What is the moral of landscape painting?

What is the moral of landscape painting?

In a good mood, there are mountains and water.

What is the moral of landscape painting?

In a good mood, there are mountains and water.

The implication of landscape painting

Landscape painting is a traditional auspicious painting in China, which means evergreen all the year round, backed by mountains, flowing water (wealth) and peace. Landscape painting generally emphasizes that some water represents financial resources, and flowing water like waterfall is a good sign of continuous flow; Mountain means backing, no matter in business or career, you will meet backing.

Every painting has mountains and water, which means "prosperous wealth", because "mountain managers, water pipes manage wealth" Every painting has waterfalls or overlapping springs, because waterfalls mean a long history of financial resources, while left and right waterfalls or overlapping springs mean that both sides are rich. A pool means a cornucopia, and all the boats bow inward, which means smooth sailing. Of course, there must be people living in such a land of feng shui, so there are people with small bridges, running water and mountains and rivers, and this "person" is backed by mountains, which means that the "backing" is thick.

The Significance of China's Landscape Paintings

Mountains and water. "Mozi Ming Ghost": "Ghosts in ancient and modern times are not the same, there are ghosts in the sky, ghosts in mountains and rivers, and some people die as ghosts." Biography of the Three Kingdoms Shu Wei Jia Xu: "Although Wu Shu is small, it is difficult to do things because of mountains and rivers." Liu Tang Zongyuan's poem "Fisherman": "Then, at sunrise, he walked through the fog, alas, it was a green landscape." Generally refers to the scenery with mountains and water. "Song Xie Shu Lingyun Biography": "Out of Yongjia Taishou. The county is famous for its mountains and rivers and is loved by the gods. If you go out to defend, you will not be able to achieve your goal, so you will travel freely. " Qing Weijing's "Rebuilding Songdou Temple": "After Chen Mao came to talk, the mountains and rivers in the west of the county won dozens of miles, which is not as good as a summer tour, because he traveled with Songdou to the east of the county." Short for landscape painting. The second sentence of Tang Du Fu's "Saving the nation from subjugation" says: "Gong Zheng is wearing a long night, and the grass dam is bare. Why have there ever been mountains and rivers in the world? The world is puzzled. " Zhang Song Hao's Miscellaneous Notes on the Cloud Valley Volume 4: "Wang Xiangxiang painted landscapes on the silk of the goose creek, but he was not satisfied, so he quickly removed the old ink." Jiao Xun's Memories of Time Past in Qing Dynasty (VI): "When my great-grandmother Bian Ru was a child, Bian Gong had no children and loved her very much. She extended her teacher's teaching of poetry and painting, so she works in the landscape. There is nothing better than poetry and painting. " Zhang Tianyi's New Life: "Mr. Zhang always shows off his treasures. Wu Changshuo carved a stamp for him, and he also hid a landscape of Ni Yunlin with an inscription by Zhang Yanji. " Water in the mountains. "Biography of Gao Yi and Xu Bozhen in the Southern Qi Dynasty": "Mountains and rivers burst and flooded houses." "New Tang Book Five Elements": "In July of the fourth year of Xianheng, there was heavy rain in Wuzhou, and the mountains and rivers soared, drowning more than 5,000 people." Jude Shan Ye. Wang Song Anshi's poem "To Li Shiyun": "Mei is a landscape person and often stays in the city." Song Sushi's The Second Rhyme of Jingshan Road Answers Well-known Things: "Talking about mountains and rivers is the nature of elk."

What is the moral of landscape painting?

Tao Yuanming's old ambition: divorced from reality-"seclusion"!

The Significance of the Great Wall in Landscape Painting

The Great Wall, like loong and Long Mai, stretches for thousands of miles, like a giant dragon soaring, with far-reaching implications. People sit in front of their seats with the Great Wall painted on their shoulders. The winding Great Wall is like a chair back. This is the image luantou theory in geomantic omen. Feng shui implies that there is a backing to follow, which can hide the wind and gather gas, and increase the help of nobles, leaders and elders. Wang Ning's Golden Great Wall landscape painting is good in feng shui!

The implication of painting landscapes

China's landscape painting is not a representation of the objective natural landscape, but a spark generated by the collision between the painter's emotion and reason and the natural landscape, which is more gorgeous, charming and powerful than the natural landscape. The creators of China's landscape paintings attach great importance to the meaning beyond images, and require their works to be both emotional and logical, giving people associations beyond paintings. Zhang Xinyang, a painter in the Tang Dynasty, advocated that "nature is made by foreign teachers and the heart comes from China". In Song Dynasty, Guo said, "Painting is the seal of the heart" and "It is contracted to silk out of love". Facts have proved that landscape painters of past dynasties all aimed at expressing their feelings, and emphasized the subjective feelings of expressing their aspirations through things in artistic expression. In fact, the scenery in the works is a kind of "image" made up by the painter, and it is reasonable for some people to call it an "artistic skill" of China people. Even in the landscape sketch of Chinese painting, the purpose is not to be faithful to the shaping of natural scenery, but to express feelings in the teacher's creative process. China's pursuit of harmony between man and nature in his landscape paintings is to spiritualize the natural attributes of the material world, to melt the natural world into his own spiritual world, to know the natural landscape by heart, and to keep the universe in his chest as an integral part of his spiritual world. Therefore, the natural landscape has become an image with life brilliance and inner spiritual strength.

