Book of carp

For authors and works, "carp" is an elegant and sharp container, where good novels and moving pictures are put in full bloom and complement each other. For readers, "carp" is a brand-new reading entrance. Open it, plunge into it and start a different reading journey.

"Carp" comes from traditional culture, but it has infinite vitality. It is simple and enchanting, quiet and warm. "Carp" book series is a container carrying touching words and pictures. It's elegant, but sharp. Very calm, but very intense. Very naive, but slowly moving towards vicissitudes. It is a farewell again and again, and it keeps youth again and again.

The name NEWRITING gives this series another orthodox interpretation. This is a new way of writing, which belongs to young people. The new is dynamic, changeable in form and without any restrictions. Good standards are also varied. They are more free, bold, jumping and full of passion. Loneliness of carp, June 2008, Jiangsu Literature and Art Publishing House, ISBN: 9787539929064.

Carp jealousy, September 2008, Jiangsu Literature and Art Publishing House, ISBN: 9787539929750.

Carp Lies (June 5438 +2009 10) Jiangsu Literature and Art Publishing House, ISBN: 9787539930787.

Carp ambiguity, March 2009, Jiangsu Literature and Art Publishing House, ISBN: 9787539930985.

The Best Time of Carp, May 2009, Jiangsu Literature and Art Publishing House, ISBN: 9787539932 170.

Carp in the Name of Love, August 2009, Jiangsu Literature and Art Publishing House, ISBN: 97875399329 10.

"Carp Escaping" June 5438+February 2009 Jiangsu Literature and Art Publishing House, ISBN: 9787539934778

Carp addiction 2010 March Jiangsu Literature and Art Publishing House, ISBN: 9787539936406

Carp hormone 20 10 10 Shanghai Literature and Art Publishing House, ISBN: 9787532 139835.

Carp is too late 2011/Shanghai Literature and Art Publishing House, ISBN: 9787532 140770.

Carp Idol 2011July Shanghai Literature and Art Publishing House, ISBN: 9787532141654.

Carp Writing Letters 2065 438+02 65438+ 10 Shanghai Literature and Art Publishing House. ISBN:9787532 142767。

Growing old carp, June 20 12, Shanghai Literature and Art Publishing House, ISBN: 9787532144631.

Carp literary youth, August 20 12, Shanghai Literature and Art Publishing House, ISBN:9787532 145874.

Carp elopes a book, 20 13, 1, Shanghai Literature and Art Publishing House, ISBN:9787532 147632.

Carp Hotel, 20 13, Shanghai Literature and Art Publishing House, ISBN:9787532 149674.

The fate of carp 2065 438+03 04 Shanghai Literature and Art Publishing House, ISBN: 9787532151769.

Carp A Room Not Belonging to Yourself 20 14 In June, Beijing October Literature and Art Publishing House, ISBN: 97875302 13964 ended the exploration of a series of inner private feelings such as loneliness, jealousy, lies and ambiguity. Zhang Yueran and her partners set their sights on a broader social level. In this issue, even if we go back to the best time in the past, can we reassemble the memories torn by pain?

Whether the writer Zhang Ailing, the Japanese painter Nara Yoshitomo or the director of Slumdog Millionaire danny boyle, their nostalgia for the best time permeates their works. People who like their works feel the glory of the "best time" with them from the details, while those who question them understand the lack of edges and corners after being scratched by time fragments. "The Best Time of Carp" specially interviewed Taiwan Province writer Zhu Tianwen. During this wonderful hour and a half, Zhu Tianwen exchanged some experiences and interests in daily life with us, and even talked about how to keep pace with director Hou Xiaoxian in the process of words turning into light and shadow.

In the 1980s, people's memory of time often came from a trivial matter, a song, a river and a scene in a dream. Zhang Yueran invited her good friends Shu Qiao, Zhou Jianing and photographer Madi to share her memories close to the skin. For post-80s writers, their best time is fixed in the virtual world from 1998 to 2005. Sick children, crystal forums and strange forums have become literary positions for young people. Almost every post-80s writer who is active in today's literary world has left his mark on these forums, and the original intention of the book Carp is also mixed with the unfulfilled wishes of those literary forums.

