Write poems about night images.

1. What is the general image of night in ancient poetry? In the poetry creation of Yi Lang, a contemporary Tu poet, night is a typical recurring image.

With the help of the image of "night" and the night scene as the background, the poet expressed the indifference and inner pain of human society. The "night" in Yi Lang's poems not only exists as a space-time background to express the poet's inner feelings, but also contains profound ideological connotation and embodies unique aesthetic value.

Hegel said: "Whether it is China's classical poems or the poems of all nationalities in the world, cognitive images are taken as the steps to deconstruct poems." Interpreting the night images in Yi Lang's poems can not only accurately understand the connotation of his poems, but also help to deeply grasp the overall style of Yi Lang's poems.

Night is a symbol with multiple symbolic meanings. Poets love the night and have special feelings for it. He also has a keen insight into the night. At night, the poet's emotional activities are very rich.

The repeated appearance of night images in Yi Lang's poems is related to the objective social reality, the poet's subjective consciousness and creative thinking. In Yi Lang's poems, the image of "night" has the following three symbolic meanings: the image of night is a visual social background. In Yi Lang's poems, through the image of "night", we can feel the reality Yi Lang has experienced and the society he knows: cold, dark, bitter, full of confusion and disorientation.

The rapid development of industrial civilization has brought false prosperity to human society, but behind it is the serious decadence of spiritual civilization. This deterioration is manifested in the communication gap between people, the loss of ethical values, the conflict between material and spirit and so on.

Yi Lang's poems reveal the crisis of this era and the poet's anxiety about today's social civilization. The real world written by the poet is very different from the world full of love and warmth in the poet's heart. Reading Yi Lang's poems, we can feel the conflict between the poet's inner world and modern society.

In the poem Square in front of the Station, the poet vividly describes the inner anxiety of rural people who have just arrived in the city. In the poem, he wrote, "Hold on to your luggage and get off the old bus from the countryside to the city/Pick up the lost soul/You must stomp the dirt off your shoes with a thump/You can dissolve into the greater silence of this civilized city." The verbs "pick up" and "stamp off" are used here, which vividly reflect the rural people who come to the city. Then he said, "Everyone is a stranger/.../A noisy station/I can't find another similar face". In cities and rural areas, people feel very cold, everyone is a stranger, and people can't communicate with each other. The relationship between people is like silent objects such as stones and mountains, which cannot communicate with each other. Just like birds and people, although they can make sounds, they still can't understand each other in the end.

Image is a unique image extracted from objective things by the poet's inner activities, and it is the carrier of the poet's subjective feelings. In Yi Lang's poems, "night image" contains the author's unique experience, ideological understanding and aesthetic feeling of nature, society and life.

In his poems, "night" not only symbolizes the social background of images, but also shows the poet's special mentality as an intellectual in a new era when the civilization of the times changes to the negative influence in the later period. The indifferent social reality leads to Yi Lang's psychological loneliness and sadness.

Said: "Night, give up. The world is closed.

Starting at night, also save the sound. "Night is a warm home. Only at night can the poet feel the objective and real existence of individual life, thus giving the poet a sense of security and reality.

The poet's profound experience is personal, unique, contemporary, social and even human. In Yi Lang's poems, under the hint of night images, we are presented with the author's extremely lonely mood and tragic consciousness of human existence, which not only vividly shows the indifferent atmosphere of this era, but also has a lofty and cold aesthetic effect.

Night image is the sustenance of the poet's aesthetic ideal. Yi Lang not only reveals the special situation of the real society through the image of "night", but also expresses his dissatisfaction with the times. At the same time, he used "night" to set off his aesthetic ideal and awaken the world's sobriety and vigilance in the dark. Therefore, it is no accident that Yi Lang chose the image of "night". Night means a lot to him. The arrival of this special moment never needs reminding, but the emotion it carries is always shining.

In Yi Lang's poems, the night actually expresses the poet's longing for a bright mood. In the tragic society, on the road to dreams, the poet realized the pursuit and expression of the "infinite" ideal with the help of limited nights. In the silent night, the poet doesn't want to hide himself in the dark, but is looking for himself, giving up superficial, illusory and indifferent, looking for deep, true and warm.

