Who dominated the ups and downs of Hong Kong music in 1980s and 1990s?

It has been mentioned that the most glorious moment of Hong Kong's music scene was probably in the 1980s and 1990s. At that time, the music scene in Hong Kong was really full of talents. In the 1980s, there were two powerful singers, Alan Tam and Leslie Cheung. There were four kings in the 1990s. Of course, there are other singers, so who owned the Hong Kong music scene in the 1980s and 1990s? Bian Xiao thinks their singers belong to the same world.

? Leslie Cheung and Alan Tam play an important role in the Hong Kong music scene. Some people say that their music is very touching, but Bian Xiao wants to say that they have been integrated with music. Speaking of Leslie Cheung, his voice is really special, and he can combine Yin and Yang. Later, in Leslie Cheung, music had reached a state. At that time, he had no idol burden, and he turned music into his own. Alan Tam is fine, too. Every time I listen to his songs, I can imagine that picture in my mind. When you listen, you can think of things related to yourself in the lyrics, which can cause a strong sound.

? In the 1990s, the "Four Heavenly Kings" made great contributions to the music scene in Hong Kong. Andy Lau, Jacky Cheung, Liming and Aaron Kwok, the "Four Heavenly Kings" at that time, were really popular. Cantonese songs in Hong Kong have a unique flavor. Hong Kong's "Father of Concerts" called the most popular male singers "Four Heavenly Kings". At that time, the four of them monopolized almost all the awards in Hong Kong's music scene, and in the most prosperous era at that time, they almost represented the entire entertainment circle in Hong Kong.

? At that time, the music scene in Hong Kong was really fierce in the 1980s and 1990s, which was inseparable from the historical environment at that time. Bian Xiao thinks that Leslie Cheung, Alan Tam or the "Four Heavenly Kings" made the Hong Kong music scene at that time.