The composition of the senior high school entrance examination is 800 words

Thinking of writing: Take intangible cultural heritage as the theme, and describe it from the aspects of its definition, historical origin and inheritance status. We can introduce the types and representative projects of intangible cultural heritage, discuss the protection and inheritance of intangible cultural heritage, and express our love and promotion of intangible cultural heritage. Can be combined with specific examples and details, so that readers can understand the charm of intangible culture more deeply. Here are three short articles about intangible heritage for your reference.

Non-legacy senior high school entrance examination composition 800 words 1

Have you ever been to Huangshan Mountain and lamented the four wonders of "strange pines, strange rocks, sea of clouds and hot springs"? Have you ever stood on the Great Wall and imagined the iron horse of Jin Ge, with flames and smoke? Have you ever leaned against the railing of Canglang Pavilion and laughed at the fish playing in the pool? Have you ever cheered for "empty-handed" porn? Have you clapped your hands for the singing skills of the fifteen levels? Yes, these are our unique "cultural heritage". Heritage is the legacy left by ancestors to future generations. It is the precipitation of our ancient country for five thousand years. It is the spark of wisdom and inspiration, and the collision between history and reality!

However, in the face of this heavy gift, what about us who are guarding this rich and solid "family business"? You didn't see the words "this tour" on the Millennium temple, and there were beverage bottles floating on the clear stream; Have you noticed that soap operas are full of screens, but the "orchids" in them are left out in the cold ... Unfilial descendants squander "wealth" wantonly, which is the painstaking efforts of our ancestors and the soul of China! Fortunately, more people have realized the preciousness of this "heritage".

When Feng Jicai, a writer, heard that Zhanyi Lane in Tianjin was about to be razed to the ground to build a skyscraper, he gave up his creation, personally invested 30,000 yuan, invited a photographer to shoot and print a book for him, and distributed it everywhere. Finally, under his appeal, he saved the old hutong on the old Beijing street. As he said, this is culture! We have been learning from the world for a century and a half. Perhaps because of backwardness, the national inferiority complex makes us keep everything closely related to "tradition" secret, and even abandon everything.

However, history speaks for itself. What happened to tradition? Without tradition, where will the foundation of our national spirit be established? A century-old tree, a deep alley and a melodious voice are all our "heritages" like Dading and Gaowa. They are the witness of history, the gift of nature and the "relics" of our ancestors. Chinese civilization was born here! You may say that only the "brand" of "cultural heritage" is "heritage" wrong! As long as it is the precipitation of time, what is recorded as "eternity" is our "cultural heritage".

Generations of people are lost in the torrent of historical development, and the gap with their own national culture is getting deeper and deeper. So young people began to indulge in the Korean Wave and were keen on American blockbusters. Children are talking about Japanese cartoons and foreign cultures, so they can easily gain a foothold in this so-called profound country. They have a broader market than China's traditional culture. China's traditional culture is facing the double crisis of talent shortage and audience shortage, and it is also facing the danger of no successor and extinction.

In fact, recognizing "cultural heritage" is a kind of respect for history and culture. For a long time, we claimed to be a big cultural country, but we struggled in the actual empty cultural atmosphere; We have a long history, but we have to face the situation that many ships carrying cultural treasures have run aground. Some people say that there are more and more people who know "Zhou Xun" in today's society, while fewer and fewer people know "Lu Xun"; More and more people know about "Rosamund Kwan", and fewer and fewer people know about "Border Zhi Lin"; More and more people know about "Mark" and fewer and fewer people know about "Mark Twain". More and more people know "Bill", and fewer and fewer people know "Paul"; More and more people know "love", and fewer and fewer people know "Ai Qing"; More and more people know that "it will be sent soon", as long as there are fewer and fewer "September 18th".

