Symbolic Sentences in Pastoral Home

When we meet, we don't talk about the world. We just talk about the gardens planted in Sang Ma.

Tao Jin Tao Yuanming's Five Poems of Returning to the Garden (Part Two). Tao: Just say it. Sang Ma: It refers to all kinds of crops. After the meeting, we talked about other topics, only the growth of crops such as Sang Ma. This poem shows that the author often associates with farmers after retirement, and all worldly concerns are rejected. He only cares about agriculture. These two sentences highly summarize this kind of life. It can be used to describe the simple folk customs in rural areas, and it can also be used to show that people often talk about something of common concern together.

Trapped in a cage without freedom for a long time, I finally returned to the forest today. -quotations from Tian Ju's famous sayings in longan

Tao Jin Tao Yuanming's Five Poems of Returning to the Garden. Fan Long: A cage for raising birds and beasts, which is a metaphor for Zhuang Guan. The general idea of these two sentences is: leaving the officialdom and returning to the countryside is like a bird and beast locked in a cage for a long time returning to nature and enjoying freedom and pride. This famous sentence expresses the poet's strong feelings when he first approached the countryside. The previous sentence is compared with "Panlong", which means that the thoughts imprisoned in the real society distort human nature and have no personal freedom, and the metaphor is appropriate. The word "long" not only points out the length of time, but also writes the profound experience of being in a cage. Show undisguised disgust. The next sentence is to write a wish to return to simplicity. The word "complex" is well used, with a feeling of longing, joy and relief. There is no joy in the poem, but joy runs through the pen. It can be said that it is not a word, it is romantic, which fully embodies Tao Yuanming's artistic style of expressing infinite innocence in plain and natural language.

Few people do as the Romans do. Their nature is to love nature.

Tao Jin Tao Yuanming's Five Poems of Returning to the Garden. Rhyme: temperament, character. Ben: It was. The general idea of these two sentences is: I have never adapted to the secular temperament since I was a child, and I naturally love the natural features of mountains and rivers. This sentence affirms "nature" by denying "secularity", which clearly shows the attitude towards officialdom secularity and mountains and rivers. One hates a love, the other gives up a pursuit, and subjective feelings suddenly emerge. This poem is plain and simple, and its connotation is very rich, so it has been passed down through the ages.

Birds in cages are often attached to the forests of the past, and fish in ponds yearn for the abyss of the past.

Tao Jin's Yuanming's "Returning to the Garden Less without Common Rhyme". Bird in captivity: A bird in a cage. Birds in cages are attached to the forest where they were born, and fish in ponds miss the abyss where they were born. This famous sentence adopts the technique of comparison, which leads to the next two sentences: "Open up wasteland in the south, and return to the garden in a foolish way." The "bird catching" and "pond fish" bound by officialdom are darker than themselves. Birds and fish still long for freedom, so it is very natural for them to abandon their official positions and retire. Poetry expresses the pursuit of nature and the yearning for rural natural scenery by skillfully comparing things, and expresses strong subjective feelings in diluting tranquility. Syntax is neat, sentence patterns are the same and repetitive, which objectively plays an important role in highlighting emotions.

Get up early in the morning to get rid of weeds, and when night falls, the moonlight comes back with a hoe.

Tao Jin Yuanming's Return to the Garden (3). G: Get up. Dirty (back): barren. H: shoulders. Get up in the morning to clean up the deserted fields and go home with hoes and moonlight until the moon is high. This sentence describes a typical rural life, which is simple and contains the pleasure of peace and complacency. In my writing, I use the method of Fu to tell the truth of farming and convey a kind of "uninteresting interest" in it. In particular, the last sentence, beautiful and lovely, has been modified by later generations, describing the taste of life in the moonlight.

In remote villages, there is smoke in Yiyi market, dogs barking, chickens crowing and mulberry trees jumping in deep alleys. -Excerpt from "A Good Sentence of Returning to the Garden"

Tao Jin Tao Yuanming's Five Poems of Returning to the Garden. ài love warmth: dull appearance. Yiyi: gentle eyes. In the market (xū Xu): the village. From a distance, the dark village is faintly discernible, with soft smoke floating from the kitchen above the distant village, dog barking from the deep alley and chicken barking from the top of the mulberry tree. The poet wrote the real natural scenery with simple brushwork: distant time, near time, moving time, static time, shape time and sound time, which are vague and hazy, highlighting the quiet and leisurely characteristics of pastoral scenery. Poetry not only shows the poet's interest in not being in cahoots with the common customs, but also shows the vitality of nature, and has become a famous sentence describing nature and the pastoral scenery that is most enjoyed by future generations. In the forty-eight chapters of A Dream of Red Mansions, Lin Daiyu quoted these two poems and compared them with Wang Wei's poems, praising them as "light and ready-made" compared with Wang Wei's poems.

I planted beans at the foot of Nanshan, and the weeds in the field were covered with peas. Get up early in the morning to get rid of weeds, and when night falls, the moonlight comes back with a hoe. The path covered with vegetation, the dew at night wet my clothes. It's not a pity to get my clothes wet, but I hope I won't go against my will.

Tao Jin Yuanming's "Returning to the Garden" planted beans at the foot of Nanshan, with lush grass and sparse bean seedlings. In order not to make the bean field barren, I went to the fields early in the morning and came back in the moonlight at night. The road is narrow and the grass is long, but the clothes are wet. What's the pity? I just hope it won't violate my seclusion.