When the Louvre met the Forbidden City, there was a slogan that civilization was on a different path. What's the next sentence? What's the emergency! ! ! ! ! ! ! ! ! !

When the world civilization began, it had already embarked on a different road.

Today, they satisfy people's scrutiny, convey the power of art, and engage in dialogue among different civilizations. When the door opened, the cultural exchange between China and the West began. ...

"When the Louvre meets the Forbidden City" *** 12, 40 minutes each, respectively interprets the evolution history of eastern and western art in different time and space backgrounds, such as ancient Central Asia, Egypt, Greece, Rome and the medieval Renaissance, interspersed with the latest comments from experts and scholars in various fields, and also presents the exquisite ideas and creativity of the Louvre and the Forbidden City to set up museums based on palace buildings. We hope to complete the arrangement and description of art and history from the Chinese point of view and modern standpoint. It faces the east and the west, embraces similarities and differences, and shows communication and collision. Looking at culture from cultural relics and thinking about civilization from culture, this paper tries to present a media world art museum and build a road to enhance understanding between countries and mutual understanding and respect among civilizations, which will be a brand-new visual experience and ideological collision for both China and western audiences. Although they came from an accident, China people believe in opportunity, which makes us convinced that we must do it here and now-when the Louvre meets the Forbidden City.

Episode 1: Meeting

The Louvre held the "Napoleon Exhibition" at the meridian gate of the Forbidden City, where the Louvre and the Forbidden City, representing the two civilizations of the East and the West, met. ...

They have the same history: from palaces to museums; They all witnessed personal achievements: Napoleon and Emperor Qianlong. Today, they are the East and the West, welcoming people's eyes and transmitting the power of art.. When the door opened, a cultural exchange between China and the West began. ...

Episode 2: Chasing Two Rivers

Babylon is a mysterious land, shining in the fog of history. It is located at the east and west ends of the Asian continent with ancient China and separated from Chinese civilization for 6,000 years.

The Forbidden City houses Oracle Bone Inscriptions and Zhong Yiding, while the Louvre houses cuneiform tablets and the first complete code "code of hammurabi" stone tablet known to mankind. The comparison between the two languages shows that the world civilization has embarked on different paths at the beginning. Xu Bing, a contemporary artist in China, is thinking about the performance art of words. "Even if we break the shackles of words, can humans still communicate?"

Episode 3: eternal sand

This is a chronicle of the two river basins. The Nile gave birth to ancient Egyptian civilization, and the Yellow River gave birth to ancient China civilization, Shang bronzes, Pharaoh's pyramids, profound silk paintings and mysterious mummies ... These surviving cultural relics left us information about two ancient civilizations.

Let's explore the origin of two civilizations with China art historian Wu Hong. This is a story about life and death, power, the universe and eternity, and it is also an inquiry into the origin of human art.

Episode 4: Eternal elegance

The Louvre, the ancient Greek gods are close at hand; The Forbidden City is still profound. How did these two civilizations develop into such completely different faces today?

Venus with a broken arm and the goddess of victory flying freely are the most classic symbols of western art, and their status is just like that of Sanxi Hall to the Forbidden City and calligraphy to China art. Does the great difference between Greek sculpture and China's calligraphy image reflect the different paths of eastern and western civilizations? In the hands of contemporary artist Sui Jianguo, what will Greek sculpture read?

Episode 5: "Iron Blood Changfeng"

More than two thousand years ago, ancient Rome ruled the whole of Europe; At the same time, in its east, there is also a great empire that stands proudly in the world, that is, a great man.

A Silk Road made ancient Rome and Han Dynasty meet for the first time in human history. Although their communication was limited to folk utensils, stained glass and silk, the charm of the empire spread for thousands of years-until the dreams of Qianlong and Napoleon came true. The Arc de Triomphe in the Louvre and the meridian gate in the Forbidden City became symbols of victory. This time, Chinese painting expert Zhu Qingsheng will take us back to the prosperous times and look forward to the future.

