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Poetry about picnic by Wang Wei
1. What are the poems about "picnic"?
1. "Picnicing under the Ape Vine Tree" by Yang Wanli of the Song Dynasty
There is no place in the middle of the mountain. Lin Kai suddenly had a day. The red maple trees are bright in the distance, and the yellow leaves are singing in the dark.
Moss, brocade and silver compete for the stove, and reed antler and jade tents are felt. Joining the army, Gu Yunle begged for mountains and rivers.
2. "Picnicing on the White Sand" by Yang Wanli of the Song Dynasty
Half a day's hiking in the mountains leads to muddy roads, and I want to cook, but I don't have a shop or a bead. The white stone is turned to burn the cauldron, but the green oil is used as a wild hut.
As soon as you look at the flat fields, there is fertile soil, with only dry reeds and cold reeds growing. What's the loss for me if I eat and sleep in the open air? The jade food and the Qionglou belong to the canal.
3. Lu You's "Wild Adventure" of the Song Dynasty
The place where you live is unpredictable, and you can't make plans if you pack lightly. When I got lost, I asked the plowman and got on the fishing boat.
The picnic rice is fragrant and cooked with jade, and the village mash is slippery with oil. Nothing happened when I returned home, so I sent Youyou everywhere.
4. Lu You of the Song Dynasty, "Wild Wildness at the End of Summer"
The clouds in the Momo River are closed and open again, and God is trying to hold back the autumn.
A scattered small market emerges from the forest edge, and misty rain comes from outside.
Return to the boat and drive away the light gulls. There is no need to use the city bamboo to urge you to death.
5. Wang Wei of the Tang Dynasty, "Jiyu Wangchuanzhuang Zuo"
The fireworks in the forest are late in the rain, and the rice is steamed and cooked.
Egrets fly in the desert paddy fields, and orioles sing in the overcast summer trees.
In the mountains, I quietly watch the hibiscus trees, and I watch the dew sunflowers in the Qingzhai under the pine tree.
Let the old man compete with others for a seat. The seagull is even more suspicious of what happened. 2. For ancient poems, I am looking for poems about traveling to the countryside and having a picnic at the beginning of summer. Yes
Picnic under the tree with apes and vines
Era: Song Dynasty Author: Yang Wanli
< p> There is no ground beside me, but suddenly there is sky in the forest.The red maple trees are bright in the distance, and the yellow leaves are singing in the dark.
Moss, brocade and silver compete for the stove, and reed antler and jade tents are felt.
Joining the army in ancient Yunle, begging for mountains and rivers.
Picnic on the white sand
Era: Song Dynasty Author: Yang Wanli
Half a day of hiking in the mountains, the road is covered with dirt, and I want to cook, but I don’t have a shop or a bead.
The white stone is turned into a burning cauldron, but the green oil is used as a wild hut.
As soon as you look at the flat fields, there is fertile soil, with only dry reeds and cold reeds growing.
What's the loss for me if I have to eat and sleep in the open air? The jade delicacies and the Qionglou belong to the canal.
Ye Xing
Era: Song Dynasty Author: Lu You
Living in an impermanent place, traveling light and without planning.
When I got lost, I asked the plowman and got on the fishing boat.
The picnic rice is fragrant and cooked with jade, and the village mash is slippery with oil.
Nothing happened when I returned home, so I sent Youyou everywhere.
Wilderness at the end of summer
Era: Song Dynasty Author: Lu You
The clouds in Momochuan are closing and blooming again, and God is trying to save the autumn.
A scattered small market emerges from the forest edge, and misty rain comes from outside.
The fragrant rice in Tu'an is for dinner, and the new grains of rice are sold in large quantities on the curtains.
Return to the boat and drive away the light gulls. There is no need to use the city bamboo to urge you to death.
Jiyu Wangchuanzhuang Zuo
Wang Wei
The fireworks in the forest are late in the rain, and the rice is steamed and cooked.
Egrets fly in the desert paddy fields, and orioles sing in the overcast summer trees.
