The style and characteristics of paper-cutting in northern Shaanxi are introduced in detail.

Chinese paper-cutting art is one of the ancient folk arts of the Chinese nation and the crystallization of the wisdom of the working people of the Chinese nation for 5,000 years. People use scissors or carving knives to cut and carve various patterns on paper. This traditional hollowing-out art can not only give people visual enjoyment, but also entrust people with their yearning for a better life and longing for the future. During festivals or happy events, people habitually stick red paper-cuts on windows, doors and walls at home. In the minds of many older people, a piece of paper and a pair of scissors can represent our lives. The schools of Chinese paper-cutting are mainly divided into seven schools. Today, Bian Xiao will introduce you to paper-cutting in northern Shaanxi.

origin

Paper-cutting has a very long history in northern Shaanxi. As early as the Northern and Southern Dynasties, it seemed to be integrated into the daily life of ordinary people in the village. In the Qing Dynasty, paper-cutting in northern Shaanxi entered the court. In fact, a large part of the origin of paper-cutting in northern Shaanxi comes from the blessing of the boss's surname on a better life. In the past, people expected good weather, so that as long as farmers were hardworking and kind, the life of the whole family could be guaranteed. They hope to usher in a smooth and happy life in this way. In some economically developed places in northern Shaanxi, the commercial value of paper-cutting has been fully exerted. In some remote places with inconvenient transportation in northern Shaanxi, paper-cutting records people's lives on the Loess Plateau in a special way.

style

Simple, rough paper-cutting style and exquisite skills are the most profound impressions of paper-cutting in northern Shaanxi. In the form of expression, paper-cutting in northern Shaanxi is famous for its exaggerated modeling, but its bold modeling and rough style have slim beauty, which makes people sigh the wisdom of paper-cutting artists. From the content point of view, paper-cutting in northern Shaanxi is dominated by animals, figures and flowers. And the theme of paper-cutting is more abundant. Ancient myths, legends and beliefs are common paper-cutting themes. In modern times, clever paper-cutting artists have integrated paper-cutting into their lives. More often, their paper-cuts express daily production activities and folk activities.

Representative figure

Gao Fenglian is the leader of paper-cutting in northern Shaanxi. She is called "the master of folk paper-cutting art in China". She is very good at combining China people's beliefs with ancient totem culture, and showing a brand-new artistic image to private people. Gao Fenglian's paper-cut themes are all-encompassing, including both traditional folk life and modern life. She is good at showing the love beauty of modern young people. Her in-depth understanding of the folk life and culture of the northern people helped her better understand the art of paper-cutting and enriched its connotation. Although in the impression of most people, paper-cutting is something that women are good at. But there are indeed a few people in northern Shaanxi who love this art and engage in it. For example, Guo Rulin. Under his scissors, all kinds of subjects are vigorous and powerful, with the masculinity of men in Huang Tu Plateau. He is very good at expressing life with flowers, birds, fish and insects. With the help of the unique language of paper-cutting, he skillfully conveyed his world view, and his yearning for a better life was integrated into paper-cutting.

Although the older generation of paper-cut artists in northern Shaanxi died one after another, they were replaced by a new generation of young people. But the new generation will inject new strength into this ancient art and make the art of northern Shaanxi develop in a better direction.

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