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How to evaluate the film "Dear"

Write in front:

First of all, as a student in xidian university, I just read an article in September 17, which said that I was in a high mood and wrote down my feelings that night. Among them, I have too much perceptual knowledge and objective evaluation is not in place. The serious code word only requires a few likes before Daniel's official release and professional comments ~ ~ ~ Don't spray it if you don't like diaosi mentality ~ ~ ~

In addition: I am not a film-related major student, nor a film critic with a long history of watching movies. Let's talk more about our feelings. If you have different opinions, welcome to discuss.

Continue to post a reminder of conscience: in view of the fact that the film has not yet been released but the inner turmoil is difficult to suppress, including serious spoilers, those who mind spoilers should not enter;

-I am a low-key dividing line.

My first impression of my dear. Before the movie, I didn't watch the trailer or watch more videos. I only heard one song, Dear Child. As soon as Zhao Wei's voice came out, I knew how hard she worked in this film.

Story theme, child abduction. When the word "melting pot" appeared, I immediately felt the strangeness when I saw it more than a year ago.

This kind of story is the most touching and easy to incite, which is the kindness and compassion with the same attributes in everyone's heart. If the shooting process is not dull, it will be recognized and moved by most people. However, because the theme is directly related to family and society, there are still concerns before the opening of the film: will it not be liked by young people, and will it "applaud and not sit" because the theme label loses a large number of viewers who are afraid of "heart abuse".

As myself, I started to enter the plot with a feeling of "tears" and full expectations. And considering the whole viewing experience, I think it is still worth recommending friends to see it. Also, bring a tissue.

About the whole story and personal feelings.

The first half of The Pain of Losing a Child depicts the life scenes of Tian Wenjun (Bo Huang) and JODY (Hao Lei).

The man presented to us in the picture, a simple labor force, low salary, divorced and "resigned" nobody, faces all kinds of bottom people all day. In addition to simple small business, Internet cafes cover for others, and life is more about the helplessness of "bad teenagers" who are fired first and then shouted "come back".

He said to his wife, "You just don't accept your fate."

He said to his son, "You speak Mandarin, and of course Shaanxi people speak Shaanxi dialect." (There is applause here. As a non-Shaanxi person, I am also drunk ~ ~)

His ex-wife JODY remarried, lived a high-quality life, and left her ex-husband a few blocks away. Although I am full of love for my son Pumbaa, I have to use the word "choice" in the face of the court's decision, the happy coexistence of my son and my father, and the great difference in quality of life, because judging from the huge gap between the couple's material conditions, tragedy has already laid the groundwork.

Pumbaa foolishly said "Mom, let's go", "Mom, pick me up on Sunday" and "Bye, Mom". At this time, JODY, the mother who was deprived of custody, was hit repeatedly in the process of separation, and her weak persistence was just in vain. As a result, selfishness began to sprout faintly in her heart.

She is going to start a new life with her current husband.

So, Pumbaa, goodbye.

This is why the character is gloomy and cannot be redeemed from beginning to end.

Pumbaa in a yellow coat looked at his mother's car and drove away. This parting, whether there is a story behind it or not, is something the child will never forget.

At this time, Pumbaa in the picture was picked up by a trafficker, and my heart was like being caught by a walnut pliers.

Then frantically looking for, shouting, disappointed. ...

Still feel the director's setting and arrangement. On the one hand, it is the father who does odd jobs in the street to find children, and on the other hand, it is the mother who can't sleep at night. Tian Wenjun's grief-stricken expression in the revelation of finding a child has disappeared. This time, he was firm and refused to accept his fate.

In a scene where Tian Wenjun went to Hebei, the wife on the phone looked like a rational person. "That photo is synthetic", but not as brave as the reckless father who hung up the phone and wiped the dagger in his hand.

He found that this was not the time for his son to rush, when he was called "Catch the bag snatcher", when he waved a dagger in despair on the Gao Qiao, when he let go and fell into the water ... Despair and helplessness, incisively and vividly.

The director added the first seemingly unreasonable artistic treatment here, that is, Tian Wenjun sank to the bottom of the water and rose inexplicably.

Holding a dagger in the water, my blood was dizzy underwater ... sinking, I couldn't breathe, my consciousness was blurred ... but I was vaguely called ... for a moment, I didn't know which way, I suddenly floated up.

Fuzzy memory, perhaps driven by survival instinct or belief, finally broke free from the water.

I want to believe that this moment is God's help.

After that, the couple joined the "Wan Li Search Club".

Self-report of some parents who lost their children. What impressed me the most was the mother who "swept the street with her eyes and knew if she had my son". She said she knew she wasn't crazy.

You never know how terrible the persistence of a crying and laughing mother is.

In this organization, this group of parents share weal and woe and encourage each other.

So there was the paragraph "looking for a child tour group". They hit the road with hope and sang the song "Invisible Wings" together (well, I just hacked).