In his poem "But I am still used to waiting for death at night", he wrote: "Indifference/fate opens and closes like a blade/but I am still used to waiting for death at night/abandoning guilt/distractions and passive poems/rediscovering myself with some words/that is, being kind, saving the world and loving life". Only at night can a poet give up his illusory goals and transcend his own heart. Yi Lang said in his "blog announcement" that "poets should crouch on the earth to gain spirituality and experience, and mind and language should take care of each other.

The stimulation of experience in writing depends more on the poet's imagination and sensitivity to language. Poetry should undertake the discovery and cognition of art in life.

Many times, we should observe the sacred world modestly from the simple things around us. I know the danger well, but I ignore the pain. "In Yi Lang's poems, the poet always falls into a gentle dreamland in a very tragic state with the help of the night.

I enjoy peace and happiness there. In the process of observing the world carefully, I got inspiration, re-determined the value of people and restored human nature. As a night watchman, a poet should not only ignite himself, but also not self-destruct. Instead, he should provide the world with spiritual strength and the strength of the hometown of writing.

In the poem diary: the night watchman, "the night watchman does this."

2. Collect poems describing the images of spring, river, flowers, moon and night. The spring tide is in Lian Haiping, and the bright moon on the sea is born in the tide.

I drift thousands of miles, where there is no moonlight by the river?

The river flows around Fangdian, and the moonlight shines on the flower forest like graupel.

Frost flows in the air, you can't fly, but you can't see the white sand on the pavilion.

There is no dust in the sky on the river, and there is a lonely moon in the sky.

Who saw the moon by the river for the first time? When did Jiang Yue take the photo at the beginning of the year?

Life is endless from generation to generation, and Jiang Yue is only similar year after year.

I don't know who Jiang Yue is waiting for, but I see the Yangtze River delivering water.

The white clouds have gone, and Qingfeng is at a loss.

Who will go boating tonight? Where do you miss Mingyue Building?

Poor people wander upstairs for the moon, so they should leave someone to fill the mirror.

The curtain of the jade pot could not be rolled up, but it was brushed back on the anvil.

At this time, I don't know each other. I hope China will shine on you every month.

Hongyan flies in the sky, and fish Long Qian jumps in the water.

Last night, I dreamed that the idle pool had fallen, and the poor spring had not returned.

In spring, the river flows away, and the pond falls in the moon and the west.

The slanting moon hides the sea fog, and Jieshi Xiaoxiang Road is infinite.

I wonder how many people will return every month. Falling flowers shake the trees that fill the river.

Hee hee, the first cooperation, please advise! !

3. Ancient poems about images 1, the moon

Yu Meiren Spring Flowers and Autumn Moon in the Five Dynasties: Li Yu

When is the spring flower and autumn moon? How much do you know about the past? The small building was easterly again last night, and the old country could not bear to look back on the moon.

Carved fences and jade bricks should still exist, but Zhu Yan changed them. How much sadness can you have? Like a river flowing eastward. (Carved column: aperture)

Explanation:

When does this year's time end? How much do you know about the past! Last night, there was a spring breeze blowing in the small building. On this bright night, how can I bear the pain of thinking of my hometown? Carefully carved railings and jade steps should still be there, but the people I miss are aging. Ask me how much sadness I have in my heart, just like endless spring water rolling east.

2. Ice and snow

Nian Nujiao Guo Dong Song Ting Dynasty: Zhang Xiaoxiang

On the occasion of the Mid-Autumn Festival, there is not a breath of wind on the grass in Dongting Lake. Jade boundary is 30 thousand hectares, give me a boat. The bright moon is in the sky, and the shadow of the Ming River is clear both inside and outside. The bright moon and the bright galaxy reflect their posture in this vast jade scene, and the water surface is bright and clear. (same: same; A work in the jade world: Yu Jian)

Experience the emptiness of everything, but I don't know how to go out and encourage you. Thanks to this round of ancient bright moon, the soul is still as transparent as ice and snow between the mountains and seas for many years. Now, I am wearing cold hair and clothes, drifting quietly in this boundless pale sea. I wonder what night it will be. (Canglang Zuo Yi: Yan Ming; Ling Biao Zuo Yi: Ling Hai)

Explanation:

Dongting Lake is connected with Caoqing Lake, which is vast and boundless. In this Mid-Autumn Festival, there is no wind. Under the autumn moon, I was carrying a small boat with a large piece of soup and a blue lake. The bright moon and the brilliant Milky Way reflect their own beauty in this vast jade mirror. The water belongs to Ming Che. I feel the emptiness of everything, but I don't know how to share this wonderful experience with you.

