The slogan of Sichuan Opera is short

Popular Copywriting Category

1. The facial makeup of Sichuan Opera is unique. What attracts me is not only the facial makeup, but also the unique skill of Sichuan Opera - face changing. The transformation of a facial makeup in one or two seconds is so perfect, so flawless, you can't see how it changes at all. Curious, I asked my grandpa, who lovingly said to me: "Xixi, face-changing is the essence of Sichuan Opera and the intoxicating part. It uses romantic techniques to create vivid characters and set off the scenes." Beautiful scene”.

2. Sichuan Opera is not only unique in its unique skills, but also has a wide range of repertoire. There has long been a saying that "there were three thousand countries in the Tang Dynasty, eight hundred countries in the Song Dynasty, and countless other countries." Among them, the Gaoqiang part has the richest heritage and the most significant artistic features. The traditional plays include "Five Pao", "Green Pao", "Yellow Pao", "White Pao", "Red Pao", "Green Pao", "Four Pillars", "Pengtian Pillar", "Crystal Pillar", "Pao Brand Pillar", "Five Elements Pillar", and "Eighteen Books of Jianghu", etc.

3. Chengdu is the hometown of drama. As early as the Tang Dynasty, there was a saying that "Sichuan Opera is the best in the world". An ancient type of Chinese drama: Sichuan Opera is a major feature of Sichuan culture. It has an amazing history of more than 300 years. During the Qianlong period of the Qing Dynasty, Sichuan Opera absorbed and blended the local tunes of Suzhou, Jiangxi, Anhui, Hubei, Shaanxi and Gansu on the basis of the local lantern opera, forming five tunes including Gaoqiang, Huqin, Kunqiang, Tanxi and Lantern Opera. An integrated "Sichuan Opera" sung in Sichuan dialect.

4. Sichuan Opera is a dazzling pearl in the treasure house of Chinese opera. It has a long history and has preserved many excellent traditional plays, rich music and exquisite performing arts. It is a national folk art loved by people in Sichuan, Yunnan, Guizhou and other southwestern provinces. In terms of opera tunes, Sichuan Opera is composed of four major tunes: high tune, Kun tune, Huqin tune, and weak tune plus a local folk lantern opera. Except for the lantern opera, these five types were all introduced to Sichuan by troupes from other provinces from the late Ming Dynasty to the middle of the Qing Dynasty.

5. Gaoqiang is the most important tune in Sichuan Opera. It combines Sichuan dialect, folk songs, labor chants, hair-line rap and other forms. After several processing and refinements, it gradually formed a tune with local characteristics; the Huqin tune in Sichuan Opera is the collective name of Xipi and Erhuang tunes. Because the main accompaniment instrument is the "small Huqin", it is collectively called Huqin. The two yellows in the positive tone should express deep, serious, euphemistic and light emotions, while the two yellows in the negative tone should express desolation, sadness, sadness and anger.

6. Listen, listen, listen to the laughter of the wind, the singing of the clouds, and the tune of the opera; look, look, watch the dance of the moon, the tears of the leaves, and the dancing sleeves of the white snake. The innocent "White Snake" interprets the rough romantic tragedy, envy, anger, and pain. The fate of "White Snake" put me in a situation that I couldn't extricate myself from. The beauty of Sichuan Opera cannot be said enough, and the truth cannot be said enough. Sichuan Opera will always be the most beautiful scenery in the hearts of us Sichuan people.

7. Sichuan Opera is a dazzling pearl in the treasure house of Chinese opera. It has a long history and has preserved many excellent traditional plays, rich music and exquisite performing arts. It is a national folk art loved by people in Sichuan, Yunnan, Guizhou and other southwestern provinces. In terms of opera tunes, Sichuan Opera is composed of four major tunes: high tune, Kun tune, Huqin tune, and weak tune plus a local folk lantern opera. Except for the lantern opera, these five types were all introduced to Sichuan by troupes from other provinces from the late Ming Dynasty to the middle of the Qing Dynasty.