There is a question here, that is, the lengthy statement that Zhang Yi is the boss of Handa may pave the way for his parents to stop the car and grab sacks, and also accuse the high-end restaurant of the cruelty of eating raw monkey brains, but I still don't quite understand why a long oratorio scene is arranged here ... This place feels surprisingly long compared with other places with tight rhythm.

After that, I will be interrogated in prison. .............................................................................................................................................. If ........................... is not, I really want to praise these extras 100; If so.

Later, at a teahouse meeting, the slightly feminine little brother said, "Big Brother, I don't just want to help you" (I forgot the specific lines), but the purpose of this design is still not quite understood.

Then there was the chaotic scene of villagers fighting with their children.

When I drew the outline of Li Hongqin (Zhao Wei) from the dim scene, I felt that Sister Swallow was really struggling for this bitter role this time. But before I comment here, I really want to discuss the problem of "villagers' big fight" first.

I really don't understand! ! Why do you keep running? ! ! Shouldn't it be a sad picture that husband and wife want to take the child away after a few minutes of just and awe-inspiring denunciation of the trafficker's wife, and mother and son cry in time? ............................................................................................................................! ! ………………………………………………………………………………………………………………………………………………………………………………………………………………………………………………………………………………………………………………………………………………………………………………………………………………………………………………………………………………………… ! ! ! The whole village is like a Bollywood chorus. ..............................................................................................................................................................

Okay, I'm done. ........................................................................................................................................................................

Tian Wenjun held Pumbaa on the grass and asked, "What is the silk behind the high table and low stool?" ? Sass! "Fragments of ................, let's feel it directly on the screen. Anyway, I cried like a broken faucet in this paragraph.

Followed by the police station.

At first, I thought that when a familiar face like Zhao Wei spoke, there was no doubt that he would play. However, this time, her dialect was as good as a surprise. In fact, the most natural state of dialect pronunciation is that it is not authentic but the key words are prominent. Li Hongqin, played by Zhao Wei, can say "my man", "little guy" and "we are all honest people" ... really incisively and vividly. And the sudden change of her expression when she was questioned by the police-fear, guilt, being at a loss ... it was really well interpreted.

When the youngest daughter, Yang, entered the door, the police uncle changed his smiling face (the director told me that you didn't spoof him, I don't believe it ~ ~), tough questions, and "Who did my mother show it to my uncle?" ..... In fact, it is also in line with the normal police thinking and interrogation process. After all-who will sympathize with the identity of "the wife of a trafficker" in a short time?

Although Li Hongqin picked up his daughter and rushed out of the door, he waved a flowerpot at the police, and the male ticket was happily "praised" behind him ~ ~ ~

Then ..... the daughter was also robbed hysterically, which was heartbreaking.

There are more and more dramatic elements in later stories, and the heavy scenes obviously fall on the character Li Hongqin.

After suffering from prison, she was finally released and went to Shenzhen alone. Shenzhen was ruthless and indifferent to her.

What impressed me most about this story is the particularity of this trafficker's wife, which is miserable enough, ignorant enough, virtuous enough and axial enough.

Because of her particularity, fortunately, the two children she raised lived in poverty but their souls were not polluted; It is also because of her that the following story is strung together-a tragic woman who was divided on the glass curtain wall of the city.

She climbed up the air-conditioning exhaust fan to see her daughter, and the audience was sighing. Through the glass window, Ji Fang cried "Mom" with tears. ............

At that time, she and her daughter were the only hope for each other.

She negotiated with the welfare home and accused herself of reluctant to buy a bundle of two and a half crayons ... She wanted to see her daughter, which she said was her only wish to live in prison.

She broke into the law firm for help, but the tall lawyer was not humble. At this time, she only wants her daughter. Then, I met a brand-new lawyer, Gao Xia (here, this woman is not educated enough but really not stupid. The first time I sent dates, the second time I was so sick that I didn't send them anymore, and it seemed a little intentional.

I don't know how to evaluate David's role out of thin air. On the one hand, I feel that the epitome of this urbanite is extremely prominent, and my career is unsatisfactory. My mother's mental and psychological problems in life are serious, and even the cleaning aunt is overwhelmed; On the other hand, I think a frustrated lawyer with such a life background can really make life so transparent-make money and have fun without delay, and cover his nose and mouth with a handkerchief when facing Li Hongqin and construction workers.

When Li Hongqin took out his notebook and said, "Castle Peak Brothers, we'll talk at night", the workers' eyes were the same as the women in Li Hongqin's roommate's eyes, and Tang Qingshan put on a suit and walked in the door. All these explanations were understood. There's really no need to kneel down and tear down the bridge. Please leave a background, it's really enough for other cuts.

After that, pengpeng didn't integrate into this family for some time, and his spit on the ground showed his resentment.

Tian Wenjun stood there and asked JODY how long it took the child to get there.

