Appreciation of couplet regular script calligraphy works

Appreciation of regular script calligraphy couplets

Picture of appreciation of calligraphy couplets in regular script 1.

Appreciation of regular script couplets Figure 2

Appreciation of regular script couplets Figure 3

Figure 4 Appreciation of regular script couplets

Unique charm of regular script

The unique charm of calligraphy is incomparable to any kind of art. The creative process of calligraphy art is also a lyrical process. The aesthetic process of people's calligraphy works should also be a comprehensive and three-dimensional process, which should not be satisfied with the superficial visual experience, but must be a comprehensive experience process of the inner deep cultural information including the text content and culture. It can be said that "culture is the core of calligraphy". In terms of its technical aspects, such as bookshelf structure, chapter layout, pen and ink skills, calligraphy has gone through its heyday hundreds of years ago and has become a highly perfect and stylized cognitive system. For the latecomers, Wang Xizhi, Yan Zhenqing and other representatives can't surpass it so far-in this sense, "Fa" has come to an end, leaving only "books as the carrier of Tao". The continuation and publicity of this "Tao" is the continuation and publicity of culture. Calligraphy art is an important part of China traditional culture. Today, it is intertwined with contemporary culture. With its long tradition and rich connotation, it has had an important vertical and horizontal influence on other art categories. It is like a pearl, which makes China's traditional culture shine with charm and light.

Calligraphy itself bears the profound cultural connotation of historical precipitation. The reason why calligraphy dominates China's art and culture and remains young forever lies not in its superficial art, but in its profound culture. The aesthetics of calligraphy must put it on the level of China's philosophy. It can be said that calligraphy is a cultural concept, not a simple artistic concept. Calligraphy should be an art rather than a technology, which is beyond doubt in terms of its emergence, development and connotation. Calligraphy cannot be separated from thousands of years of traditional culture in China. Traditional culture and calligraphy are closely related, so calligraphy has a soul because of culture. Conversely, calligraphy makes culture shine with its formal beauty. So it can be said that culture is the connotation of calligraphy, and calligraphy can be touching. For example, The Draft for Sacrificing a Nephew is celebrated through the ages not only because Yan Zhenqing's pen and ink skills touched people's hearts, but also because of his patriotic spirit, moral character and cultural connotation behind it. It can be said that calligraphy touches people's hearts with cultural spirit and is pleasing to the eye with formal beauty. Great calligraphers in ancient times were great writers, politicians, scholars or scholars. Ancient literati were not necessarily great calligraphers, but historically, if they were not great scholars, they would never be great calligraphers.