Maybe we don't want to find what we lost, but we just want to add a little freshness to our life through the massiness of history. Advocating "innovation" now does not mean "innovation". On the contrary, these "sites" are the cornerstone of "innovation", and "innovation" can make "sites" shine again! Our traditional culture has been tempered for thousands of years and precipitated countless times, leaving behind the essence of the essence. This is not only the pride of the people of China, but also the pride of the people of the world. A nation that wants to stand proudly should first be a nation that does not depend on others ideologically.

We inherited the yellow skin left by our ancestors, and we should also inherit our excellent traditional culture. As a latecomer of 5,000 years, stand on the cultural cornerstone of historical accumulation, and be a pioneer and inheritor by guarding this promised "family business"!

Non-legacy college entrance examination composition 800 words 2

Today, under the guidance of the tour guide, we took a tour bus for more than 1 hours, and my mother and I came to the world famous cultural heritage Ming Xianling. When I got off the bus, I was surprised to see the red walls and yellow tiles in the distance, resplendent and magnificent, worthy of being the emperor's mausoleum.

Ming Xianling Mausoleum is located in Zhongxiang City, Jingmen City, Hubei Province. Established in 15 19. Although it has a history of more than 500 years, the Ming Tomb has been standing, very strong and the building is intact. It is still so spectacular and magnificent.

There is a very clear lake in front of the gate. This pond is called "Waimingtang" because it is in the position of "Waimingtang" in geomantic omen. The lake and the gate are lined up, echoing each other from afar, making people feel that the world is cold and the years are quiet. The green lake rippled in the breeze, adding a bit of dynamic beauty to the quiet door. We labored up the steep stairs and came to the gate of the Ming tombs. The gate is tens of meters high and divided into three floors. The first floor is paved with bricks and stones like the Great Wall, with an arched gate in the middle. Red brick on the second floor, bright, with arches; The third floor is also a red brick wall with two faucets carved in stone, which means that dragons and phoenixes are auspicious. The second and third floors can be used to watch and overlook everything in the world.

We crossed the broken ancient stone road and came to the new red gate of a single-eaves mountain building. The new Red Gate is the gateway to the whole Epiphany Mausoleum. Legend has it that it plays a role in guarding tombs and palaces. Built on the mountain, it is strewn at random, with Chunde Mountain in the east, Waimingtang in the west and Wailuocheng on both sides, and the buildings are closely connected. It's really a good place for feng shui.

The new Red Gate doesn't have three arched openings, much like the Yongling Tomb of Zhu Hougui in the Ming Tombs. There is a marble tablet on both sides of the gate, and the words "Officials are waiting to dismount here" are engraved on both sides of the tablet in regular script, which is based on the calligraphy of Yan Song, the powerful minister of Jiajing, and symbolizes that even if the emperor goes down to the underworld, the supreme imperial power of the Ninth Five-Year Plan is inviolable.

Walking with my mother, I saw three parallel single-hole stone arch bridges across the Jiuqu Yu He River. Despite more than 500 years of wind and rain, the carvings on the stone bridge stigma and railings are still clear and beautiful. There is a stone lion on each stigma. They have different shapes, some are rubbing their hands, some are swinging happily, and some seem to say hello to us. Some lions and cubs are playing, which makes them very happy. Their playfulness and liveliness also reveal some solemnity and sacredness, which makes this royal mausoleum more solemn.

After more than five centuries of war and vicissitudes, many oak trees have grown on the wall of the mausoleum, which has played an extremely important role in protecting the treasure dome. According to the book, the root of a big tree occupies as much space underground as the crown. Imagine this oak tree with a huge crown, rooted in the ground, criss-crossing and criss-crossing, clinging to the soil and surrounding city bricks. Isn't this a shade for the huge treasure top? Therefore, the occurrence rate of oak trees on the top of the Ming Emperor's Mausoleum is extremely high, just like a business card in Baoding.