In the mountains, I quietly watch the hibiscus trees, and in the Qingzhai under the pine tree, I fold the dew sunflowers.
Let the old man compete with others for a seat. The seagull is even more suspicious of what happened.
Mountain rocks
Han Yu
The paths of mountains and rocks are indeed small, and bats fly to the temple at dusk.
When I sit on the steps in the hall, the fresh rain has fallen, and the banana leaves are big and the gardenias are fat.
The monk said that the Buddhist paintings on the ancient wall are good, and the fire can be used to illuminate what can be seen.
The bed is made, the mat is spread, and the soup and rice are placed. The sparse rice is enough to satisfy my hunger.
In the deep of night, there are no insects lying around, and the clear moon comes out of the mountains and the light enters the door.
There is no way to go out alone in the morning, and there is no way to go out and go up and down.
The mountains are red and the streams are dazzlingly green, and there are dozens of pine trees all around.
When the stream flows, I step on the rocks with my bare feet, and the sound of the water stirs up the wind and blows my clothes.
Life is so enjoyable, why should we be restricted to others?
Alas, the second and third sons of our party will never return home until they are old. 3. Appreciation of classic poems (verses by Wang Wei)
Xinqing Wilderness The Xinqing wilderness is vast and untainted as far as the eye can see.
Guomen faces the ferry, and the village trees connect to the mouth of the stream. Outside the clear fields of white water, behind the green peaks emerging from the mountains.
There is no idle person in the farming month, and the whole family is devoted to the south. This poem describes the beautiful scenery in the wild after the rain has cleared.
The opening two sentences summarize the "new clear" scene atmosphere. It is clear after the rain, the air is fresh, and the sky seems spotless. Looking far into the distance, it seems that the wilderness is more open than usual, highlighting the atmosphere after the rain. Features. The following is a detailed description of the scene.
In front of the poet is a small mountain village near the water. The village is close to the ferry of a stream, and the village is surrounded by green trees that extend to the stream. Looking along the stream again, the fields in the distance are filled with water, and the color of the water sparkles in the sunlight. Mountains stretch behind the village, and behind the mountains, green peaks are revealed. Because of the rain, there is water in the fields. , because the air is fresh, the distant peaks that are usually blurry are also clearly visible.
The description of the distant view here once again characterizes the characteristics of "Xinqing" and responds to one or two sentences. The last two sentences echo the third or fourth sentences, and then write about the mountain village. All the farmers went out to work nervously in the fields, indicating that it is the busy farming season, and it can also be seen that the farmers intend to seize the favorable opportunity after the rain and the weather clears up to plow unexpectedly.
This description integrates the new sunny scene with the farmers' work, forming a beautiful picture full of life. Poetry Appreciation of "Jiyu Wangchuanzhuang Zuo" by Wang Wei Wang Wei "Jiyu Wangchuanzhuang Zuo" The fireworks in the empty forest are late, and the quinoa is steamed to cook the millet in the east.
Egrets fly in the desert paddy fields, and orioles sing in the overcast summer trees. In the mountains, I learn to watch the hibiscus trees quietly, and under the pine tree, I fold the dew sunflowers in Qingzhai.
Let’s just fight for a seat with others. Why should the seagulls be more suspicious? Wangchuan Village, located in the Zhongnan Mountains of Lantian, Shaanxi today, is where Wang Wei lived in seclusion. "The Biography of Wang Wei in the Old Book of Tang Dynasty" records: "Both the Wei brothers worshiped the Buddha, lived on a vegetarian diet, and did not eat meat or blood. They fasted for a long time in their later years and did not wear elegant clothes."
In this seven-line poem, the poet writes: The combination of his elegant and light Zen life and the quiet and beautiful pastoral scenery of Wangchuan creates an artistic conception where things and I are comfortable with each other and the scenes blend together. "The accumulated rain in the empty forest and the fireworks are late, and the steaming quinoa and millet are in the east."