Therefore, the combination of form and spirit pursued by China's landscape paintings not only refers to the combination of form and spirit of the natural landscape itself, but also refers to the combination of form and spirit of the "image" in which the painter is influenced by the objective landscape and seeks for meaning beyond the image. Wonderful image means that in the formation of image, scene is the foundation and emotion is sublimation. The scenes mentioned here not only refer to the specific scenery that directly evokes feelings, but also include the whole life associated with these scenes. After the painter observes and grasps the natural scenery, the whole process of image formation comes from the integration of scene, business, legislation and Italy and France. In the process of observing and sketching "Qian Shan Wanshui", the painter swims with things and blends heart and things. After brewing and processing, the objective image becomes an "impossible shape" and an "incomplete image", and a new artistic landscape reconstructed through meaning and emotion emerges from the paper. This kind of landscape is essentially the painter's thoughts and feelings, situation, status, talent, experience, opinions, knowledge and understanding of the whole world, life and everything in the universe, as well as the painter's understanding of aesthetic concepts and the exploration and pursuit of artistic laws. Therefore, the level of China's landscape painting is not only a portrayal of the painter's mind, but also verifies the painter's understanding of beauty and the level of aesthetic concept. For example, most of the landscape paintings in ancient Yi Shi expressed the lofty meaning of "out of the dust"; They not only praise the beauty of mountains and rivers, but also express the elegant artistic conception of "not touching the world of mortals" with the image of scenery, which is based on scenery and soul. Every landscape painting is the embodiment of the author's comprehensive aesthetic concept. China's landscape paintings pursue vivid artistic realm.

Hao Jing said in Notes on brushwork: "Painters are people who paint. They measure objects and get their truth-if they are credible, then these paintings are really impossible." "Like, its shape is only its gas; Real people are full of temperament. " The "truth" here is the inner charm of the picture. The painter's grasp of natural scenery in spirit and appearance focuses on internal temperament rather than external image. In the landscape of traditional Chinese painting, the so-called charm refers to many factors, such as pen and ink, structure, symbolic modeling language and painter's spiritual experience. It also refers to the process of materializing spirit into works, which is full of strength, qi and spirit, and the harmony of strength, qi and spirit produces charm. Vivid charm means that the painter leads his observation and experience to a higher level, that is, from "metaphysical" to "metaphysical". The image infiltrated and served by "God" is full of pen and ink, showing the vigorous vitality of natural creation. It is the performance of scene fusion, and it is the artistic realm that the painter's aesthetic feeling and experience penetrate into the objective scenery and eventually surpass it. China's landscape paintings have the richest formal language, the strongest expressive force, the most in-depth and perfect theoretical research, and the most emphasis on verve. The blending of the painter's mind and nature creates a vivid scene of "the elephant is invisible and usurps the host's role". China's landscape painting is an emotional landscape painting, an interpretation of China people's wisdom and creativity on natural things, and a unique emotional activity in pursuit of aesthetic value. The trace left by this emotional activity is pen and ink. When landscape painting creatively expresses nature, it is conceived as an image with its unique pen and ink structure language. Therefore, the exploration and research on the structure of pen and ink is an important content of landscape painting creation. Hao Jing put forward six main points of "Yun Qi's four-border pen and ink" in "Writing Style", telling us that the meaning of pen and ink goes far beyond the pen and ink structure itself. Because ... "";

The general feng shui of landscape painting implies where landscape painting is suitable to hang.

On the feng shui function and significance of objects. What items are kept at home, how and where? No matter what kind of things are placed, hung and enshrined, no matter where they are placed, hung and enshrined, the following contents advise people to know clearly, see thoroughly and think clearly. It is good to place, hang and worship anything. In any place, as long as it does not interfere with normal activities and is safe and secure, the place where the Buddha statue is worshipped will be quiet, otherwise it will be nothing, just like a waste collection station and a pile of items. Exhibits and other "artistic interest" items, such as raising fish and planting flowers; As long as it is safe, does not interfere with normal activities, and is easy to watch, manage and place, it can be placed anywhere in the home. This is a kind of fun cultivation, and it is impossible to expect that articles used as feng shui applications will directly produce good feng shui effects. But a good taste is good for people's physical and mental health. It is also true that if you are happy physically and mentally, you may bring wealth, and some kind of "inspiration" will appear soon. This is also the conclusion that as a kind of geomantic omen, it can promote wealth. In a word, the effect of Feng Shui can only be achieved by exerting human potential and agility.