In that photo, Hao Lei looked back at her ex-husband with tears in her eyes ... This interpretation can no longer be replaced by words.

The meeting between brother and sister in the welfare home really hurts the hearts of the two little guys.

In this passage, in fact, a very difficult question is thrown-no matter how hard adults try, they can't weave a beautiful lie to explain what the child has suffered. Material conditions can meet the needs of physical growth, but these sudden changes in the environment make them feel the sadness of the adult world prematurely.

You can give them warmth in turn, but you can't create a painless childhood.

Sister said, brother, I want to go home. I miss my mother. I wait for her every day.

Without saying anything, my brother peeled chocolate for my sister.

As a young man, he also asked such a speechless question "Are you divorced" under the dear bath of his biological father.

What's more, when he was young, he saw his "mother" running day and night and being beaten by angry parents.

Did he understand the "powerlessness" in this world from an early age?

Does he just want to be with his sister who lives alone, so he holds his own mother's hand?

In his life, his accent, his memory and his scars all recorded some inevitable pains rooted in his fate.

After the screening, the director said that it is easy for children to choose again under the guidance of the environment. He will forget his foster mother, and he will start a new life and choose a happier life. At this point, children are quite cruel.

And I want to say, in fact, all the memories of children from 0 to 6 years old will flash back from time to time when they grow up (experience, to be demonstrated). He won't forget, and these experiences will also shape the child's extraordinary strength.

I just hope he can be as tolerant as his father.

I just hope he realizes that he is still a mother abandoned by the whole world.

But like his biological father, he remembers his mother who wouldn't let him eat peaches.

There is also a plot here, which is a short message from Mr. Han.

"After doing so much, I found you. I can't find it. "

This moment is close to despair, and it is also his face "never betray our former children."

At the birthday party, Pumbaa's face was kissed with white wine, and his father was desperate.

After that, the stuck mothers publicized the law to their children. Gao Xia, a lawyer who accompanied Li Hongqin through all kinds of sudden temperament changes, also looks tall.

Here are some of his lines:

Look at this city, how rich it is.

This is your money. It's free this time.

I'll help you get your baby back.

As you said, if they ask you if you know that Tian Peng has been kidnapped, you say no.

At this time, the temperament transition of the characters is still a bit out of touch. You are a person with a sick mother at home ... why don't you do good deeds early to accumulate some virtue for yourself? It used to be a bit tyrannical to get angry and hit people. ...................................................................................................................................................................

just ..................................................................................................................................................... ....................... and when I saw Gao's mother and looked at each other, I felt there was still a lot to play.

The scene in the court is also very eye-catching. The tired and pale face of the judge and the question "why do you take all cases?" After being secretly investigated by Mr. Gao, he fell into a haze again. It's too important to be internal ... JODY's husband, you've become too fast. I know you are unlucky, but you are eager for wool. Your wife is like that. Don't yell at me. You've had enough. How can you hum if you have money ~ and Gao lawyer ....................................

There are many nameless stories in the world, grinding the burning emotions of adults, pulling and stirring, and producing five kinds of rice for people to taste.

But why, so much bitterness and bitterness.

At the end of the last course of treatment, Mr. Gao took his mother to see a doctor and took the physical examination materials. At this moment, the director gave us a meaningful "pregnancy", and Li Hongqin sat down and wept bitterly. Reality makes this "mother" a real "mother" in a cruel way.

Teacher Liu Tong interprets it as "hope". He said that Li Hongqin can finally stop running around for other people's children at this moment. And I really can't agree with this. There is really no such bridge in the real story.

I have read such an account in the Unfinished Life. If you reject a woman's fertility, it is equivalent to rejecting her life.

For Li Hongqin, if this is a complete deception, how can she afford this child, how can she tell the children about this "child" and whose child it is?

Even if it will crush her last straw, it is possible to open her man's grave and roar.

So the film came to an abrupt end here To be honest, it's a little sudden. Although it conforms to the concept of "the movie has an ending but life has no end", it does feel that there is a confession missing. For example, in my heart, I really don't know whether Yang was awarded or not.

For perfection, but there is no perfection here.

I don't know how Li Hongqin will spend the rest of his life. Those children who are less involved with her will not only become invalid watchmen, but also give her hope to support her survival.

It's just that life has no end.

It's just that you and I really can't control too many things in this world.

Looking back at everything, only handkerchiefs:

"People come and go, don't forget."

There are too many stories in the world. You and I watched, and it said in it.

The best thing about the film is that it intuitively touches the senses with images, turning the usually dry news into a baptism of beating the soul.

The best thing about movies is that they are not as cruel as reality, and everyone has the right to expect a good ending.

The most cruel part of the film is that after two hours of tears, I question whether my choices in life are as kind as I claim. And after this short watch, how much spiritual purification can be effective for a long time.

Movies, are they painkillers?