The first couplet describes the life of the Tian family, which is what the poet saw quietly on the mountain: It is the season of continuous rain, the sky is cloudy and the ground is wet, the air is moist, and it is quiet. Over the jungle, smoke slowly rose, and at the foot of the mountain, farmers were burning fires for cooking. The woman's family steamed quinoa and cooked millet. After preparing the meal, she carried it to the east-east fields, where the men went to work early in the morning.
As far as the poet can see, he first writes about the fireworks in the empty forest. The word "chi" not only vividly describes the smoke from the kitchen on a rainy day, but also reveals the poet's leisurely and comfortable mood; then he writes about the morning meal at the farmhouse. , working in the field and even having a picnic at the head of the field, showing a series of characters' activities, which are orderly and full of life, making people imagine the happy mood of the peasant woman Tian Fu. The mandibular couplet describing the natural scenery is also derived from the poet's quiet observation: "Egrets fly in the desert paddy fields, and yellow orioles sing in the overcast summer trees."
Look, on the vast and empty desert, covered with water, egrets take flight, The mood is so quiet and unrestrained; listen, the orioles sing to each other in the deep and beautiful dense forest far and near, their voices are so sweet and happy. In the summer of Wangchuan, hundreds of birds are flying. The poet only selected orioles and egrets with completely different shapes and habits, and described them in conjunction with their respective backgrounds: the snow-white egret and the golden oriole have their own visual differences in color shades. ; Egrets fly and orioles chirp, one captures the movement and the other captures the sound; Momo describes the wide spread of paddy fields and the vast field of vision; Yin and Yin describes the dense summer trees and the deep realm.
The two scenes set off and cooperate with each other, making the mountains and fields of Wangchuan in the rainy weather very picturesque. The so-called "paintings in poetry" are a good example.
When Li Zhao, a man of the Tang Dynasty, saw Li Jia's poem "Egrets flying in the paddy fields, orioles singing in the summer trees", he ridiculed Wang Wei for "he likes to pick up people's articles and sentences" ("National History Supplement", Volume 1); Hu Yinglin, a scholar of the Ming Dynasty, vigorously refuted it and said: "Mojie flourished in the Tang Dynasty, Jiadiao was in the middle of the Tang Dynasty, how could it be stolen by predecessors? This Zhengjiadiao used Mojie's poems.
" (Volume 5 of "Shisou·Inner Edition") According to the fact that Jiadiao and Mojie were at the same time but slightly later, it is difficult to say who copied whose poems; however, from an artistic point of view, their poems are still superior.
Ye Mengde from the Song Dynasty said: "The advantage of these two sentences is to add the four words 'momo' and 'yinyin'. This is Mojie's enlightenment for Jiadiao, so that he can see its beauty for himself." For example, Li Guangbi's general Guo Ziyi's army was several times more brilliant with one order. ”
(Volume 1 of "Shilin Poetry") "Momo" has a broad meaning, and "Yinyin" has a deep meaning. "Momo paddy field" and "Yinyin summer wood" are compared with "paddy field" and "summer wood". The picture appears broad and deep, full of a sense of realm, exaggerating the foggy and confused tones and atmosphere of the rainy weather. If it can be said that the carefree working life of the farmers written in the first couplet has aroused the poet's strong interest and admiration. Then, facing the free flying of orioles and egrets, the poet will be even more intoxicated.
Moreover, in these two couplets, the activities of the characters and the natural scenery are not objective things. It is a simple imitation, but through the induction and filtering of the poet's mind, it is dyed with a distinct subjective color, reflecting the poet's personality. For Wang Wei, who "only likes to be quiet in his later years and does not care about anything", he is in this paradise-like Wangchuan. The mountain villa is really the place to be, which cannot help but make him feel endless fun.
The following two couplets express the joy of the poet's Zen life in seclusion in the mountains. Zhelu Kui. "
The poet was alone in an empty mountain, under a secluded pine forest, and realized the shortness of life by consulting hibiscus trees and picking dew and sunflowers for vegetarian meals. This sentiment, in the eyes of ordinary people, is too lonely and indifferent. Is that so? However, the poet, who has long been tired of the hustle and bustle of the world, finds great interest in it. Compared with the chaos and intrigues of Vanity Fair, it is like a world of clouds and mud! "Ye Lao is what the poet calls himself.