8. Since the Revolution of 1912 broke out and the Republic of China was established in 1912, Sichuan Opera also entered the reform movement. The "Sanqing Club" organized by Sichuan Opera artists themselves was established. Kang Zilin, Yang Sulan, Xiao Kaichen, etc. appeared A large number of famous actors and elites numbered over 300 people. The repertoire of Sichuan Opera is so extensive that it was once said that "three thousand in the Tang Dynasty, eight hundred in the Song Dynasty, three kingdoms with endless performances" to indicate the number of repertoires and the diversity of themes, styles, contents, and the magnificence of artistic presentation.

9. At the same time, the streaming field of Sichuan Opera is also expanding, and parts of Guizhou, Yunnan and Hubei have become popular areas for Sichuan Opera. At the beginning of the 20th century, the establishment of the famous troupe "Sanqinghui" promoted the development of Sichuan Opera from a square art to a theater art. The artistic level and cultural taste of Sichuan Opera rapidly improved, and it became the most influential local opera in southwest China. In the course of more than 200 years of evolution, Sichuan Opera has formed a profound cultural tradition and distinctive artistic characteristics.

10. The repertoire of Sichuan Opera is very rich. It has long been said that "there are three thousand in the Tang Dynasty, eight hundred in the Song Dynasty, and countless three kingdoms". There are nearly 2,000 plays collected by the Sichuan Opera Theater and the Sichuan Opera Art Research Institute of Sichuan Province.

Approximately one thousand scripts have been recorded. In addition to "Jing, Liu, Bai, Sha", these repertoires include "Five Robes", "Four Pillars", "Jianghu Eighteen Bens", and the "Four Major Bendus" recognized by the Sichuan Opera circle.

11. The history of Sichuan Opera is relatively long. According to records, in the late Ming and early Qing dynasties, due to the immigration of immigrants from various places to Sichuan and the establishment of guild halls in various places, a variety of northern and southern vocal operas were successively broadcast throughout Sichuan. , and in the long-term development and evolution, it has been integrated with Sichuan dialect, folk customs, folk music, dance, rap and folk songs, and folk songs to gradually form a vocal art with Sichuan characteristics, thus promoting the development of Sichuan local opera - Sichuan Opera. develop.

12. The accompaniment of Sichuan Opera includes leading, chorus, chorus, accompaniment, and duet singing, which are meaningful and fascinating. The roles of Sichuan Opera are generally divided into six categories: Sheng, Dan, Jing, Mo, Chouza. An important part of Sichuan Opera music is gongs and drums. In addition, the performing arts of Sichuan Opera also have a profound modernist tradition. At the same time, they make extensive use of artistic exaggeration techniques, making the performances vivid and delicate, unique and expressive, humorous, and the stage image is elegant, graceful and expressive.

13. Sichuan Opera, it has its own artistic feature - face changing. Face-changing is one of the special skills of Sichuan Opera performance art. It is a romantic expression method of the inner thoughts and feelings of the characters in the play. There are generally three ways to change faces - face wiping, face blowing, and face pulling. Facial smearing means applying paint to a specific part of the face. When the time comes, you can apply it on your face to change it into another complexion. The so-called face blowing is only suitable for powder on the face, which immediately turns into another color.

14. Sichuan Opera has more than 6,000 traditional repertoires and creative repertoires, including rich relics originating from Song and Yuan operas, Yuan dramas, Ming legends and classic repertoires of many ancient vocal dramas, as well as the rich relics of Bashu literati of all dynasties. For example, the outstanding contributions of Zhao Xi, Huang Ji'an, Yin Zhongxi, Liu Huaixu, Ran Qiaozi, Zhao Xunbo, Xu Wenyao, Wu Boqi, Li Mingzhang, Wei Minglun, Xu Fen and others are well-known in the Chinese theater world for their extensive and profound cultural heritage and literary character that appreciates both refined and popular tastes. .

15. There are records of "Sichuan Opera" in the Song Dynasty in Sichuan. Jin Guang'er Troupe of "Sichuan Opera" in the Ming Dynasty went to Jiangsu and caused a sensation in Nanjing, creating a situation in which it competed with Nanjing Opera. Although the Sichuan sounds of Shu tunes at that time were different from today's Sichuan Opera, they created a fertile ground for the formation and development of Sichuan Opera in the future. At the end of the Ming Dynasty and the beginning of the Qing Dynasty, a large number of immigrants from various provinces came to Sichuan, and many voices came to Shu one after another. The Sichuan theater scene showed a prosperous scene of "a mixture of voices".