The past of childhood is always inexplicably wonderful. After 2003, the concept of time in the 1980s began to become blurred. Before that, every important time point of adolescence left the mark of vigorous life. "Carp" combs the collective memory of * * * from the end of 1980s to the beginning of 20th century in chronological order. Growth is something that can be shared, and youth is far away.

At the best time of carp, a brand-new concept of sharing was put forward. From Zhang Yueran, the editor-in-chief, to every editor, we share the most wonderful details of our lives with readers, from a movie episode to a record jacket, to john owen's novels and creative notes praised by the editors in the novel column. Carp tried to continue this concept.

Zhang Yueran described her transformation from a young girl to a woman with the essay "The Thief of Beauty", and the book "The Battle of Forty Crows" continued the young people's memories of factory life on the road, while the newly added novel authors Lao Prince and Xu Sikun both wrote the best time of privatization from the perspective of boys.

This book dedicated to parents is finally presented to everyone as we expected.

When we were very young, we were full of doubts about our parents. Until adolescence, these questions did not weaken at all, and different views on things became more and more polarized. Disputes seem to be the outlet of love. After the last 80s, as teenagers, we began to seek the answers to these questions. I want to know the story of my parents.

Carp, in the name of love, we try to understand that special environment has had a more or less influence on our parents, and we gradually realize that love has been presented to us in another way during their aging.

This book also carries the love we give back to them, and this time, it is an effort for us to cross the huge gap and get close to them.

At the end of 2009, he made a heavy attack and carefully planned a reading feast to give back to readers at the end of the year. Especially in Spain, an exclusive interview with Haruki Murakami, a master of Japanese literature, revealed the creative experience of "1Q84". Famous astrologers and fashionistas voiced their voices and offered "a gorgeous adventure". Chen Qizhen, who knows the noise, the romance of escaping from Tokyo with Chen Qizhen, the noise as a fan, and the gesture of Chen Qizhen's eight-year friendship as an idol will all be seen in Carp Escape. In addition, there is Zhang Yueran's latest short story "Home": a couple living together ran away from home on the same day, leaving an empty house and a cat, but the story continues. ...

The novels "Death of Barney Munro" and "Carp Escape" listed in North America were specially translated by btr and Yu at the first time, so that everyone could appreciate the literary talent of this talented musician before the simplified Chinese version was published. In addition, The Carp Escaping from Prison also includes the translation of Banff by the novelist and translator. At the invitation of Kim Ech lin, the author, I spent three weeks at Banff Art and Literature Center in Canadian Rocky Mountain National Forest Park, bringing you an extremely precious translation note of The Disappeared. In addition, Tian Xiaoxia, a Japanese novel translator, translated for the first time the short story Looking for Things by Mitsuyo Kakuta, a Japanese best-selling author who won the Naoki Award, and it will also appear in Carp Escaping.

In this issue of carp escape, the author will give up their shelters one by one. There are always boring and harsh places in life. We may need to have a night outing, watch an idol concert, remember the best time, or continue to dream some dreams that will never come true. Then we found that seeking refuge presents a positive philosophy of life, and many times escape is the best solution.

In addition, at the end of the year, the editorial department of Carp began to hold the activity of "Let's all read the same book". Starting from Su Tong's Riverside, the editorial department of Carp will continue this reading activity, providing a platform for people who love reading to share and exchange, and turning reading into a life attitude. With the theme of "loneliness" and the strong sense of loneliness in Japanese popular literature, which young people are most concerned about at present, carp loneliness shows and excavates different aspects of women's psychological state of "loneliness". This book contains the latest novels and essays of Japanese best-selling writers, Zhang Yueran in 1980s, He An, Zhou Jieru in 1970s and Hu, a female writer in Taiwan Province. It reveals the post-80s life and inner state of China and Japan, and also brings the collision between authors and works in 1970s and 1980s.