The poet happily declares: I have long lost my scheming, abandoned vulgar thoughts, allowed myself to be allowed to live with the circumstances, have no hindrance to others, and have no disputes with the world. Who else would do this for no reason? Are you jealous of me? I can almost avoid the worries of the world and indulge in the joy of the mountains and forests. "Zhuangzi·Zanpian·Fables" records: Yang Zhu went to learn Taoism from Laozi. The host of the inn welcomed him on the way, and all the guests gave up their seats to him; After returning from his studies, the passengers no longer gave up their seats, but "competed" with him, indicating that Yang Zhu had learned the way of nature and was no longer separated from people.
"Liezi·Huangdi Chapter" records: On the sea. There are people who are close to the gulls and don't suspect each other. One day, my father asked. Destroyed. (Liu Zongyuan: "Snow on the River")
2. The sun disappears over the mountains, and the Yellow River flows into the sea. (Wang Zhihuan: "Climbing the Stork Tower")
3. Hui Dang From the top of the mountain, you can see all the small mountains at a glance. (Du Fu: "Looking at the Mountains")
4. The country is broken by mountains and rivers, and the city is full of spring vegetation. (Du Fu: "Looking at the Mountains")
5. No one can be seen in the empty mountain, but the sound of people's voices can be heard. (Wang Wei: "Lu Chai")
6. The bright moon rises out of the Tianshan Mountains, among the vast sea of ??clouds. (Li Bai: "Guanshan Moon})
7. I never get tired of looking at each other, only Jingting Mountain. (Li Bai: "Sitting Alone on Jingting Mountain")
8. At the foot of the southern mountain where beans are planted, the grass is thick and the bean seedlings are sparse. (Tao Yuanming: "Returning to the Garden and Living in the Fields")
9. The green mountains cannot cover it, and it will flow eastward after all. (Xin Qiji: "Bodhisattva Man? Book on the Ostomy Wall of Jiangxi"))
10. No Knowing the true face of Mount Lu is only possible by being in this mountain. (Su Shi: "Inscription on the Wall of the Western Forest")
Water in Poetry
1. The so-called beauty is on the side of the water. ("Book of Songs?" "Jianjia") 5. Problems with Wang Wei's poems
"Jiyu Wangchuanzhuang" ① Author: Wang Wei The rain is in the sky and the fireworks are late, and the quinoa is cooking and the millet is boiling in the east ②
The desert paddy fields. The egrets are flying, and the oriole is singing in the shade. In the mountains, I am watching the hibiscus quietly, and the dew sunflowers are blooming in the clear house of the pine tree. "Returning to Wangchuan Village in Autumn"
2. To send food to people working in the fields to the east. "Lin" originally refers to the fields that have been cultivated for a year.
< p> Hibiscus: Hibiscus is a deciduous shrub that blooms in summer and blooms in the morning and falls in the evening, so it is also called Hibiscus.3. Ye Lao: Self-proclaimed.
4. Fighting for seats: It means that you can get along with others easily without any barriers. "Zhuangzi·Miscellaneous·Fables" records: When Yang Ziju (Yang Zhu) first arrived at the hotel, he looked arrogant. The owner of the hotel was very respectful to him, and other guests also gave up their seats to him.
Later, I taught him to lose his reserve. When he returned to the hotel, he seemed very easy-going. People no longer gave up their seats to him, but competed with him for seats, and it was very casual to get along with him. 5. Seagulls: "Liezi Huangdi Chapter" records: There was a man on the sea who liked gulls. He played with gulls every day, and hundreds of gulls gathered around him.
One day, his father asked him to catch gulls. The next day when he came to the beach, the gulls couldn't stop circling because he had an idea.
Seagulls are used here as a metaphor for simple and unintentional farmers. This poem describes the joy of pastoral life.
