be called cross talk?

Therefore, Degang Guo used the phrase "know fifty crosstalk" instead of "have fifty jobs". It's a pity to use "you".

Meng of the crane family is like that, Qin Xiaoxian of the Xiao family, hehe, how can I put it? If Hou is still alive, can he slap people with his big mouth? This is also called cross talk? The rap group of the Railway Art Troupe is also better than him.

In the past, He's popularity depended on crosstalk, which attracted crosstalk lovers. Now Meng and Qin Xiaoxianhong rely on cross talk? Does it attract crosstalk lovers?

In the past, the "He" was polished by a "manual workshop", while Meng and Qin Xiaoxian were the result of the "assembly line" of Deyun Society. Things from the assembly line may not be bad in terms of smoothness of appearance and exquisiteness of design, but they are all cheap and fast-moving products with low cost and wide market. It's just that these fast-moving consumer goods can't be related to the art of cross talk in any case, which is the same as the contrast effect of 20 TV series filmed in the previous five years and 80 TV series filmed in the current two months.

The popularity of Meng and Qin Xiaoxian also verifies the author's point of view: the art of cross talk is at a hundred-year low. This trough is not only related to the crosstalk performers, but also related to the audience atmosphere.

Some of Xiaogang Feng's words are not pleasant to hear, but they are also reasonable.