Poster handwritten fonts-How to choose fonts for posters?

What fonts are generally used to make posters?

1. Imitation Song Dynasty: It is to change Song Dynasty characters and adjust the contrast of horizontal and vertical strokes to be almost the same. The fonts are neat and beautiful, and are most practical for printing books.

2. Line body: formerly known as "black body" or "square head". The font is bold, thick, and eye-catching. The strokes of the characters are thick and thin, and the horizontal and vertical strokes are equal. Often used as title words, smaller lines can also be used to arrange the main text.

3. Regular script: It is a font that is neatly "handwritten" with a brush. Its font strokes are soft and pleasing to the eye, and are often used for arranging titles, textbooks, invitations, etc.

4. Xiuli style: It is formed by modifying the strokes of

Song style fonts

. The font is solemn and correct, and it is one of the most popular fonts.

5: Decorative fonts: These are some artistic fonts with more patterns on the strokes. It is only suitable for arranging titles or some short sentences. If it is used to arrange the main text, it will affect the smoothness and speed of reading.

Reference source:

-What are the ways to write artistic font pop poster font?

Practice POP poster font skills:

(1) When moving the pen, the pen barrel is facing the direction of the stroke, and the pen barrel and the paper are tilted at an angle of 60 degrees.

(2) Don’t use too much force when moving the pen, otherwise it won’t move and the ink will smear.

(3) The entire width of the pen must be in contact with the paper before you start to move the pen. The force and speed of the pen must be consistent so that the strokes will be smooth and beautiful.

(4) Do not use the pen repeatedly, otherwise the color will be darker and the strokes will be thicker.

(5) When writing horizontal strokes, the pointed end of the pen tip should be at the position of the index finger, writing from the left grid line to the right grid line, and must be parallel to the upper and lower grid lines.

(6) After practicing the strokes smoothly, when writing close to the right grid line, bring the pen tip forward and to the right to create a small tail to make the strokes more flexible.

(7) When writing vertical strokes, the pointed end of the pen tip should be at the thumb position, and writing from the upper grid line to the lower grid line must be parallel to the left and right grid lines.

(8) After practicing the strokes smoothly, when writing is close to the lower grid line, move the pen tip to the left or right to form a "vertical hook" or "vertical hook" stroke. How to choose fonts for posters?

Introduction

If the picture is the bones of the poster, then the font is the blood of the poster. It is very important to choose the font for a poster.

For many graphic designers who are just getting started, choosing which font to use is a headache. Today, the seniors specially selected articles about choosing fonts for everyone.

What font to choose?

1. Thick and thin

Thick strokes are thick, strong and powerful; fine strokes are thin, light and delicate. This is a The most direct and superficial perception.

Thick stroke fonts will visually form a high-density text block. Because the strokes are thickened, the negative space of the font will be reduced, the visual area will be increased, creating a sense of oppression, and then the text will form a visual The center of gravity produces the effect of emphasis.

So bold fonts are often used in titles and slogans, occupying a prominent position and creating an emphasis.

The visual area of ??thin-stroke fonts is lighter and lighter. After reducing the visual area, the negative space of the strokes increases, and the structure appears sparse and scattered. The smaller visual weight will not make readers feel oppressive.

2. Curvature and straightness

The curvature and straightness of font strokes give the font strength or flexibility.

Straight lines represent strength, determination, courage, magnanimity, straightforwardness, and boldness, but they may also mean rigidity and paranoia.

The straight lines give the font a masculine temperament, while the curves represent the feminine side, tolerance and gentleness.

Straight

The examples in the following pictures illustrate that thick strokes and sharp lines give the font an unquestionable determination. If the curves are removed, there will be no A little room for maneuver.

Curved

Most fonts are not composed of simple straight lines or simple curves. They are straight horizontally and vertically, and curved when curved. Only when there are curves and straights can they appear strong and soft. , has strength and flexibility.

For example, the starting point and the turning point of the regular script of the Northern Wei Dynasty are like cutting gold and breaking jade, clean and neat, and the whole font looks upright, strong and heroic, and there are graceful curves at the strokes and strokes, which is one more point. It's rounded and a little more elegant and agile.

3. Loose and rigorous

The writing in daily life appears relaxed and lively, with a casual and uninhibited beauty. And the words written in temples, cast in bells and tripods, or printed into books and passed down to later generations have a kind of rigorous and dignified beauty. The essential difference is the looseness and rigor of the structure.

Children are innocent and lively. There are not many rules in children's world, and children's fonts also appear childish and lively. Therefore, loosely structured handwriting is often used in children's themes or in relaxed and humorous reading environments.

4. Simple and traditional

The simple and traditional mentioned here are not simplified and traditional, but the complexity of the details of the strokes. To take the simplest example, serif fonts are relatively more complex in detail than sans-serif fonts, and Song fonts are also more complex than bold fonts.

The complexity and simplicity of fonts also represent the trend between classics and modernity to a certain extent.

Simplified

Traditional

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