The first four sentences describe scenery, delicate and expressive. Due to the long-lasting rain, there is no wind and it is humid, so the smoke rises slowly.
The paddy fields are vast and egrets are fluttering, the summer trees are shaded and the orioles are chirping. There are sounds and colors, movement and stillness, vision, hearing, aspects and points, which form an interesting contrast. According to the National History Supplement by Li Zhao of the Tang Dynasty, three or four sentences are taken from Li Jiayou's "egrets fly in the paddy fields, and orioles sing in the summer trees".
However, Hu Yinglin's "Shi Sou" of the Ming Dynasty believed that Wang was earlier than Li, and it should be Li's attack on Wang's sentence. Considering that the two poets were written at about the same time, it is difficult to determine who copied whose poem.
But adding the words "momo" and "yinyin" in front of it is indeed wonderful and expressive. Hu Yimei, a native of the Qing Dynasty, said, "The scenery after the rain can only be achieved by using overlapping words to make the sentence complete and prosperous" ("Tang Shi Guan Zhu").
The last four sentences describe the interest in life. "The Biography of Wang Wei in the Old Book of Tang Dynasty" records: "Both the Wei brothers worshiped Buddha, lived on a vegetarian diet, and did not eat meat or blood.
In his later years, he fasted for a long time and did not wear elegant clothes." Five or six sentences are a portrayal of this.
The seven or eight sentences describe the relationship between the scribe and the husband of the field, always between doubt and disbelief. It is obvious that people have elegance and vulgarity, and their tastes are different, which is not inevitable. Attachment: Exercises 1. Which words and sentences in the poem are the most neat (duality)? Answer: "Zhong" and "Xia", "Guan" and "Zhe", "Hibiscus" and "Lukui".
2. Shen Deqian, a native of the Qing Dynasty, said: The beauty of this sentence lies in the two words "momo" and "yinyin". If you remove the two words "shang", it is a dead sentence. How to understand the meaning of "wonderful" and "dead sentences" he said? Answer: "Momo" and "Yinyin" describe the situation of "paddy field" and "summer wood".
"Momo" describes the misty paddy fields. In such an atmosphere, the scenery of "flying egrets" is beautiful; "Yinyin" describes the dense forests in summer. In such dense forests, the colors of orioles appear pleasing to the eye. The sound is beautiful. Translation: (literal translation) Because it has been raining for a long time, the forest is windless and humid, so the cooking smoke rises a bit slowly.
The cooked meals are given to the people working in the east of the village. A row of egrets flew across the vast flat paddy fields; the cries of orioles came from the quiet and cool woods in summer.
I cultivate myself in the mountains, watch the morning hibiscus bloom in the morning and fade in the evening; I eat vegetarian food in the Panasonic, and I don’t touch the dew and sunflowers. I already get along very casually with those in the village, and there is no barrier; why should the simple farmers still be suspicious? (Free translation) In the distance, smoke rises from the farmyard. It must be the farmer woman preparing meals for the field man working on the field.
Several egrets can be vaguely seen in the sky, flying from time to time, playing happily on the vast flat area. Next to it is the lush forest, from which the clear chirping of birds can be heard from time to time.
That is the song of the oriole, gentle and melodious. The rain keeps falling, and the strands of rain cover the streets, and together with the graceful shadow of the heron and the wonderful sounds of nature, it becomes an elegant light-ink landscape painting.
Withdrawing my wandering eyes, I still looked at the hibiscus tree quietly in the morning as before, lamenting that time flies by and years are hard to come back; I went to pick fresh dew sunflowers under the pine trees for freshness. Vegetarian. The two words of fame once carried too many ups and downs, and also indifferent to the spirit of youth.
It is ridiculous that people in the world are mediocre, some may have glory and wealth, or some may have high salary and power, but they will eventually return to the dust, and their flesh and blood will be completely corrupted by the change of the sun and the moon, leaving only withered bones. Why pursue fame and fortune? All this is just a mirror, an illusion and a dream.
