Do you think anti-corruption storm 4 looks good? How do you evaluate this film?

I'm glad to answer your question. As to whether this film is good or not, and how to evaluate it, I personally think that Anti-Corruption Storm 4, as a series of anti-corruption films, is a "top-notch" film in Hong Kong, and there is really nothing good to shoot. But this movie makes me feel that there are still some problems. Mainly shooting arrangements and plot logic.

Shooting arrangement: the anti-corruption storm was shot three times, and the scene and plot always have to change their style. This time, the prison is chosen as the background, which is also a series to pay tribute to the prison situation. But the cost of shooting venues should also be saved. After all, the cast is strong and the budget is reasonable. Guzi is the pillar of Hong Kong films, with a good reputation and good acting skills. This is also a source of confidence for directors and investors. Originally, it was convenient for Hong Kong people to pay special attention to it, and the scene was grand. When the fourth film was filmed. Still follow the original routine, after all, it is an undercover major. Strategically, we can't cover up the lack of tactics. For a bunch of men, one man and two women are not as familiar as a group of people, and it is better to set off the green leaves with some unknown actors. There are many protagonists in Hong Kong dramas in the film, so we can't highlight the real protagonists when shooting. In addition, it is a pity that prison members can't arrange some beautiful women. The content is boring, the plot is old-fashioned and the action scene is average.

In the logical arrangement: especially at the end, I am at a loss. If Liu Zhilian (Louis Koo) and Huang Wen Bin have reached an understanding of * * * from the beginning, then we can know that Liu Zhilian knew that Cao Yuanyuan would get out of prison early to get revenge on him and Liao Yuping, because they are the most annoying people in Cao Yuanyuan. Then why did Liu Zhilian let Liao Yuping, who needed the most protection, stay in a safe house and catch turtles in a jar? The plan was originally intended to implement the bribery of prison administrators through Cao Yuanyuan's early release from prison, which is really hard to understand. The so-called safe house is too unsafe to directly expose Liao Yuping. In the gunfight, Lu Zhilian could have left directly with Liao Yuping. As a result, when Cao Yuanyuan took Liao Yuping hostage. Finally, I took a helicopter and shot the pilot blindly, and the plane crashed.

If Cao Yuanyuan had fallen into the water at first, he wouldn't have died. He was dragged into the helicopter. Finally fell into the water and was caught. When I pulled it up, there were more fearless battles.

The above is my personal evaluation of anti-corruption storm 4.

It's a bit like Chow Yun Fat's "Prison Storm", in which Gu Zi plays very well. The biggest highlight of this play is the villain Cao Yuanyuan played by Raymond. It's horrible and very successful. "Anti-Corruption Storm 4" shows that the director also misses Hong Kong's classic films, and the series "Anti-Corruption" continues the battle of wits between decent and villains. This time, the main scene is set in prison, which reminds people of the classic movie Prison Storm. Although both Stephen Chow and Jing Wong have spoofed Prison Storm, the director is serious this time. The slang in prison, the bullying of small teams, the life of various people inside, and the intrigue between prison guards and criminals are all vividly portrayed.

Anti-corruption Storm 4 contains the most popular chivalrous spirit and the realistic spirit of the rule of law, and the spiritual outlook of society is dismantled between them. The acquaintance between Cao Yuanyuan and Lu Zhilian is very warm. They saved each other in the corner of the canteen and gained trust and friendship. For a moment, I was also moved by Cao Yuanyuan's righteousness. How nice it is to follow the boss to protect you! I have a slight affection for the black society these days, and the friendship of suffering still has a certain weight in people's hearts. However, if you look back, you will see these places where your mind is not clear. In the film, Cao Yuanyuan's desire for money to prove his success and his abnormal motivation to kill girls make people feel that violence is terrible, and harm without a bottom line cannot be condoned.