I am grateful for this lonely moon. I have been wandering between mountains and seas for many years, and my heart is as pure as ice and snow. And now I, wearing a thin clothes, calmly boating in this endless light blue. Let me hold the clear water of the Xijiang River, carefully pour it into the wine spoon made by the Big Dipper, and invite the whole world to be my guests. I beat the side of the boat to my heart's content and sang aloud alone. How can I remember what year this year is!

3. Willow

"Farewell Poetry" Sui Dynasty: Anonymous

Willow green hangs down to the ground, and flowers are long and sultry.

Willow branches are broken and flowers are flying. Will pedestrians come back?

Explanation:

The willows are green and the branches and leaves hang down to the ground. Huayang flies in the air for a long time in confusion. When I saw you off, the wicker in my eyes was broken and the flowers were flying. When will the traveler come back?

4. Changting

Bodhisattva Man Lin Ping Mo Yan Ruzhi Tang Dynasty: Li Bai

The flat forest is misty, and the cold mountain area is compassionate. When the color enters a tall building, someone upstairs is worried.

The jade steps stand empty, and the birds fly quickly. Where is the return trip? Long pavilion with short pavilion. (Even a short pavilion: a shorter pavilion)

Explanation:

In the distance, the twilight smoke over the forest is shrouded in mist, still a sad green and blue. Night pervades the boudoir, and some people are alone upstairs. On the jade steps, looking at the sky stands. The homing bird flew away at the urging of homing. Where is my return trip? Only the long pavilion on the road is connected with the short pavilion.

5. Hongyan

"Hua Lian died of tears and full of powder" Song: Li Qingzhao

Tears wet Luo Yi powder full, four stacks of sunshine, singing all over Qian Qian. The humanity mountain is long and broken, and the rain smells loneliness. (The mountain grows and the water grows)

Say goodbye to the injury, never forget to leave, the wine is deep and shallow. Through 3231313353236313431303231363533e3e58685e5aeb93133343/kloc-0.

Explanation:

When I broke up with my sisters, tears of farewell wet my clothes and cheeks. The farewell "Yangguanqu" was sung again and again, even if there are thousands of words, it is difficult to say goodbye. Now I am in a foreign land, looking at Laizhou Mountain. Boarding home, drizzling autumn rain, can not help but make people feel infinite sadness.

Parting makes me sad. I don't know how the two sisters drank farewell wine when they left. I don't know whether the wine in that cup is deep or shallow. Finally, I ask my sisters that you should send the news to the past geese to comfort my heart. After all, Donglai is not as far as Penglai.

4. Ye Saining's Night describes what kind of images are the representative works of ecological literature poetry. These images are: river, dark pine forest, bright moon (an important recurring image) and so on. , mainly highlighting the silence of nature.

The theme of this poem is a quiet and beautiful night, which conveys the poet's love for nature and his comfortable and quiet mind.

The first verse of this poem describes the silence of the night. With the arrival of night, everything in nature becomes silent: the calm river seems to be sleeping quietly, the pine forest is no longer noisy, the nightingale stops singing, and the crake is no longer noisy. Although it is not quiet, it is very quiet. There are both hearing and vision, as well as association and contrast with the sky. The second section is written in the dead of night, when the gurgling stream is singing softly, which makes it more quiet by moving and writing; Then, from hearing to vision, the image of moonlight is introduced to describe the beauty of the night: the Yin Hui of the bright moon quietly falls on the earth, and everything around it is bathed in moonlight. The third section further describes the beauty of nature in the moonlight: the rivers, streams and grasses on the flooded Yuan Ye are all shining in the moonlight. In the fourth season, I returned to the dead of night and wrote beautiful moonlight again. This is not a simple repetition, but the rhythm and melody of the poem are caused by repeated chanting, which deepens the quiet and beautiful atmosphere at night and makes people feel the fluctuation and rhythm of the poet's mood more deeply.