It would be better to sit alone in this mountain forest, ignore the chaos of the world, and just feel at ease in your heart.
Retreating to the mountains and forests, far away from the hustle and bustle of the world, you can avoid the suspicion of intrigues, gain a bit of rare wild fun, and wash away the dirt in your soul in the rain, transcending the mundane world. Why not? Wouldn't it be wonderful to live like this? Appreciation Wangchuan Village, located in the Zhongnan Mountains of Lantian, Shaanxi today, is where Wang Wei lived in seclusion.
"Old Tang Book." "The Biography of Wang Wei" records: "Both the Wei brothers worshiped the Buddha, lived on a vegetarian diet, did not eat meat and blood, fasted for a long time in their later years, and did not wear elegant clothes."
In this seven-line poem, the poet puts his elegant and light Zen The combination of lonely life and the quiet and beautiful pastoral scenery of Wangchuan River creates an artistic conception where things and I are comfortable with each other and the scenes blend. "The accumulated rain in the empty forest and the fireworks are late, and the steamed quinoa and millet are the best."
The first couplet describes the life of the Tian family, which is what the poet saw quietly on the mountain: It is the season of continuous rain, the sky is cloudy and the ground is wet, and the air is moist. Over the quiet jungle, smoke slowly rose, and at the foot of the mountain, farmers were cooking. The woman's family steamed quinoa and cooked millet. After preparing the meal, she carried it to Donglin, the field to the east, where the men went to work early in the morning.
As far as the poet can see, he first writes about the fireworks in the empty forest. The word "chi" not only vividly describes the smoke from the kitchen on a rainy day, but also reveals the poet's leisurely and comfortable mood; then he writes about the morning meal at the farmhouse. , working in the field and even having a picnic at the head of the field, showing a series of characters' activities, which are orderly and full of life, making people imagine the happy mood of the peasant woman Tian Fu. The couplet describing the natural scenery is also the result of the poet's quiet observation: "Egrets fly in the desert paddy fields, and yellow orioles sing in the overcast summer trees."
Look, on the vast and empty desert, covered with water, egrets take flight, The mood is so quiet and unrestrained; listen, the orioles sing to each other in the deep and beautiful dense forest far and near, their voices are so sweet and happy. In the summer of Wangchuan, hundreds of birds are flying, and the poet only chooses form. 6. Give examples to illustrate the Zen and painterly connotations of Wang Wei’s poems
Jiyu Wangchuanzhuang, written by Wang Wei Jiyu empty forest and fireworks are late, steaming quinoa and cooking millet to the east.
Egrets fly in the desert paddy fields, and orioles sing in the overcast summer trees. In the mountains, I learn to watch the hibiscus trees quietly, and under the pine tree, I break the dew sunflower in Qingzhai.
Let’s just fight for a seat with others. Why should the seagulls be more suspicious? Wangchuan Village, located in the Zhongnan Mountains of Lantian, Shaanxi today, is where Wang Wei lived in seclusion. "The Biography of Wang Wei in the Old Book of Tang Dynasty" records: "Both the Wei brothers worshiped Buddha, lived on a vegetarian diet, did not eat meat and blood, fasted for a long time in their later years, and did not wear elegant clothes."
In this seven-line poem, the poet writes: The combination of his elegant and light Zen life and the quiet and beautiful pastoral scenery of Wangchuan creates an artistic conception where things and I are comfortable with each other and the scenes blend together. "The accumulated rain in the empty forest and the fireworks are late, and the steaming quinoa and millet are in the east."
The first couplet describes the life of the Tian family, which is what the poet saw quietly on the mountain: It is the season of continuous rain, the sky is cloudy and the ground is wet, the air is moist, and it is quiet. Over the jungle, smoke slowly rose, and at the foot of the mountain, farmers were burning fires for cooking. The woman's family steamed quinoa and cooked millet. After preparing the meal, she carried it to the east-east fields, where the men went to work early in the morning.
