Calligraphy works of elders' birthdays

Is it a good choice to send a pair of calligraphy to your elders for their birthdays? So what kind of calligraphy should I send? The following are the calligraphy works I arranged for you to celebrate your elders' birthdays. I hope it works for you!

Appreciation of calligraphy works for elder's birthday

1 Pictures of calligraphy works of elder's birthday

Pictures of calligraphy works of elders' birthdays 2

Fig. 3 Calligraphy works of elder's birthday

Figure 4 Birthday calligraphy for the elderly.

How to learn calligraphy

Which font should I start learning calligraphy? Calligraphers have different views on this issue. Some people say that it is good to start with seal script; Some people say that it is good to start with official script; Some people say it's good to start with a running script. These views all have some truth. But I think it's better to start with regular script.

The reason why I don't agree to learn from seal script and official script is because learning seal script first encounters a difficult problem, which increases the difficulty of learning; Secondly, the era of the rise and universality of seal script is far away now. At present, most of the contestants don't know seal characters. Nowadays, as a font, seal script still has its artistic appreciation value, but its practical value is not what it used to be. I don't think it is necessary for those who just want to learn calligraphy to write neat and beautiful regular script and running script to meet their study and work needs. Official script is easier to read and write than seal script, but compared with regular script, stippling is more flexible, less rigid and its structure is easy to distribute, so it is difficult to learn official script well and then learn official script easily. As far as beginners are concerned, it is not easy to learn any font well if they want to get a glimpse of its popularity and reach a profound artistic realm.

Su Dongpo, a calligrapher in the Song Dynasty, said: Truth is like standing, walking is like walking, and grass is like walking. ? It means regular script is like standing, running script is like walking, cursive script is like running. Models here refer to models and models. Regular script stippling is clear, well-proportioned, square and well-behaved, suitable for beginners. Feng Yun, a calligraphy theorist in Ming Dynasty, said: To learn calligraphy, you must write regular script first, but it is a running script. Running script is established, but it is cursive. ? For beginners, if they bypass regular script and learn running script or cursive script directly, they will easily have some disadvantages, such as irregular stippling, inflexible brushwork, uneven density, unstable structure and inappropriate proportion, because they ignore the basic stippling and structural training of regular script. So don Sun Guo Ting said: If you really can't read pictures, you will be fascinated by learning grass. ? Wang Zhuyu of Ming Dynasty also said:? Recently, grass is still very popular. If people want to leave without learning, it is absurd to learn grass before learning the truth. ?

As for which font beginners should start with, different people have different opinions, so it is unnecessary and impossible to stick to the same principle. As long as you master the right method and work hard, you can succeed from any font, which can be said that all roads lead to the same goal. But the time and energy spent and the distance needed may be completely different. On this issue, I still stubbornly believe that it is appropriate to start with the model.

Regular script has taken shape since Han Dynasty, and it was very popular in Wei and Jin Dynasties. In Sui and Tang Nai, it was a great success. Which dynasty should beginners learn?

I think from Tang Kai, there are rules to follow, and strokes can be written in square, round and straight lines, with appropriate length and weight and stable structure, thus laying a solid foundation.

Some people think that the laws in Tang Kai are very strict, and it is easy to be bound by these strict rules when studying. However, beginners are advised to start from the Wei and Jin Dynasties, saying that this can make the writing naive and unrestrained. I think it is necessary to write these words in Gu Zhuo, handsome, solemn, elegant, magnificent, unique, solemn or flying. In a word, it has certain style characteristics. For beginners, we should try our best to keep the structure tidy. As sun said: beginners learn distribution, but seek fairness; Knowing that justice is right, we must pursue danger; It can not only avoid danger, but also restore justice. ? Beginners will be skewed if they don't learn the correct body and don't go through the instrument; But if it is too fair, it will be dull and lifeless, so it is necessary to pursue danger; If the risk is too great, it will be crazy, so it will be rehabilitated. This is the cycle of learning books and the process of continuous sublimation. To be fair, Tang Kai got what he deserved. Liang said in Qing dynasty:? Learning books must be in the Tang stele, and when it is extremely strong, it still belongs to the Jin people, so its charm is full of backbone, otherwise it will be written as a weak word. ? Learn strict laws or freedom and indulgence first. Don Xu Hao's On Books says:? At the beginning of learning, it is advisable to practice your bones and muscles first. If your bones and muscles don't stand, why should you attach meat? ? This is very insightful. I am in favor of starting with stippling a thin and hard Tang Kai.

The regular script written by Ou Yangxun, a calligrapher in the early Tang Dynasty, is beautiful in brushwork and rigorous in structure, which has a great influence on later generations. The European-style book Huangfujun Tablet best represents the heroic style of the European-style book, which is the clearest and most impressive among the published European-style words. The calligraphy of Jiuchenggong Liquan Ming is simple and heavy, vigorous and strong, and pursues rigor and steadiness. Liang spoke highly of European words and said:? Write a thorough European book, and the monument can be written. ? Yang Shoujing in Qing Dynasty said: Ouyang Xin's "Li Quan Ming" and Zhao Zigu's "Li Quan Ming" are the ultimate principles of the law, and no one opposes them. ? Beginners can avoid the problem of loose structure by studying these two monuments.

At the age of 44, Yan Zhenqing, a calligrapher in the Middle Tang Dynasty, wrote Many Pagodas and Monuments, most of which were written by Fang Bi. The horizontal light and vertical weight are in sharp contrast, full of three-dimensional sense, and the structure is neat and rigorous, suitable for beginners. Some of Yan Zhenqing's works in his later years are full of brushwork and rich in structure, and often pursue innocence and return to the original interest. Beginners tend to be bloated and ugly, so they should not be used as a way to get started.

Liu Gongquan, a calligrapher in the late Tang Dynasty, wrote Mysterious Tower Monument and Shence Army Monument with Fiona Fang and pen. The brushwork is clear and vigorous, just like clanking iron bones, and you can get thin and hard strokes and rigorous structure after learning in all directions.

As long as professors get the right methods, scholars will persevere, within six months to a year? Enter the post? Not a problem.