The night scene described by the poet is so quiet and beautiful, like a beautiful picture, like soft music, like a charming dream, which makes people immersed in it and produces infinite reverie. The author is a singer of nature. He drew inspiration from nature and integrated himself into it. Although the whole poem is purely about scenery, it is permeated with the poet's telepathy to nature and the inside story of life.

5. Ask 10 pictures and poems about chrysanthemum flowers 10: Although chrysanthemum is not as beautiful as peony in the whole country, nor is it as valuable as orchids, as a flower in Ao Shuang, it has always been favored by literati. Some people praise its strong character, while others appreciate its lofty temperament.

Qu Yuan's Lisao: "Drinking Mulan Dew in the morning and eating Qiuju in the evening are not beautiful." The poet symbolizes his noble character by drinking dew and eating flowers.

Tang Yuanzhen's Chrysanthemum: "Autumn bushes are like Taoist priests, and the more they surround, the more inclined they are. It's not that chrysanthemums are preferred in flowers, but that this flower is even more flowerless. "

Expressed the poet's pursuit of firmness and noble character. Other poems, such as "I'd rather hold incense in the branches and die than blow it in the flowers" (Cold Chrysanthemum by Zheng Songxiaosi), "Dew in the Lonely East, Sand shines before the gold" (Two Chrysanthemums after Chongyang by Song Fan Chengda), all use chrysanthemums to express the poet's spiritual quality, and the chrysanthemums here undoubtedly become a portrayal of the poet's personality.

Plum Blossom: Plum Blossom blooms first, and then blooms. Therefore, plum blossoms, like chrysanthemums, are admired and praised by poets. "Plum Blossom" by Chen Liang, a poet in the Song Dynasty: "A flower changes suddenly first, and ten thousand flowers are fragrant later."

The poet grasped the characteristic that plum blossoms are the first to bloom, and wrote the quality of being the first in the world and not afraid of setbacks. This is not only Yongmei, but also praising himself. Pine trees and pine trees are examples of fighting frost and snow, and they are naturally the objects of praise.

Li Bai's "Book for Huang Shang": "I hope you are loose, but be careful not to be peaches and plums." Wei always flatters powerful people, and Li Bai writes poems to persuade him to be an upright person.

Serina Liu in the Three Kingdoms gave his younger brother: "Don't suffer from cold, pine and cypress are sexual." The poet used this sentence to encourage his cousin to be as loyal as sending pines and cypresses, and to maintain noble quality under any circumstances.

Lotus: Because "lotus" and "cherish" are homonyms, there are many poems about lotus in ancient poetry to express love. For example, "Xizhou Qu" by Yuefu in the Southern Dynasties: "Lotus is picked in autumn in the Southern Tang Dynasty, and the lotus is over the head; Bow your head to get lotus seeds, which are as green as water. "

"Lotus seed" means "Reiko Kobayakawa" and "green" means "clear". There are both real and imaginary here, which means pun. The rhetorical device of homophonic pun is used to express a woman's deep yearning for the man she loves and the purity of love.

Thirty-five songs in Jin's "Forty-two Midnight Songs": "The fog reveals the lotus, but the lotus is unclear." The dew in the fog hides the true face of the lotus, but the lotus leaf is not very clear. This is also a way of homophonic pun, writing about a woman who vaguely feels that the man loves her.

Indus River: The Indus River is a symbol of desolation and sadness. For example, Wang Changling's Poem of Long Letters in Autumn says, "The phoenix tree in Jinjing is yellow with autumn leaves, and the bead curtain does not frost at night.

Jade pillow jade pillow looks like a withered face, lying on your back and worrying about listening to the south temple-style leaking face. "This is about a girl who has been deprived of youth, freedom and happiness. In a desolate and lonely palace, she was alone, lying listening to the palace leak.