As far as the poet can see, he first writes about the fireworks in the empty forest. The word "chi" not only depicts the smoke on a rainy day very vividly, but also reveals the poet's leisurely and comfortable mood; then he writes about the morning meal at the farmhouse. , working in the field and even having a picnic at the head of the field, showing a series of characters' activities, which are orderly and full of life, making people imagine the happy mood of the peasant woman Tianfu. The couplet describing the natural scenery is also the result of the poet's quiet observation: "Egrets fly in the desert paddy fields, and yellow orioles sing in the overcast summer trees."
Look, on the vast and empty desert, covered with water, egrets take flight, The mood is so quiet and unrestrained; listen, the orioles sing to each other in the deep and beautiful dense forest far and near, their voices are so sweet and happy. In the summer of Wangchuan, hundreds of birds are flying. The poet only selected orioles and egrets with completely different shapes and habits, and described them in conjunction with their respective backgrounds: the snow-white egret and the golden oriole have their own visual differences in color shades. ; Egrets fly and orioles chirp, one captures the movement and the other captures the sound; Momo describes the wide spread of paddy fields and the vast field of vision; Yin and Yin describes the dense summer trees and the deep realm.
The two scenes set off and cooperate with each other, making the mountains and fields of Wangchuan in the rainy weather very picturesque. The so-called "painting in poetry" is a good example.
When Li Zhao, a man of the Tang Dynasty, saw Li Jia's poem "Egrets flying in the paddy fields, orioles singing in the summer trees" in Li Jia's fishing collection, he ridiculed Wang Wei for "he likes to pick up people's articles and sentences" ("National History Supplement", Volume 1); Hu Yinglin, a scholar of the Ming Dynasty, refuted it and said: "Mojie flourished in the Tang Dynasty, and Jiadiao was in the middle of the Tang Dynasty. How could it be stolen by predecessors? This is Zhengjia Diao's Mojie poem." (Volume 5 of "Shisou·Inner Edition") , Jiadiao and Mojie were at the same time but slightly later. It is difficult to say who copied whose poems. However, from an artistic point of view, their poems are still superior.
Ye Mengde from the Song Dynasty said: "The advantage of these two sentences is to add the four characters 'momo' and 'yinyin'. This is Mojie's enlightenment for Jia Diao, so that he can see its beauty. For example, Li Guangbi's Guo Ziyi The army, with the first order, becomes more brilliant."
("Shilin Poetry" Volume 1) "Momo" has a broad meaning, "Yinyin" has a deep meaning, "Momo paddy fields" and "Yinyin summer trees". Compared with "Paddy Field" and "Summer Wood", the picture appears open and deep, full of a sense of realm, exaggerating the confused tones and atmosphere of the rainy weather. If the carefree working life of the farmers written in the first couplet has aroused the poet's strong interest and admiration, then the poet will be even more intoxicated when faced with the free flying of orioles and egrets.
Moreover, in these two couplets, the activities of the characters and the natural scenery are not simple imitations of objective things, but are dyed with a distinct subjective color through the induction and filtering of the poet's mind, embodying the poet's personality. For Wang Wei, who "wanted to be quiet in his later years and didn't care about anything", being in this paradise-like Wangchuan Villa was a perfect fit, and it made him feel endless fun.
The following two couplets express the joy of Zen life in which the poet lives in seclusion in the mountains and forests. "In the mountains, I learn to watch the hibiscus quietly, and under the pine tree, I gather dew sunflowers for my Qingzhai."
The poet was alone in the empty mountain, under the secluded pine forest, and realized that life is short by looking at the hibiscus, and he picked dew sunflowers for his vegetarian diet. In the eyes of ordinary people, this sentiment is too lonely and indifferent, right? However, the poet, who has long been tired of the hustle and bustle of the world, finds great interest in it. Compared with the chaos and intrigues of the Vanity Fair, it is nothing but a world of clouds and mud! "Ye Lao is just fighting for a seat with others, why should the seagulls be more suspicious?" Ye Lao said in his own words.