16. The repertoire of Sichuan Opera is also very diverse. It has long been said that "three thousand in the Tang Dynasty, eight hundred in the Song Dynasty, and countless other countries". Among them, the Gaoqiang part has the richest heritage and the most significant artistic features. Traditional repertoires include "Five Robes", "Four Pillars", and "Eighteen Editions of Jianghu", etc., as well as the "Four Main Heads" recognized by the Sichuan Opera circle, many of which are Other lost plays. After 1949, after sorting out, a number of excellent Sichuan Opera repertoires appeared, such as "The Story of the Willow Shade", "The Story of the Hosta", "The Story of the Colorful House", etc.

17. I was envious of the colorful clouds on the horizon, but trampled on the grass under my feet. I left my hometown with my parents and searched for it, but found that the most beautiful thing deep in my memory was my hometown - that heavy cultural heritage. What is it? Jiuzhaigou, the fairyland on earth? Shu embroidery, one of the four famous embroideries in China? Or the tea art with rich regional colors? If you ask me, I will definitely answer firmly, intoxicating Sichuan Opera!

18. Sichuan Opera can be said to be the culmination of Chinese opera tunes. It has Gaoqiang derived from Yiyang tunes, Huqin from Hui tune and Han tune, and Shaanxi Bangzi opera. Kunqiang in Kunqu Opera is derived from the local lantern opera and is compatible with the five major tune systems of Chinese opera since the Ming and Qing Dynasties. In the process of gradual integration, the five major tunes are unified into the style of Sichuan Opera based on the production, configuration, branding and performance characteristics of gongs and drums.

19. History and reality blend here. What remains unchanged is the high-pitched tune, Huqin, Sichuan accent, colorful costumes, and historical stories. What has changed is that you can come and listen. Will Sichuan Opera people become younger and younger? Will there be more and more people? If it were not for free and support from the government during the holidays, Sichuan Opera, this ancient play, a bright pearl in the opera treasure house, would be used by more and more people. Do people like it, and do the number of people who come to see it still remain the same? Looking forward to the Bazhong Sichuan Opera, refusing to melt the ice.

20. Chengdu is a colorful city: there is Malatang, which has both spicy and spicy flavors. Chengdu people especially love eating and drinking spicy food; there is authentic Sichuan dialect, every word of which is delicious. It is thought-provoking; there is wonderful and delicious Kung Fu tea, which makes people amazed; there is also the world-famous Sichuan Opera performance, among which I think the most exciting thing is the face-changing, or the amazing fire-breathing that makes the whole audience boil, which has to be I admire you.

21. There is a slightly famous place in China - Sichuan. There are not only beautiful scenery, but also unique Sichuan Opera. Sichuan Opera has a very long history and is a dazzling pearl in the treasure house of Chinese opera. Sichuan Opera is a major feature of Sichuan. It has formed "Sichuan Opera" consisting of five kinds of tunes including Gaoqiang, Huqin, Kunquqiang, Lantern Opera and Tanxi, sung in Sichuan dialect.

Among them, Sichuan Opera has rich melodies and beautiful singing styles. The main singing form of Sichuan Opera has the most local characteristics. The accompaniment of Sichuan Opera includes leading, chorus, chorus, accompaniment, and duet singing, etc., which are meaningful and fascinating. The language of Sichuan Opera is lively, humorous, full of distinctive local colors and rich flavor of life.

22. Sichuan Opera is also divided into five types of roles, such as "born dan, pure and late ugly", and there is not much difference in roles from other Chinese operas. Businessmen are male, and there are four types: Xiaosheng, Laosheng, Wusheng and Wansheng. Dan is female, and the Dan line includes Qingyi (Zhengdan), Huashan, Huadan, Daomadan, Wudan, and Laodan. Jing is commonly known as Hua Lian. The patterned facial makeup outlined in various colors is the prominent symbol, showing a rough, majestic and heroic character in character and temperament.