The first sentence of the poem begins with a phoenix tree with yellow leaves by the well, giving people a bleak and cold atmosphere. Ren Yuan Xu Zaisi "Double Narcissus? Rain at night: "A sound of Ye Qiu, a little banana and a little sorrow, and a dream after three nights. "

Hit the banana with the fallen leaves of the buttonwood tree and the rain, and write down all your worries. Others, such as "One leaf makes a sound, and the empty steps drip to the light" (Tang Wen and Ting Yun's "More Leaky"), "The phoenix tree is raining even more until dusk" (Li Qingzhao's "Slow Voice") and so on.

In the ancient cuckoo myth, Du Yu, the king of Shu, was forced to give way to his courtiers and live in seclusion in the mountains. After his death, his soul became a cuckoo. Therefore, the cuckoo in ancient poetry has become a symbol of desolation and sadness.

Li Bai's "I heard that Wang Changling moved to the left, and Long Biaoyao had this letter": "Huayang fell to the ground and Wendao Longdu crossed five streams. I am worried about the bright moon, and I will follow the wind to Yelangxi. "

Zigui bird is a cuckoo. The first sentence is the scene of the eyes, which conveys the feeling of parting and sadness in the bleak natural scenery.

Three or four sentences express infinite nostalgia and deep sympathy for friends with the rich imagination of caring for the bright moon. He Zhu, a poet in the Song Dynasty, "Recalling Qin E": "In the middle of the night, pear blossoms are just falling in the atrium; Pear blossoms are overwhelming, and azaleas cry blood. "

In the middle of the night, the moonlight shines on the snow-white pear flowers in the courtyard, and the cuckoo is mourning, which makes people miss their loved ones more and feel sad. Poets express their deep homesickness by describing sad scenery.

Others, such as "The lonely pavilion is cold in spring, the cuckoo sounds in the setting sun" (Walking on the sand), "Zi Gui still cries blood in the middle of the night, but he can't call it back if he doesn't believe in the east wind" (Ling's "Sending Spring"), all express his sadness, desolation or homesickness with the cuckoo's wailing. 7 partridge bird: the image of partridge also has a specific connotation in ancient poetry.

The song of partridge makes people sound like "I can't live without my brother", which easily evokes the association of hard journey and full of parting. For example, "In autumn, the setting sun is vast and the grass is bright, and the partridges are far away from people" (Li Qunyu's "Smelling the partridges on Jiuzipo" in the Tang Dynasty), "The river is sad at night, and the mountains are deep and the partridges are heard" (Xin Qiji's "Bodhisattva Man? The partridge in the poem is not a bird in a purely objective sense.

8 chilling: cicadas don't live long after autumn. After the autumn rain, cicadas will make several intermittent moans, and their lives are at stake. Therefore, chilling has become synonymous with sadness.

For example, the first two sentences of Dondero's "Chanting Cicadas": "The cicadas in the west are singing, and the guests in the south are thinking deeply." Singing in silence makes you deeply homesick in prison.

Liu Yong, a poet in the Song Dynasty, began: "Cold cicadas are sad, the pavilion is late, and the shower is early." Before the direct description of parting, the feeling of "sadness" has filled the reader's heart, brewing an atmosphere that can touch parting.

Poems such as "Crying on My Side" (Three Kingdoms Cao Zhi's "Wang Biao as a White Horse") also express this feeling. In addition, "the weeping ear drinks the clear dew, and the flow rings out the sparse tung.

Speak from a distance, not from the autumn wind. "In this poem, Yu Shinan, with the image of cicada, shows his lofty feudal scholar-officials.

9 Hongyan: Hongyan is a large migratory bird, which moves southward every autumn, often causing homesickness and wandering sorrow. 10 love red: a metaphor for people who are sad, miserable and displaced.

Gong Zizhen's Ji Hai Miscellaneous Poems: "zhěn (sadness) suddenly mourned in the third watch, and there was no Huai Shui Mei in September." It's about people's miserable lives.

The word "love red" comes from "poetry? Xiaoya? Hongyan: "Hongyan flies. This philosopher calls me a diligent person. "

Poems are written by envoys walking around, seeing refugees like wild geese and seeing refugees.

