Li Bai can drink wine, ancient poetry and calligraphy works.

Jiang Jin Jiu is an ancient poem written by Li Bai, a famous poet in Tang Dynasty, which has a certain influence on China literature and plays an important role in China. His calligraphy works have unique font style characteristics. The following is what I arranged.

Li Bai is good at wine, ancient poetry and calligraphy.

In the third year of Emperor Xuanzong of the Tang Dynasty, the poet Li Bai was driven out of Chang 'an and once again embarked on a long journey of traveling around the mountains and rivers of the motherland. This article was written in the 11th year of Tianbao * * * 752 * *. At this time, it has been eight years since Li Bai was "rewarded with gold" by Emperor Xuanzong of the Tang Dynasty. During this period, Li Bai and his friend Cenxun * * * Cenfuzi * * were invited to visit Yang Yingshan, and another friend of Songshan, Yuan Danqiu, three of them climbed the mountain for a banquet and sang songs over wine to express their dissatisfaction.

Li Bai will enter the wine calligraphy map

Before the Tang Dynasty, the theme songs of Jiang Yuefu were mostly drinking songs and chanting songs. In this poem, Li Bai "makes use of the topic" to drown his sorrows by drinking and express his anger. This poem vividly shows Li Bai's unruly character: on the one hand, he is full of confidence in himself and arrogant; On the one hand, after the twists and turns in the political future, it also shows the feeling of indulgence. The whole poem is full of heroic momentum, unrestrained feelings, fluent language and strong appeal.

Appreciation of Jiangjin's Nine Poems

Making friends at the banquet is a great pleasure in life, and it coincides with the "talent shortage", so it is full of poetry for wine. The poet's emotion and literary thought are unstoppable at this moment; Like a river flowing into the sea.

Time goes by, like a river entering the sea, which is gone forever; Life is too short to see the blue silk and snow in the morning and evening; The smallness of life seems to be an irreparable tragedy, and the only thing that can solve the worries is golden wine. This is Li Bai's sadness: sad but strong, sad but not hurt, extremely indignant and extremely bold. The table is lamenting that life is easy to get old, and the table is lamenting that talents are not met. The disillusionment of the ideal is caused by the dark society, and the poet is powerless to change it, so he turns the rising anger into a bold act of enjoyment, vents his dissatisfaction, dispels his worries and resists reality.

The whole article is full of ups and downs, and poetry suddenly unfolds, from sadness to joy, to madness, to anger, and then to madness. In the end, it boils down to "eternal hatred". In response to the beginning of the article, like the running of a river, it can carry a tripod. The whole poem is full of five tones, with uneven sentence patterns and extraordinary weather. This article is as ingenious as a ghost axe, enough to shake the earth and make the gods cry. It is the pinnacle of the poet Li Bai.