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"Longmen Escort Agency" 10, how many points do you want to score?
Guo Jingfei and Qian Fang, perfect stage lovers. ?
B The expression of the sitcom "Legend of Wulin" can't satisfy the god of wealth. He wants more diverse expressions. ?
So, when I saw saint seiya, a saint, flying out of the city wall like being beaten by Gold Saints in the first episode of Longmen Escort, and a "human cannon" with the blood slot of The Sims shining on its head, I probably understood that God of Wealth had found his expression effect. ?
I can probably understand this kind of drama. In China's sitcom, I Love My Family and The Story of the Editorial Department are the pinnacles of the script, which are purely artistic in language, but realistic. Wulin legends are good at doing Jianghu things with modern thinking. In episode 1 1, You of Tongfu Inn also said that Hu Shiniang's acting was "out of harmony". The Legend of Wulin also has various sudden changes, such as suddenly interrupting a song and dance, playing a fighting game, and catching up with DV, but that is embellishment, and the main body is dialogue and limbs. Longmen Escort Agency used more gorgeous and diverse expressions. People who are used to it will feel lively and colorful, while those who are not used to it will feel confused. ?
I can also understand why this drama makes Hesheng so embarrassed. The following is a casual article:?
In sitcom, every episode must have its origin, its occurrence, its contradiction and its ending. Contradictions come from outside or inside. ?
For example, I love my family, occasionally there will be external events, and internal events are often caused by grandpa, Zhixin and Heping. Because these three people are too dramatic and easy to pick things up, the country's ambitions are less. ?
For example, the legend of Wulin actually takes the dual structure of six people. Guo Furong and Rachel are both rich women who run away from home to learn to stand on their own feet, and Lv Qinghou and Ross are both dull scholars, so let's toss this pair first; Then Bai Zhantang and Chandler, men sometimes have no skin and no face, but dare not agree, VS Tong Xiangyu and Monica, two loveless hostesses; Like Joey, Li Dazui, who is greedy for money and doesn't study, and Mo Xiaobei, who is as unpredictable as Phoebe, are all sidelined decorations, while Mo Xiaobei, like Phoebe, can be used to pack things when nothing happens, settle things when something happens, and so on. ?
Longmen Escort Agency also needs contradictions. There is a blue and white meeting at the beginning, and then there is a governor, but someone has to pick a fight inside, so let's focus on Hesheng. No way, because Lv Qingcheng, Gong Shu, Qiu Yingluo and Cai Badou are all dead, and they are not good at packing, so they often engage in powder kegs with Hesheng, so they should take all the impulses away. From the perspective of the script, it ruined their lovely characters to a great extent, but this is for the whole play, and there is no way. ?
I can also understand that this drama is obviously not just a sitcom. All kinds of product placement advertisements, unlimited Weibo communication, barrage, suggestion and interactive opening are not available in Wulin Legend. Therefore, if this drama is successful, it will be a brand-new TV drama marketing+architecture model. ?
However, please allow me to quote Mr. Qian's "But I still want to say but":
I have 100% confidence in the acting skills of Zhang Ruihan, Guo Jingfei and Qian Fang-I have seen countless of their plays and know their acting skills and charm-but none of them are very good. Bai Jingqi of Zhang Ruihan, as mentioned above, is a sacrificed role; In fact, Qiu Yingluo in Qian Fang is quite limited. In episode 18, Huang Xiaoming's plays are both sad and happy, and also very harmonious. When it is in MengMeng, it makes people want to beat up, and when it is affectionate, it makes people want to cry. This is what Qian Fang is best at, but there are too few such scripts. Many times, Qian Fang can try to play this role well. ?
The most regrettable thing is Guo Jingfei. ?
Guo Jingfei is a very versatile, diverse and gorgeous actor. There are a lot of tricks in the play, which shows that he is more suitable for the role of climbing over the eaves. It's a pity that he is the host and has to say something like "I understand a truth today" like Stan at the end of South Park. Coupled with the tight arrangement of the play itself, this setting makes his gorgeous and changeable appearance a bit pumping. ?
Similarly, Cai Badou's facial makeup is too deliberate. The roles of Qing Orange and Gong Shu are better, but they are not responsible for the main scenes and ups and downs. ?
Then, it is the rhythm disorder caused by the dense and fast pace of drama. For example, in episode 18, the scene in Huang Xiaoming, to be honest, is "arranged to make you cry". At that time, the effect was good, and when I think about it, I feel that there are many flaws in the plot. There are many similar situations: it seems reasonable at first glance, but it is wrong to think about it carefully. Sheng went to Guangdong, and the play itself was not bad, but it was involved before and after the plot, which was not in tune. The legend of Wulin is a little scattered after forty episodes, and the Longmen Escort Agency is a little messy after eighteen episodes. ?
Finally, the overall effect of the play. ?
Master Degang Guo said that people who speak crosstalk well take their time, just like chatting with you at home. Master Ma had a stand, and a cross talk might be the total burden, but he said slowly, there is no hurry. ?
"I Love My Family" is full of language burdens, but it is not urgent or impetuous, and it does not make people cringe. Ge You and Ge Ling in editorial stories are mostly cold and humorous. Legend of the Wulin has been tossed, but most of the classic lines are not suddenly attacked by you, but slowly brewed. For example, the classic "I have someone above me" is not funny at all, but it was finally shaken by Lao Xing as the story was repeated many times. ?
Slow, but warm. ?
I've written about Wulin legends before, which can make people stick to the sofa. Why? The scene of the TV play version is very simple. Shops, backyards, guest rooms, guarded bedrooms, and occasionally a yamen cell at the door are gone, but they are bright, clean and human. Clothes, small fruit purple occasionally interspersed with yellow, old white, black and white or gray, Lu Daxia occasionally changed robes. The manned clothes are invisible, but clean and lively; Fighting is basically a stop-and-go, and the most technical thing is probably that Xiao Liu protects my seventh uncle's knife ... and the beauty of the TV series is like the word "Wulin rumor" behind the mini-series in the interval of each episode, clean and bright. The plot is unrestrained, paying attention to one point and ending, and occasionally taking the initiative to mention the effect of separation, reminding everyone that this thing is a sitcom. Look at Beckham's feeling of "living" when he went to Xiliang River to make trouble. The shopkeeper was stingy and couldn't pay the monthly fee. He was old and poor, and Lu Daxia was beaten by Guo, and he was greedy for petty gains. There is a sense of tranquility that the inn is our home. ?
So are friends. I love my family, and so do I. From the point of view that stalks make people laugh, people are linked by warmth, rhythm and the chemical reaction of "calling" between actors. ?
This is the difference between Longmen Escort Agency and Longmen Escort Agency: there is less intimate human contact between them, or "pro-emotion". Much like the movie version of the martial arts legend. Too fast, too dense, too complicated, too gorgeous, too eager to "see how witty this joke is", too many orgasms to catch up with one. ?
The first few editions of classic sitcoms are like warm and palatable noodle soup boiled into milky white and thick taste, while Longmen Escort Agency is like a bowl of hairy blood, spicy and exciting, but fast, dense and urgent, which will choke people. ?
10, I am willing to score 7. Because there are at least a lot of clever dialogues (mainly focusing on Lv Qingcheng and Bai Jingqi), which quietly describe the scenes of Guo Furong, Lv Qinghou, Bai Zhantang and Tong Xiangyu in the past twenty years. This part of the lines is very attentive, like a mural for the background, and it has the lingering feeling of Wulin legends. It is the quietest and most peaceful part of the film.
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