Episode 6: Holy Supreme

An archaeological excavation in the 1980s unearthed the cornerstone of the Louvre in the Middle Ages, and let us begin the medieval tour of the Louvre. Why does the cold face in the icon painting reveal the sacred light? In the Forbidden City, Fan Hua Tower and Thangka of Yuhua Pavilion, a Buddha statue is sacred and quiet. What kind of art is it? For a long time, it has been soothing the human mind.

Lin Gufang, a disciple of Zen Buddhism in Taiwan, tells us that religious art directly touches people's hearts in different forms in different times and countries.

Episode 7: Perfect Life

In 2009, the Louvre invited artist Yan Peiming to hold an exhibition entitled "The Funeral of Mona Lisa" in the exhibition hall adjacent to the Mona Lisa. What does this arrangement mean?

With this clue, we entered the Renaissance, and Leonardo da Vinci and Ni Zan met. Similarly, drawing a tree is scientific and rational, and it is quiet and distant. Leonardo da Vinci's tree turned into Mona Lisa's smile in the Louvre, which continues to spread in the works of contemporary artists, while Ni Zan's tree was left in the depths of the Forbidden City, seemingly frivolous, but actually detached from the world. How did their different understanding of life and art affect today?

Episode 8: "Excited Heart"

In the same era, different civilizations, how does painting entrust emotions?

See how Rembrandt seeks peace in passion,

See how Badashan people work silently and publicize silently.

There is a famous piece of "beef" hanging in the Dutch exhibition hall of the Louvre. As we get closer and closer to it, we suddenly find that the brushwork of the picture is full of freehand brushwork, which reminds us of the freehand brushwork of China's paintings. Fan Ceng, a famous painter who loves Rembrandt and knows China's ink painting, will explain his unique understanding of Baroque art and China art to us.

Episode 9: East-West Eye Contact

In the18th century, in the Forbidden City, Emperor China played with western clocks, but he was not very interested in the west. In the Louvre, French aristocrats appreciate the Chinese style in oil paintings, but they don't know that this style is specious.

300 years ago, in the Rococo era of European art, the first fierce dialogue between the East and the West began in misunderstanding between the two sides.

Today, the chair of contemporary artist Gu Wenda, which combines Chinese and western styles, brings our thoughts back to that era. We walked into the Louvre, explored how the two cultures influenced each other and ate each other by mistake at that time through the paintings of master Rococo, and felt the lifestyle full of China interest in Paris.

Episode 10: Rebuilding the Past

Zhao Mengfu studied ancient calligraphy and painting, and raised the banner of retro painting in Yuan Dynasty. Pu Sang advocated the classical modeling and structure of ancient Greece and Rome, which ignited the fire of painting in the French Classical Academy. The former is a master of China literati painting; The latter is known as the father of French painting.

What kind of true stories have they learned from their respective traditions? How to carry forward the classics of their respective cultures?

Today, 800 years later, how does the contemporary painter Chen Danqing awaken the deep cultural memory from their paintings?

Episode 1 1: Born in Romance

Delacroix expressed his passion with fierce horses and lions accompanied by death and slaughter. His passion became a portrayal of romanticism. In fact, he is quiet by nature.

Although Xu Wei's paintings collected in the Forbidden City are all abandoned in color and only use water and ink, they are wild and noisy at the bottom of the pen. He calls himself an Ivy League, but he is as grumpy as a tiger and leopard.

What they have in common is that they have created an era full of passionate selves, and they are all called romantic pioneers in their respective countries. Painter Xu Jiang will demonstrate for us and lead the audience into the romantic spiritual world of the two countries.

Episode 12: Human Care

The silver mist painted by French painter Connor conveys the breath of a forest called barbizon. However, who would have expected that this silver fog changed Xu Beihong, and also changed the concept and creative method of China's art in a period.

/kloc-in the 20th century, western powers opened the door to ancient China, and people of insight were eager to learn western culture.

When Xu Beihong traveled around Europe, what he brought back to China was not advanced western modern art, but a realistic style never seen before in China tradition. Zhu Qingsheng, an expert in art history, explored and reflected with us how realistic art profoundly influenced and changed China art, but it came to an end in the west and was invited to the museum to become the final collection of the Louvre.