Never get tired of watching funny jokes.

1, embarrassed, beaten, punched in the face, unlucky, embarrassed, joking.

The core of all comedies must be awkward characters. Key figures must be embarrassed, beaten and amused by the audience. The most basic thing, of course, is to fall, get stuck and know how to do it. Then there are all kinds of embarrassing things that may be encountered in life, all of which are set on the role.

For example, in Peisi Chen and Zhu Shimao's The Leading Role and Supporting Role, a central joke is that the leading role played by Zhu Shimao was teased by Peisi Chen's supporting role. Zhu Shimao told Peisi Chen not to rob the play, but he wanted to rob it by various means to embarrass Zhu Shimao. The highlight of the whole drama is that Peisi Chen thought he played the leading role, but in the end he became a supporting role and was filmed by Zhu Shimao.

For example, Zhao Benshan is a kidnapper, and Fan Wei has been cheated and fooled, and his ugly behavior has been exposed, so that an honest and stupid cook can survive. He made a fool of himself and the audience laughed. At first, Gao Xiumin didn't believe that Zhao Benshan could trick normal people into limping, but later she was slapped in the face. These are all jokes. The highlight of the play is that Gao Xiumin didn't say that she wanted a bike at all. As a result, Zhao Benshan "falsely accused" her of wanting a bicycle, which embarrassed her.

In the past thousands of years, people have never seen so many ugly and beaten things in their lives. Now people's daily life is surrounded by short videos. Open the short video, and immediately you can see all kinds of really ugly videos, which makes people laugh. This also means that if you create comedy content that is not surprising in a short video, such as falling down and meeting, it will not produce much comedy effect.

Only by showing the ugly things that can't be seen in short videos and are not common in life can we produce obvious comedy effects.

2. Poor information

Some key information, the audience already knows, but the role does not know. This can put the audience in a higher perspective to overlook the role.

For example, Zhao Benshan sells abductions. As soon as the audience came up, they knew they were going to sell to a normal person. So from the beginning to the end, everyone knew about it, only Fan Wei didn't know, so the audience felt more fooled.

For example, Zhao Benshan's heart disease, including the audience, knows that Fan Wei is not terminally ill at all. Zhao Benshan and Gao Xiumin lied to him. Wei Fan is the only one who doesn't know. He really believed that he was terminally ill, so he said something ridiculous.

Compared with the embarrassed person, the audience knows a secret or key information in advance, but the embarrassed person doesn't know it. Then the audience will have an expectation, form a sense of psychological superiority, and sit and watch how this person makes a fool of himself.

3. sense of substitution

Any comedy needs exaggeration, exaggeration is easy to understand, and comedy often needs to enlarge a conflict or feature to enlarge the "punchline". But many comedies are not funny because they are too unreal after exaggeration, so people can't have a sense of substitution.

No matter how special the characters and roles are and how rare the story background is, reasonable or seemingly reasonable explanations should be given, otherwise there will be no sense of substitution.

Even in Zhou's nonsense comedy, Stephen Chow only used nonsense at one point, but the whole plot itself is logical and can make people feel confident.

The whole process of Kung Fu is exaggerated, but in order to make the audience feel substituted and not fake, Stephen Chow made strict logical preparations. For example, Stephen Chow asked the fat man to throw darts at himself, a classic joke-making a fool of himself. After Stephen Chow was seriously injured, he could quickly return to normal in a few hours at the traffic lights. This plot paves the way for "He is one of chinese odyssey's masters", and it won't make the ending awkward.

Poor comedy, if you can't do these three things, you can't make people feel comfortable. Besides these three points, a brilliant comedian's greater spirituality lies in finding scenes suitable for these three points. Many situations naturally have the conditions to embarrass the role, such as "a thief posing as a policeman and meeting a real policeman" in Peisi Chen. In this case, can the thief not be embarrassed? Can you not be embarrassed? Can you not be beaten?

Many people can't find a suitable scene, and it is unreasonable to force the role to be embarrassed, thus making the audience lose their sense of substitution.

I like comedies. Welcome to comment in the comments section.