Famous quotes about calligraphy

■Jiang He: There are three kinds of cloth white; the cloth white in the word, the cloth white in each word, and the cloth white in the lines. When you are new to learning distribution, you must stop evenly; once you know it is still even, you need to seek changes, such as diagonal, straight, dense and scattered. ■Chen Yi: If the sparse place is full, the dense place will be raised; if the flat place is full, the dangerous place will be lifted; if the place is full, the body will be fat, and if it is raised, the body will be thin. ■Wang Xizhi: Evenly distribute stipples, match the distance and nearness, spread and refine, blend the brush and ink; the sharp edges come and go, and the dense and dense are connected. ■Xiang Mu: People are very good at books. There are thousands of shapes and forms, but they can only be called neutral. Said fat. It's just that I'm thin. If the length of the book should be in harmony, the weight should be balanced, the yin and yang should be appropriate, the hardness and softness complement each other, and the person who talks about the appearance of the world will be neither fat nor thin. Neither long nor short is beautiful. ■Zhang Huaijin: Yan Yang and his back; that is, the two characters are combined into one character, and it must be drawn up and down with the force of clutching and lifting. ■Wang Xizhi: The two characters are combined into one. The weight should not be long, the single should not be small, and the complex should not be large. Dense is better than sparse, and short is better than long. ■Mrs. Wei: The stippling is like a rock falling from a peak, and the bump is like a collapse; the horizontal painting is like a cloud formation thousands of miles away, but it is faint but tangible; the vertical painting is like a long-lived withered vine; the painting is like a rhinoceros with a broken land; the painting is like a crashing wave. Thunder rushes; the diagonal hook is like the hair of a hundred Jun crossbows; the horizontal folds are like the tendon joints of a powerful crossbow; each word is a character, and each resembles its shape. This is a wonderful creation, and the calligraphy is completed. ●Books originate from nature (Cai Yong, Han Dynasty) ●Silent sound, invisible appearance (Zhang Huaijin, Tang Dynasty) ●Studying books can lead to far-reaching knowledge (Zhang Yanyuan, Tang Dynasty) ●Mysterious meaning comes from the surface of things; deep and deep The truth lies in the darkness; how can ordinary emotions be expressed, and worldly wisdom can be measured (Zhang Huaijin of the Tang Dynasty) ● It may be used to express the ambition of galloping vertically and horizontally, or it may be used to relieve depression. Even though it is noble, it cannot suppress its height; even though it is clever, it cannot match its power (Zhang Huaijin of the Tang Dynasty) ●Don’t write too hard, and don’t pass words carelessly ●Written like a dog, the more you describe it, the uglier it becomes ●Handwriting is afraid of practicing, and horses are afraid of riding ●Handwriting No Hundred Days of Kung Fu ● Boxing must be done, calligraphy must be practiced ● Calligraphy must have bones, muscles must be wrapped around the flesh, tendons must hide the flesh, and the post must be beautiful and moist (Mi Fu, Song Dynasty) ● Every point is the rule of one character, and one character is the final chapter Accurate (Sun Guoting, Tang Dynasty) ●The pen is bald with thousands of tubes, and the ink is polished thousands of times (Su Shi, Song Dynasty) ●The pen is drawn hard, like a swan flying high, and the hair is graceful (Wei Heng, Jin Dynasty) ●As graceful as a silver hook, the source is Ruo Jingluan (Jin Dynasty·Suo Jing) ● Floating like floating clouds, powerful as a frightened dragon (Book of Jin Dynasty) ● Dragon leaping over the sky gate, tiger crouching in the Phoenix Pavilion (Southern and Northern Dynasties· Xiao Yan) ● Clouds and cranes roaming the sky, flocks of honghong playing in the sea (Southern and Northern Dynasties· Xiao Yan) ●The dragon is powerful and the tiger is vibrating, the sword is at war (Southern and Northern Dynasties·Yuan Ang) ●The physical appearance is extraordinary, different from the ancient times. Falling pearls and jade, fluttering tassels (Tang Dynasty, Zhang Huaisheng) ● Like the breeze coming out of the sleeves, the bright moon entering the arms (Tang Dynasty, Li Sizhen) ● The dragon and snake in the pen seem to have gods (Tang Dynasty, Zhang Huaijin) ● The brush strokes are like clouds of smoke (Tang Dynasty, Du Fu) ● All the time All I saw was a dragon and a snake walking away (Li Bai, Tang Dynasty)●If you were taught to be near the water, every word might become a dragon (Han Wo, Tang Dynasty)