But now it's 20 19, you can pull out the helicopter by hand, and you can also see the special effect of 50 cents in this background in the cinema. This last cut made me burst into tears. From anti-corruption 1 to anti-corruption 4, this series can be said to have reached the popularity of consumer actors making money quickly. Another distressing thing is that each character has its own BGM, the protagonist is not portrayed in place, the plot direction is not difficult to guess, editing, transition and so on are relatively blunt. Those who have seen the first three films will find that the fourth film is almost like that.

Just finished watching it in the cinema! The plot is very compact, not procrastinating at all, and every second will not be distracted! The story grew up! Some places are unreasonable, but the plot needs it and will not affect the overall score of the film. If you score, you will score 7 points, with passing priority and stricter scores! It's worth seeing, it won't waste movie tickets! I won't introduce the plot! Have you seen Prison Break? The rhythm is similar to prison break, and the atmosphere is very tense!

Hello, I'm Dong Xiang, the wine of spring.

The anti-corruption theme has always been upheld by old-school Hong Kong films, and there are countless series of films. Like the eight-part essay, there are certain commercial profit routines and selling points, and few talented directors can innovate aa standards and break down barriers.

Corruption in prison (more like prison storm) is relatively rare, with few performances or too few movies, but it is somewhat refreshing. Different from "in the name of people" made in China, this film continues the consistent style of Hong Kong films, with fast pace, constant contradictions and conflicts, tension and excitement, and hand-to-hand combat. This is invisible in China, and there is a great probability that it will not be photographed. In short, the labels made in Hong Kong are really strong and hard.

In the plot, ICAC received a real-name report from an informant Liao Yuping (Chrissie Chau). Cao Yuanyuan (raymond lam), a rich second generation in prison, was suspected of bribing prison supervisor Shen Jiquan (Tan Yaowen) and prison staff. Lu Zhilian (Louis Koo), the chief investigator, decided to go deep into the den and go undercover in prison. In prison, former police superintendent Huang Wenbin (Lin Jiadong) and Cao Yuanyuan, who were sent to prison by Lu Zhilian, became potential fire and water gangs, and Lu Zhilian took the opportunity to approach Cao Yuanyuan to gain trust. At the same time, Cheng Deming (Kevin Cheng), the chief investigator of the Independent Commission Against Corruption outside prison, and Hong Liang (Ding Haifeng), director of the Action Department of the Domestic Anti-Corruption Bureau, also joined hands in Hong Kong, and Qi Xin worked together to finally solve this major corruption and bribery case.

The film's lines are clear, the background is straightforward and concise, there is no amazing artistic technique, and it is well-laid (remembering the unparalleled before), but I don't know if I didn't watch it carefully enough and ignored anything. There are always some strange plot settings. In particular, Cao Yuanyuan didn't run away after he got out of prison early when he knew something was wrong. Instead, he went to the safe house of the Independent Commission Against Corruption to have a gun battle with them. ICAC also has people's safe houses (which should be relatively hidden). Look for them when you say so? There are a series of strange plots that make me look silly and think (lying in the trough? Can it still be like this? What's that man doing? ) It wasn't until I saw Huang Baiming, a big producer of commercial films who knew the selling point of the market, that I realized ... Well, forget it, lower your head to eat popcorn ... and then there was the crazy pure water post.

There is really nothing to say about the cast, and the money for tickets is spent on looking at faces. Raymond lam is really handsome! Louis Koo is so handsome! The acting skills of the old opera bones are really meaningless, very in place and well handled.

Raymond lam, who has always been sunny and decent, played the villain. There is indeed a great sense of contrast. In the words of friends, it is evil? He is a cruel man. The most interesting thing is that Alau, a logical genius with a sense of joy (although he was miserable in the end), is full of positive energy and still can't forget that sentence.

"Prison is the only way out for young people in Hong Kong"

Then I calculated the cost of living in Hong Kong seriously. "Living expenses are more than 10,000 a month, a meal in a tea restaurant is at least 50, and the prison is good ..." Good feng shui control!