6. An ancient poem describing the night, a black mood, stagnant, once waiting, dreamy beauty, finally replaced by a black same * * *, destiny takes a hand, or? I don't want to I am floating, expecting a miracle, blowing with the wind, and writing my own story with the wind. Looking forward to that day, standing by the sea, bathed in the sun, the sun receded, and large snowflakes fell. However, when night came, everything about me disappeared. Without the bitterness behind, I understand the helplessness of this life and get the loneliness at this time. I can't see my own shadow, leaving only a lingering sigh behind me. White has no value. Black has gone all over my heart. Once upon a time, I gave up and my heart was restless. After all, I have to make an excuse.

I said, give me a reason, find a reason to dream. Talking to yourself is also a kind of beauty. Perhaps, that is the aesthetic singleness. Black me, I can't see through, it's sadness. I like sunshine, but I long for the darkness of being alone. The overly dramatic performance masked the artistic conception like ink and wash.

I don't understand the complexity of this world, but I thought I had a wonderful life. But behind all the laughter, there is a black box covered with a big lock full of vicissitudes. This lock locks my soul. Where are the keys? It's in the black and white room. In the dark, I accidentally opened this old lock in a distant space. Suddenly, black liquid splashed, and in a trance, for an instant, I looked back and found myself in the dark time.

Yes, I belong to a black soul, a soul destined to wander, a soul destined to disappear in a black fantasy. I tried to break free and fight like never before. Unfortunately, I can't. The black flower blooms, but the next second is waiting for it to wither. Withered in the gap on the edge of the night of life, there are flying words everywhere, green smoke red mist,

7. Poetry describing various images in nature, snow is the most poetic and picturesque scenery, so it is favored by literati. The description and enthusiastic praise of the wonderful brushwork of snow by poets in past dynasties is even more dazzling and refreshing.

1. The last chapter of The Book of Songs, Xiaoya and Cai Wei: In the past, I was gone, and Yangliu was Yiyi. Think about it today, it's raining. In the first snow, there are snow beads first, and sometimes snowfall is accompanied by rainfall, so there is a saying that "rain and snow are raining".

Second, the gold couplet poem Xie Taifu's "Children Telling the Meaning of Paper on a Snowy Night". When there was heavy snow, the public said, "What heavy snow?" The two brothers said, "The difference between salt in the air can be simulated." Brother and sister said, "If catkins are not caused by the wind", it can be regarded as a poem with the same rhyme.

Using "salt in the air" and "catkins due to the wind" to compare "heavy snow" has its own advantages and disadvantages. Some people think that "salt in the air" is a good metaphor. The color and falling state of snow are close to salt, while catkins are gray, which often float with the wind and even fly higher and farther, which is different from the way snow dances. To write something, you must first look like it, and then look like it. Shape is the foundation. Some people think that "catkins are caused by the wind" is a good metaphor, which gives people the feeling that spring is coming and has profound implications. The metaphor of "sprinkling salt" lacks meaning. Good poetry should have images, which are the unity of matter and meaning, and catkin metaphor is good at having images. 3. In the Southern Dynasties, Liang and Wu Yun wrote a five-character poem "Ode to Snow". It is a famous sentence that has been passed down all the time: "The breeze shakes the trees in the courtyard, and the fine snow falls under the curtain. The air is like fog, and it condenses like a flower. I didn't see Yang, but I saw Gui Zhibai. No tears, no humanity, what is good about acacia. " The first six sentences of the poem describe the scenery, while the last two sentences are lyrical and full of charm. Whether it is the dynamic beauty of snow "like fog" or the static beauty of snow "like flower", it is difficult to write the current scenery. Fourth, (1) Tang Libai's "The North Wind is Fierce": Yanshan snowflakes are as big as seats, and pieces of them blow down Xuanyuantai.