The poet happily declared: I have long since given up on my scheming, I have abandoned vulgar thoughts, I have allowed myself to be as I please, I am not hindered by others, and I am free from the world. Who else will doubt me for no reason? I can almost avoid the worries of the world and indulge in the joy of the mountains and forests leisurely. "Zhuangzi·Miscellaneous·Fables" records: Yang Zhu went to learn Taoism from Laozi. On the way, the host of the inn welcomed him, and the guests all gave up their seats to him; when he returned from studying, the travelers no longer gave up their seats, but "competed for seats" with him, which shows that Yang Zhu has learned the way of nature and is no longer separated from people.
"Liezi·Huangdi Chapter" records: There was a person on the sea who got close to the gulls and did not suspect each other. One day, his father asked him to catch the seagulls and bring them home. When he went to the beach again, the seagulls flew far away, and his evil intentions destroyed the close relationship between him and the seagulls.
These two allusions full of colors of Lao and Zhuang, one used in a positive way and the other used in an opposite way, combine to express the poet's indifferent and natural state of mind, and this state of mind is exactly what the first couplet writes about "Qing Zhai" "The result of "Xi Jing". This seven-character poem has a vivid image and profound interest. It expresses the poet's leisurely mood of living in seclusion in the mountains and forests and breaking away from the worldly world. It is a representative work of Wang Wei's pastoral poetry.
In the past, some people promoted it as the final volume of the Seven Rhymes of the Tang Dynasty, and said it was the ultimate in "emptying the ancient and quasi-modern". "Guo Youcheng's "Cumulative Rain"", I admire the profound artistic conception and ultra-modern style of this poem, and the artistic insights are quite good. (See Volume 10 of "The Collection of Wang Youcheng" annotated by Zhao Diancheng) Pastoral Music (Part 6) Wang Wei The peach red contains the lingering rain, and the willow green carries the morning smoke.
The flowers have fallen, the children have not swept away the house, the orioles are singing, and the mountain guests are still sleeping. "Pastoral Joy" is a poem composed of seven six-character quatrains. It describes the author's pleasure in retreating to the Wangchuan villa to be close to nature, so it is titled "Wangchuan Six Characters".
The one chosen here is one of them. The poem writes about spring "sleep", "orioles' cries", "flowers falling" and "falling rain", which is easily reminiscent of Meng Haoran's "Spring Dawn".
There are so many similarities in the life content of the two poems, but the artistic conception is very different. Him. 7. We went on a picnic and saw clouds and mist entwining in the mountains. What verses should we use to express it?
The verses describing the clouds and mist are as follows:
1. Mao Ci is sparse and easy to get wet, but the clouds and mist are dense and difficult to open.
——"Mei Yu" by Du Fu of Tang Dynasty
Translation: The thatched roof is wet, the mountains are filled with clouds and mist, and the fields are irrigated by spring water.
2. The lake is vast and cloudy, and the building is lonely in the evening. ——"Accompanying Envoy Pei to Climb Yueyang Tower" by Du Fu of the Tang Dynasty
Translation: Dongting Lake is vast and boundless, but also turbulent, and Yueyang Tower is lonely and clear at sunset.
3. On Fuyan in Jingyi, there is a guest pavilion among the clouds and mist. ——"Climbing the Hebei City Tower" by Wang Wei of the Tang Dynasty
Translation: There are some courtyards of residents on Fuyan, and the post pavilion is located among the clouds and mist.
4. My love for you and the mountains is unwavering, and I will follow you wherever you go. ——"Two Poems Presented to My Brother Nanping Prefecture" by Li Bai of the Tang Dynasty
Translation: I love you the most and my heart will never change like a mountain. I really want to follow you no matter what you do.
5. The dripping water is dripping, the clouds are gathering, and the trickling water is flowing. Everyone comes to pay attention. ——"Ode to the Sea" by Mu Hua in the Wei and Jin Dynasties
Translation: The little drops of water merge into streams, and trickles flow out from the mountain streams. The tops of the mountains are filled with clouds and mist, and the rivers at the bottom of the mountains are gurgling, all flowing to the sea.
For reference.
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