Film is an art that deliberately enlarges life, exaggerated but full of harmonious beauty. To tell the truth, the fourth one is slightly better than the first three. No matter the lines or details can stand scrutiny, it is really intentional, especially in the sleeping part of the cell, where there is a slight snoring on both sides.

In a word, commercial films are about eating popcorn and looking at your face. Don't expect too much.

"Anti-corruption Storm 4 Prison Storm" is not worth watching, and it is a very mediocre drama.

First of all, let's talk about its shortcomings: from the plot, the typical "anticlimactic" type, undercover imprisonment, is a bit old-fashioned, but at least it is a routine that Hong Kong films have tried everything. It's no problem to put it here, but it adds some feelings to the old Hong Kong films, as if it were back to the era of Chow Yun Fat prison storm.

Moreover, the plot and characters are well grasped, interlocking and well connected. Generally speaking, the pace ahead is good.

From the first racing, to the fighting in prison, and the street shooting in the middle, one climax after another attracts the audience, and flashbacks connect the plot from time to time. The usual methods of Hong Kong films.

Some people think it's old-fashioned, but I think it's a good routine to catch the audience's eye and tell a good movie.

At least I was brought in when I saw it, which is a bit fascinating. It's really good that a crime movie can have such an opening, in domestic movies or Hong Kong movies in the new era.

In the past, Louis Koo's films could feel this way, or in the series of "Eavesdropping Storm".

However, in the back, it seems a bit embarrassing. There were so many serious injuries in the plot that it was impossible to achieve a good connection in the end. It was really disappointing to bang.

It's like chatting with the goddess. I'm very enthusiastic and want to develop further. As a result, she told you that you are a good person.

That basin of cold water poured over, alas!

If I score, I can score 8 points for the scene in prison, and the latter 5 points is too much.

A movie, no matter how it is arranged, the plot is the most important. You have to be a complete and rigorous story. Otherwise, even the best routine is a dead routine.

Of course, there are still some highlights in the film;

For example, those golden sentences in movies are frequent:

Wang, who came to prison to eat and drink, said that "imprisonment is the only way out for young people in Hong Kong" is the most classic and ironic sentence, but it largely reflects the cruel reality of difficult employment and great pressure in Hong Kong today.

And Louis Koo, Kevin Cheng, Raymond, Csillam, the collision of these male gods, there are still some sparks. Csillam, in particular, although he only played a special role, was the most impressive, full of justice but informal, with a hint of acrimony.

The appearance of the villains of LAM Raymond, although awkward in some places, at least shows the dark side of the heart under the glamorous appearance, which is qualified.

Lin Jiadong, then don't say it, Best Actor. Play normally!

As for Guzi, although he is the darkest, he is still the most handsome.

It's a bit like Chow Yun Fat's "Prison Storm", in which Gu Zi plays very well. The biggest highlight of this play is the villain Cao Yuanyuan played by Raymond. It's horrible and very successful. "Anti-Corruption Storm 4" shows that the director also misses Hong Kong's classic films, and the series "Anti-Corruption" continues the battle of wits between decent and villains. This time, the main scene is set in prison, which reminds people of the classic movie Prison Storm. Although both Stephen Chow and Jing Wong have spoofed Prison Storm, the director is serious this time. The slang in prison, the bullying of small teams, the life of various people inside, and the intrigue between prison guards and criminals are all vividly portrayed.

Anti-corruption Storm 4 contains the most popular chivalrous spirit and the realistic spirit of the rule of law, and the spiritual outlook of society is dismantled between them. The acquaintance between Cao Yuanyuan and Lu Zhilian is very warm. They saved each other in the corner of the canteen and gained trust and friendship. For a moment, I was also moved by Cao Yuanyuan's righteousness. How nice it is to follow the boss to protect you! I have a slight affection for the black society these days, and the friendship of suffering still has a certain weight in people's hearts. However, if you look back, you will see these places where your mind is not clear. In the film, Cao Yuanyuan's desire for money to prove his success and his abnormal motivation to kill girls make people feel that violence is terrible, and harm without a bottom line cannot be condoned.