Lu, the outstanding inheritor of China, presented a gift to the National People's Congress.

Lu: Male, Chinese character (Wen Jia),No. (Fangfu of this island, northeast of this island). He is currently the deputy director of the Traditional Culture Committee of the Chinese Culture Promotion Association (invited calligrapher), a member of the Federation of Literary and Art Circles of the Ministry of Public Security of China, an academician of the China Academy of Poetry, Calligraphy and Printing, and the president of the "Veteran" Calligraphy and Painting Association in Qinhuangdao. In 20/0/9, Kloc won the first prize (Gold Award * Meritorious Award) in the selection of "Top Ten Influential Painters in China Good Brand Year"; Won the title of "Top Ten Calligraphers" in the selection of Qinhuangdao Branch of the 3rd China Painting and Calligraphy Spring Festival Evening. Lv loved calligraphy since childhood, and studied under Mr. Cao Shouhuai and Mr. Yang Jie successively. He mainly studies calligraphy and cursive script, as well as official script, especially the list book.

Over the years, he has won many awards in domestic, military and provincial calligraphy exhibitions; Especially in August 1989, during his summer vacation in Beidaihe, he wrote a lot of calligraphy works for the party and state leaders, which was widely praised. At the same time, his calligraphy works have been published in national, provincial and municipal newspapers and periodicals. Teacher Lu's calligraphy works were also presented as "national gifts" to governments, enterprises and international friends in Australia, Japan, Singapore, South Korea and North Korea.

Hold a simple attitude and be true to yourself, but people are not far away.

? -Appreciation of the works of the famous calligrapher Lu.

"I am simple, I am selfish." I can't help but feel heartache about the word "keep it true". This is a mirror, which makes people understand how valuable your initiative is.

Today sounds like a sermon. As far as art is concerned, the evaluation standard of moral personality is not to get rid of the "literariness" of skills from the beginning, but to contain the "gentle" ideal of artistic life. Specifically, it is to care for "people" and "art" as an organic whole of life: the requirements of morality, knowledge and honesty are inherent. And this kind of artistic life thickness of internal and external harmony is of course superior to that of literary decorators. From this we can get a glimpse of Mr. Lao Lu. In fact, I think it is a reflection of his personality charm.

At the beginning of the new year in 2020, a sudden plague raided the land of China, casting a deep shadow on these two festivals that should have celebrated peace. Under the correct leadership of the CPC Central Committee and the State Council, the whole country quickly launched a struggle against the epidemic. Teacher Lu, a famous calligrapher, actively responded to the call, taking the lead in setting an example and giving full play to his specialty. Every day, he writes a large number of calligraphy works full of passion and positive energy to fight against the epidemic and boost morale. In his mind, the innocent mountains and rivers and the long-standing patriotic feelings are put into practice, that is, paper and ink become auspicious and the world is peaceful.

He knows very well that people are social and contemporary first, and then cultural and temperamental. Teacher Lu's calligraphy creation is a kind of "innovation" that sees through the mystery of the times, and a kind of soberness after a detour: "Tradition contains great beauty and eternal charm, which may be the reason why Chinese civilization and traditional culture and art are endless and timeless. This' great beauty' has been widely publicized by sages of all ages and has become our cultural gene. It is a powerful existence that can devour any subversive attempt.

Of course, tradition is a living organism, otherwise, it would have become a specimen or fossil. It is precisely because of the traditional' lively' that tradition is rich and colorful. Therefore, Mr. Lu's calligraphy complex lies in keeping a pure land and building a spiritual home, so that the trees in the' home' can flourish, instead of being obsessed with shortcomings and thinking. The significance of learning from tradition lies not in' persistence', but in' sprouting, which is to draw the most' nutritious' value from classics, which is most in line with the mind of post-scholars and can best achieve classics in the new era'.

Learn books and cultivate one's morality. The so-called Jinyun, Tang, Fa and Song, that is to say, "If the saints do it, the praise and criticism of' Yue Long Tianmen Tiger Lying in the Phoenix Pavilion' and' Only the girl has no husband's spirit' are completely different, let alone us!" I quote this passage because I want to say that although the book is a small skill, it is a real avenue, such as stone carving, which is different from materials such as wood and metal. Stone is hard and dull, which requires the author to "restore" the calligrapher's emotional expression and create a new artistic conception. This "perception of life" is what I really appreciate. Teacher Lu's calligraphy art embodies his feelings, thoughts and subjective spirit in the process of creation, so it is no longer a simple material "thing", but fully embodies his personality on paper film, thus seeing his true self and subliming his artistic value.

Over the years, he put calligraphy in the torrent of history and culture, observed it from top to bottom, observed it from a distance, internalized it from the heart, and then put it into writing. The so-called cultural guidance, calligraphy takes the lead and moves the whole body. Traditional culture participated in the growth of his lines, shaping his emotion, personality composition and psychological stability in controlling pen and ink. In a word, Wen Xin refers to the original appearance of the word.

Teacher Lu joined the army in his early years and served in the Armed Police Force for more than 20 years. Later, he switched to work in the public security front and has retired for many years. But he never gave up his pursuit of calligraphy art and his social responsibility as a "veteran". The sense of social responsibility is the main symbol to measure the level of an artist.

Teacher Lu is not only brave in literary and artistic creation, but also good at taking responsibility. This responsibility is guidance and cultural consciousness. Because he is not arrogant, hyped, vulgar or utilitarian. Gentleman's wind, it is indisputable. In art, he knows his own advantages and disadvantages, thus strengthening his main direction; At work, he knows what he should do and how to do it better. This ultimate trend of life experience and enlightenment is exactly the spiritual orientation of dedication to career and art called by contemporary book circles.

At the same time, what impressed me the most was the chic of the works, especially the strong "natural" atmosphere in the works. This "nature" has a double meaning. First, the nature of the subject matter: Mr. Lu extends his artistic tentacles to the mainstream of social life, and his works are mainly traditional, giving people a pure, simple and cordial sense of nature, which is in sharp contrast with the complete personalization and spiritual care of many people in the art world today; The second is the naturalness of expression: the natural image is not a superficial description, but a natural expression of self-emotional state. There are many explanations here, but one is inseparable from his environment and life:

At present, the epidemic is the enemy of * * *. In the face of a dangerous epidemic, the strength of the people is the greatest strength. This is a difficult moment, but also an anxious moment. In order to better boost morale and stabilize people's hearts, he also produced many pictures he loved, which set off a peaceful and auspicious atmosphere. As a cadre in party member, Lu has a unique view on books, and achieved his life with a detached attitude.

Therefore, Mr. Lu's calligraphy has both a process of "subversion" and a process of "construction"; It can also be said that the technique of pen and ink is "small", and the nostalgia for the traditional way of life and the remolding of the humanistic spirit of the times are "big", which is also a big proposition that calligraphy can carry and a role that the context should play.