In the graveyard at night, there is no one except my mother and me. My mother and I walked out of the cemetery and stood in front of the ruins of En Men and En Temple. The tall Fangcheng Ming Building is still magnificent in the sunset, and the surrounding Maolin Xiuzhu is full of vitality. This wonderful scenery adds a bit of simplicity and solemnity to the Ming Tombs at dusk. Facing this mausoleum, I seem to see the magnificent palace building in the heyday of Apparent Spirit, the billowing smoke of Apparent Spirit due to the war in the late Ming Dynasty, and the groans of the collapse of wooden beams and the cracking of masonry. The groans came not only from the Ming Immortal Mausoleum, which was about to be destroyed in the war, but also from the Ming Dynasty, which was unable to return to heaven.

After the sun went down, I ended my day's play, and I'm still unfinished. Sitting on the bus returning home, my mood has been very excited: this magnificent building embodies the wisdom of craftsmen and deserves its name as a world cultural heritage. It shows the splendid culture of the Chinese nation to the world and will shine forever in the world heritage list.

Non-legacy college entrance examination composition 800 words 3

Have you visited the majestic Forbidden City in Beijing? Do you know the beautiful Dunhuang Mogao Grottoes? Are you interested in the Terracotta Warriors and Horses of the Qin Shihuang Mausoleum? The world cultural heritage that China people are proud of is the crystallization of our ancestors' diligence and wisdom. Among these great heritages of China, what interests me most is the world-famous Forbidden City.

The Forbidden City in Beijing, formerly known as the Forbidden City, is located on the central axis of Beijing, the capital of China. It is a 5A-level tourist attraction in China, attracting international friends from thousands of miles away all the time. The Forbidden City covers an amazing area of 720,000 square meters. It was built in the 4th year of Yongle, based on the Forbidden City in Nanjing, and completed in the 18th year of Yongle. It is a rectangular city with a length of 96 1 m from north to south and a width of 753 m from east to west. Surrounded by a wall with a height of 10 meter, there is a moat with a width of 52 meters outside the city. The architecture of the Forbidden City is divided into two parts: the outer court and the inner court. The center of the outer court is the Hall of Supreme Harmony, the Hall of Zhonghe and the Hall of Baohe, which are collectively called the three halls, and are the places where the country holds ceremonies. It is worth mentioning that the most luxurious is the Hall of Supreme Harmony, commonly known as the "Golden Hall". The center of the Forbidden City is Gan Qing Palace, Jiaotai Palace and Kunning Palace, collectively known as the last three palaces, which are the main palaces where emperors and empresses live. Twenty-four emperors once lived here. This is the imperial palace of the Ming and Qing Dynasties (A.D.1368 ~191), and now it is the "Palace Museum", which specializes in collecting palace artifacts in the Ming and Qing Dynasties.

The scenery of the Forbidden City in the morning and evening is mysterious and beautiful. As soon as the sun rises in the morning, the Forbidden City begins to become colorful, and the beauty of oriental architecture is vividly displayed on this huge treasure of the Forbidden City. At nine o'clock in the morning, the Forbidden City will welcome a large number of tourists. At first glance, people are crowded. The tourists listened to the commentator's explanation and felt the story of one thing, one brick and one tile. The wind that sneaks in from time to time outside the door makes the leaves rustle, adding a little joy to this tranquility.

At noon, the sun finally climbed to the center of the sky, the air was full of hot air, and people rushed into the Forbidden City building. Although there were a sea of people, everyone remained silent in unison, as if frozen by the solemn atmosphere emanating from the Forbidden City. In the evening, the crowd gradually dispersed and the Forbidden City became empty again. It was not until the end of the day, dotted with stars, that the huge building of the Forbidden City fell into a deep sleep again.

I love the Forbidden City. I not only like its long history and solemn appearance, but also like its brilliance. What I love is the exquisite heart of the Forbidden City, which bears the profound culture of China and the strength of people's wisdom. Like a jewel, the Forbidden City stands motionless in the capital, but never stops, constantly conveying the charm of China-the beauty of the East to the world.