What role does the lying cow play in geomantic omen? The answer is: all furnishings, rockery shapes, calligraphy and painting, specimens, sculptures, watches, decorations, fish farming, turtle breeding, flower planting, tree planting and Buddha statues are regarded as lying cows, and so is Feng Shui. Does the lying cow have any effect on geomantic omen? The answer is: no. Is it really useless to put a lying cow in Feng Shui? The answer is: not necessarily. So what role does the lying cow play in geomantic omen? My answer is as follows: is the lying cow placed or is the lying cow placed? The function of a lying cow is to appreciate and appreciate, not to reward for appreciation, but to learn for knowledge, and to gain the true meaning and feelings of life through appreciation and appreciation. 1. The process of appreciation is the process of cultivating and exercising a person's character. The significance of appreciation and appreciation lies in cultivating a person's persistent, constant, balanced, insightful and symbolic mind, and restraining a person's impatient, anxious, arrogant, paralyzed and lazy mind. This is the true meaning of a person's life, life and behavior, and it is also the real knowledge to appreciate and appreciate. 2. Appreciate and appreciate is not the effect of the object, but the feeling in your heart. By appreciating and appreciating, you will collect the truth of life. Otherwise, no matter how good you appreciate and appreciate the object, no matter how great the role of your love is, you will have no feeling in your heart and lose the real meaning of appreciation and appreciation. Only when you have feelings, enlightenment, thoughts and new ideas about the future world will you succeed because of appreciation and appreciation. This is the true meaning of appreciation and appreciation. Otherwise, Jinshan Yinshan can still disappear, and the real value sometimes comes from the germination and renewal of an idea. This is the true meaning that appreciating and appreciating things can help people transport, drive away evil spirits, and have treasure effect and feng shui effect.

We should also think correctly about the deities and buddhas. Respecting God and Buddha means respecting their inner spirit. Only when the Buddha is in our hearts and regarded as a model can it be meaningful to worship Buddha. For example, when you encounter difficulties, your model Buddha will tell you that there is light in front of the darkness. When you encounter conflicts and unpleasant things, your model Buddha will warn you that calmness and kindness are gospel, and so on. Getting rid of the demons in your heart and keeping the world bright may be the meaning of the Buddha. If you don't understand the spiritual realm of gods and buddhas at all, and you just offer Buddha for the sake of offering Buddha, offering God for the sake of offering God, or denying it completely, it is superstition. What is superstition? Ignorance and blind obedience, worship without understanding, and denial without understanding are "superstitions".

Who knows what feng shui taboos are in the living room floor decoration crafts? -Floor decorations and handicrafts should be placed to avoid crowding and squeezing, which will block the view and hinder people's normal activities. Toxic, harmful and sharp objects should not be placed.

What can be put in the new house to measure the feng shui of the house? -Your favorite item must have good feng shui. Only by being taken care of by fate will there be good feng shui; Things that cannot be offended will also bring good feng shui.

Is the iron tree of office feng shui suitable for the office? -Too big; Can't foil the theme, usurp the host's role, lose meaning.

Why should we set up a rockery in the courtyard? -Now it is: "There is nothing to climb over the mountains, and there is nothing to do without a car." Why do you ask? There is an answer: there is no unidentified car, there is a sign of car identity. Why should we set up a rockery in the courtyard? It's a bit like doing nothing without a car and pursuing false wealth; Similar to Ye Gong Long Hao.

What's the point of putting a deer on each side of the gate? -I like to show animal plastic arts at the door. Letting lions, tigers and wild animals arouse suspicion. Deer, a kind animal, can be accepted by people and will not arouse the suspicion of neighbors. This is a smart and thoughtful watch ... "";

The Significance of China's Landscape Painting Research

For the significance of studying China's landscape painting, this topic is too big for ordinary people to understand for a while. Take an excerpt from a comment and have a brief look at the comment on China's landscape painting-China's landscape painting is an important part of China's national culture, which has its own independent painting aesthetic system, represents the East and is unique in the world painting art. From the essence of China's landscape painting, it pays attention to the inner spirit of the subject and pursues the unity of spirit and charm, spirit and form, emotion and things. In addition, in the cognitive method of China's landscape painting, we should pay attention to the consciousness of "being a teacher"; In the process of China's landscape painting creation, he pays attention to "understanding" and "providence"; The artistic expression of China's landscape painting should pay attention to "meaning": in China's landscape painting, the most important pursuit is "charm", and its core is "charm". The "verve" in painting theory is closely related to the ancient tradition of China's landscape painting. From the Eastern Jin and Southern Dynasties, Sui, Tang and Five Dynasties, Song Dynasty, Yuan, Ming and Qing Dynasties to modern tradition, "verve" was placed in an important position or even in the first place. The charm of China's landscape paintings far exceeds the requirements of shaping the body, and becomes a means for painters to express their thoughts, ideas and feelings.

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