[Appreciation] Snowflakes in Yanshan area are as big as mats and fall on Xuanyuantai one by one. This is Li Bai's famous sentence describing snowflakes. The Yanshan Mountains are located in the southeast of Jixian County, Hebei Province, generally referring to the north of China. Xuanyuantai site is located in Qiao Shan Mountain, Huailai County, Hebei Province. It is said in the sentence that "the snow is as big as a seat", which is a high artistic exaggeration, but it is a fact. Just as Lu Xun said in the article "Talking about Comics": "Yanshan Snowflakes are as big as seats" is exaggerated, but Yanshan is a little frank, so we can know at once that Yanshan was so cold. If the snow in Guangzhou is as heavy as one seat, it will be a joke. "

(2) Tang Juyi's "Snow at Night": I have been shocked and the window is bright. It's late at night until it snows heavily, because you can hear the sound of bamboo branches breaking from time to time.

"I know it snows heavily at night, and I smell bamboo." It's late at night, I know it's snowing heavily, and I always hear the sound of bamboo breaking.

[Appreciation] When describing snow, we usually write its color and shape, but it is difficult to express the snow in the middle of the night with visual images, so the poet changed the vision to hearing. Of course, snow itself has no sound, so the poet uses "listening to bamboo sounds" to express it. One snowy night, the poet who stayed up all night heard the sound of bamboo breaking from time to time outside, and knew that a thick layer of snow had fallen, which actually crushed a lot of bamboo. Describing snow through hearing is the main feature of these two poems.

(c) Cen Can's "Bai Xuege": "Like a strong wind in spring, it blows at night and blows away the petals of ten thousand pear trees." [Appreciation] This is a beautiful snow-singing sentence that has been told through the ages. It is novel to describe snow with pear flowers. Before reading, a beautiful picture of spring breeze and pear blossoms immediately emerged.

(4) Han Yu's Chun Xue: There is no fragrance in the New Year, and the grass shoots in early February. Snow comes in late spring, which means the flowers in the courtyard are flying.

[Appreciation] This poem describing the flying snow in early spring is ingenious, ingenious and surprising. The first two sentences are about the New Year, but there is no shadow of fragrant flowers. In early spring and February, when people went out, they were surprised to find a grass bud growing on the ground. People who have spent a long winter are looking forward to seeing spring as soon as possible. "Du" is showing people's resentment of longing for spring but never hearing from them. The word "quiet" reveals the joy of seeing spring coming.

(5) Luo Yin's Snow: Try your best to have a good year. What about a good year? There are poor people in Chang 'an, but it is not advisable to be rich! [Appreciation] Xue Rui has been a good omen for many years, but it has become a disaster for the poor.

8. Poems expressing intentions with the moon. Another name for the moon: Moon, Pan Yu, Sewer, Chanjuan, Ghost Palace; Jade plate, jade wheel, jade ring, jade hook, jade bow, jade mirror, celestial mirror, jade rabbit, Chang 'e, toad;

In China's ancient poems, it is a common brushwork to use the moon to contrast feelings. Generally speaking, the moon in ancient poems is synonymous with homesickness. Li Bai's Thoughts on a Quiet Night: "The foot of the bed is bright, is there frost?" Looking up, I found that it was moonlight, sinking again, and I suddenly thought of home. " This poem shows Li Bai's homesickness. The moon in the poem is no longer a purely objective image, but an image full of poet's feelings. In the Tang Dynasty, Wang Jian wrote "Looking at Du Langzhong at Fifteen Nights": "Tonight, the moon is full, and I don't know whose house Qiu Si will fall." The poem points out the universal human feelings of this full moon night with euphemistic questions, and implicitly shows the poet's deep yearning for his hometown friends.

In addition, "Moon" has the following images (1). The bright moon contains the sadness of border people.

Such as: "the sand is like snow before returning to Yuefeng, and the moon outside the city is like frost"; "The bright moon in Qin Dynasty, the retreat in Han Dynasty, and the Long March people did not return" is tragic. (2) The bright moon contains emotional helplessness.

For example, Xie Zhuang said, "Beauty walks in the dust, and there is a bright moon thousands of miles away." Prayer and blessing; Zhang Jiuling "The moon is in the sky, and the horizon is * * * at this time." Hope and desire. (3) The bright moon symbolizes eternity in time and space.

"If the ancients were running water today, they would look at the bright moon." The plundering of life by time and the helplessness of life in front of time are all vividly demonstrated.