23. Zhonglu is located in the ancient Naiba territory and intersects with Shu and Chu. This place was once the political and economic center of the frontier barbarians, so the humanities seemed to be even better than other towns. Song Yu's famous article of the Warring States Period, "Questions to the King of Chu", states: "The guest who sang in Yingzhong was called "Xiali" or "Baren". There were thousands of people who belonged to Hehe in the country, and they were called "Yang'a" "Xie Lu", there are hundreds of people who belong to the country; "Yangchun" and "Baixue", there are only dozens of people who belong to the country."

24. The history of Sichuan Opera is also very important. long. Sichuan Opera developed around the late Ming and early Qing dynasties and is a major feature of Sichuan culture. Chengdu is the hometown of drama. As early as the Tang Dynasty, there was a saying that "Sichuan opera is the best in the world". There are many unique skills in Sichuan Opera - lifting, opening eyes, changing faces, drilling into fire rings, hiding knives, etc. They are good at using unique skills to create characters. This exquisite Sichuan Opera is breathtaking. In addition, Sichuan Opera also has many famous repertoires - "The Story of Willow Shade", "Deep Love", "Autumn River", "La Lang Pei"...

25. Sichuan Opera performances are both standardized and flexible. Each profession has its own set of self-contained exercises and procedures, but there are often surprising and winning moves in its application, and it is never limited to one method. In the process of artistic creation, Sichuan Opera artists are often not satisfied with the usual performance skills. They always have to carefully design unique stunts to constitute the shining point in the performance. They are like pearls shining on the Sichuan Opera stage, forming the essence of Sichuan Opera. A major feature of performing arts.

26. In the wonderful and peaceful atmosphere of the New Year, something hazy is surging. Sichuan Opera is also a local opera that both the country and the country attaches great importance to! Sichuan Opera has a long history of hundreds of years. In the late Ming and early Qing dynasties, when "Huguang filled Sichuan", various operas were integrated with Sichuan dialect, folk customs, folk music, dance, rap and folk songs, and gradually The formation of vocal art with Sichuan characteristics has promoted the development of Sichuan local opera - Sichuan Opera.

27. There are many types of Sichuan Opera. Sichuan Opera has five kinds of tunes: Kunqiang, Gaoqiang, Huqin, Danxi and Dengdiao, as well as music forms such as gongs and drums, suona tunes and piano and flute tunes that accompany the five tunes. The music of Sichuan Opera draws on the strengths of others and is eclectic. It absorbs the nutrients of all major opera tune systems across the country and integrates them with the local language, rhyme and music of Sichuan. It has evolved into local opera music with diverse forms, rich tunes, rigorous structure and different styles. .

28. The costumes and facial makeup of Sichuan Opera inherit the traditional regulations of Chinese opera, and have distinct characteristics of the opera. For example, Vincent’s pleats have higher slits to show off the figure and skills, and the characters’ facial makeup mostly changes with the development of the character. There are variations, and many character shapes seem to be unconventional at first glance, but upon closer inspection they are reasonable, novel and unique, and can be called the masterpieces in the Chinese opera gallery. These artistic creations overflow with the folk customs of the mountains and plains in the Bashu cultural character, and have an artistic charm that is surprising in the ordinary and elegant in the vulgar.

29. Sichuan Opera has research and cognitive value in Bashu culture, art, history, folk customs, etc., and has a very unique position in the history of Chinese opera and the development history of Bashu culture. “The sonorous sound of gongs and drums, the melodious a cappella singing, the lingering chorus, the fragrance of tea bowls in old teahouses... all these have gradually become distant in the process of prosperous urban civilization, and have even become a sad memory. ”

30. I have loved watching Sichuan Opera since I was a child. When I was studying in the Chinese Department of Yueda University in the early days of the founding of the People’s Republic of China, I was an active member of the Yueda Opera Troupe of the school student union, and I often participated in rehearsals after class. When I played Shang Situ in "Nanyang Pass" and appeared for the first time wearing a military uniform with a long beard on his cheeks, I was so nervous that my heart was pounding and I didn't dare to look at the dark audience under the stage. As the plot progressed, I gradually calmed down and became calm. I cooperated tacitly with my two classmates who played the roles of Wu Yunzhao and Ma Shumou. After the performance, I actually won a round of applause. It was really exciting.