"The Last Romance" was renamed "Golden Years". Come on, am I the only one who is tired of it?

The last romance, some people say, should be the golden age, which really makes sense. Generally speaking, the second half of the story is slightly better than the first half, but there are still many slots. After watching the previous episodes, I was really powerless. The original author's three views were extremely distorted! There are writers and directors. Isn't it amazing that you have different opinions?

Zhu Suosuo, one of the hostess, is short of money and love, young and beautiful. Such a girl is unfortunate, sad and terrible in her ideal life! Because she will be the best prey in men's eyes. Supposedly, such people should feel inferior. But the author may want to create a rebellious and bold woman. The Zhu Suosuo we saw in the previous episodes is arrogant, ignorant and shameless, and stupid! Seeing a man, she is infatuated, coquettish, self-righteous and eager for quick success. She regards making money as the sole purpose of her life, and can't have any female dignity ... how can she be confident? At first, I mistook a driver for an executive and fell in love without asking indiscriminately, which was entirely based on my misunderstanding of money, power and men's conscious worship.

The most ridiculous thing is that she thinks that Ye Jinyan loves her, and she asks loudly in front of General Ye, yelling, which is completely arrogant ... Who do you think I am? In addition, the rich second generation Xie Hongzu really loves her and pursues her, but she completely ignores it and claims to make money. After Mr. Ye hit the nail on the head, she went back and married Xie Hongzu ... I don't understand what this brain circuit is? I really don't know what values directors want to convey to young people. I wonder where the original female writer Yi Shu's personal value system and disordered ethics came from.

Background information shows that Yi Shu was born in Zhenhai, Ningbo, Zhejiang. When he was young, he settled in Hong Kong with his parents. After graduating from high school, he entered the society without going to college. Working in a newspaper, running news, writing interviews, writing essays, novels, newspaper columns, editing movies and magazines. 65438-0973 27 years old, went to Manchester, England to study hotel affairs management. ...

From the author's life and growth experience, we can see that she graduated from high school without going to college, and went to study in Britain at the age of 27. It can be said that her mind was not completely influenced by the traditional culture of China, but completely accepted the western education and lifestyle. On the other hand, Hong Kong is a tiny place. Even if you go to university, what traditional culture can you inherit? So I know the ins and outs of some stories in the play.

In the play, menstruation is holding a glass at home, and everyone only eats western food or desserts. He has a little boyfriend abroad, and it costs a lot to return home. Going abroad has projects and resources, and you have no worries about food and clothing. Returning to China is a life mentor throughout life. If you want to join the company, you will prosper. If you want to leave, you will have no worries ... you are a perfect person. And all this is so logical, so convincing and beyond doubt in the eyes of China people. Even Dai is a westernized name. Although menstruation has a distinct personality, does not depend on anyone, is smart and has high gold content, I still don't like her being beautified as a perfect western element.

Compared with the externalization and westernization of Zhu Suosuo, Jiang's China tradition is reserved and euphemistic, which makes people feel comfortable. Her clothes are fresh and elegant, so there is no need to show off her shoulders and legs. Personally, I like her ladylike manner. But her totally mismatched love with Phoenix Man is indeed comparable to brain damage. Of course, ultimately shaping the different personalities of the characters is for the wonderful needs of the work itself.

Yi Shu created many female characters, and Yi Shu was good at describing mature women. According to the material, as far as the author is concerned, on the one hand, she doesn't believe in love, on the other hand, she yearns for the old-school men who take care of women. The author seriously lacks fatherly love, or has a serious fatherly love complex. Such plots often appear in her works. But the dependence on the elderly in the works will eventually be shattered. For example, in this play, Zhu Suo fell in love with old Ye Man Jin Yan, but in the end it was just an illusion of my self-love.

Perhaps, the author Yi Shu's presentation of modern women's various living conditions is to encourage women to completely eliminate their deep psychological complex of "relying on men" and finally become a strong woman with independent personality by herself. Only by understanding the author can we understand her works. This may be why we thought that the three views in her works ruined our three views, but her works were welcomed by everyone.

After the play, the cast of the play is strong, including Grandma, Zhang Chenxi, Wu Yufang, Ye Zong Chen Mingdao, Christine Tianyu, Yang Zong Laurence King, Tang Zong May, Xie Zongxueyi, Mabao Dong Zijian, Wang Yongzheng Yang Youning, Li Yifan, Yu Xiaowei, Professor Dong who can't be named, and two actresses, Nini and Liu Shishi ... They all have their own roles. But if the directors can change or weaken the plot that destroys the three views, the play can be described as complete.