Carp, edited by Zhang Yueran, a young writer, created a brand-new publishing concept of "theme book" in China. This series of books follows the form of books, integrates the concepts of magazines and light and shadow in editing design, and crosses the barriers of traditional books in content. Every book revolves around the same theme. From the content arrangement, literary works are the main theme, taking care of young women's living conditions and inner world, so that they can find their own company and know their true selves in the process of growing up from girls to women. This is a book to explore the deep feelings of "jealousy" in human nature. Zhang Yueran's own novel "Strange Auntie" tells a strange woman who can never feel jealousy and tries to feel human feelings. The story continues Zhang Yueran's consistent style, which is weird and enchanting. The Thick Omelet by Judith Hailmann, Lute and Shu Qiao, two young German writers, respectively, shows the heavy feeling of being tortured by jealousy through the understated life scenes. Zhou Jianing's "Mr. Paul" vividly depicts a poor and untidy loser, describes the mutual appreciation between him and the protagonist, and a subtle and fleeting sense of jealousy; Ge Liang's dragon boat, with a horrible ghost story, caught the stubborn and evil jealousy demon. In the part of the novel, carp jealousy almost deeply analyzes all aspects of jealousy in human nature.

When Pamuk, Su Tong, Mianmian, Peng Haoxiang, Wang Xiaohui and others face up to their inner jealousy, they let readers gain insight into people's hearts from these frank self-confessions.

In the end, Zhang Yueran's aim is to go deep into the confused hearts of the post-80s generation in this series of discussions and questions about "jealousy". What the envy of the post-80s generation looks like, where it comes from, and where it goes, all lies in "carp jealousy". The Lie of Carp is the third book in a series of books on the theme of carp edited by Zhang Yueran.

Starting from the ubiquitous existence of "lies" in ancient and modern China and abroad, this book deeply discusses and analyzes the obscure theme of lies in the chaotic fields of Chinese and Western literature, film and television works, the spirit of the times and personal life, from Agatha's mystery novels to Andersen's fairy tales, from Pinocchio to Emma to Pan Qiaoyun, and the romantic American dream in Wei and Jin Dynasties that everyone loves. This book revolves around lies and their manifestations, such as reincarnation and the end of the world. In addition, there are novels by mainland writers such as Zhang Yueran, Yu Yu, Han, and interviews with contemporary writer paul auster. Thus, it presents readers with a multi-faceted interpretation of the lies in the 1980 s and brings readers a rich and unique reading experience. The first book "Carp" in the spring of 20 10 brought a controversial "addiction" theme. In this era of material overflow and spiritual bubble, there are corners where people can indulge, and "addiction" is often mentioned as an antonym. But only when it sinks will it float. Addiction brings people not only guilt, but also joy, sadness, relief and various subtle perceptions. Life without addiction may be too ordinary, and you may feel that you will disappear forever, so this issue of Carp Addiction explores these secrets that have never been made public.

The literary salon brings wonderful topics about British women writers. Sarah Waters has just published a series of new books in Chinese mainland. She has brought readers excerpts from Little Stranger, the latest novel nominated for the Booker Prize in 2009. At the same time, she accepted an exclusive interview with carp. com. In a two-hour interview, she revealed her deep Victorian complex for the first time, revealing the great influence of contemporary British woman writer jeanette winterson on her writing. Jeanette winterson's novel, planned by carp, will also meet readers in the near future. In this issue of Carp, readers can read Three Friends, a short story translated and published by Winterson for the first time in Chinese mainland. This is the most controversial female writer in contemporary Britain, which is worth looking forward to.

The Scientific Squirrel Society participated in the discussion of "addiction" together, and talked about drug-addicted writers and poets from the perspective of the combination of science and literature. In the column of attitude, you can see all kinds of hobbies of people around you. Witches make noise to expose the mental journey of astrology and share with you all kinds of hobbies behind the mysterious astrology world.

Some novels and essays in this issue are interesting. Zhang Yueran's essay The Spanish Woman is an excerpt from her travels in Spain. The second trilogy "The True Appearance" appeared in the popular silent film "Beside the Word". Chen Xue's short story The Child on the Bridge, the original author of the film Butterfly, is also her first novel published in Chinese mainland. There is also the latest novel "Never Happened" by Taiwan Province female writer Hu.

In fact, we always need something similar to obsession, infatuation, love or addiction to live bravely in this often desperate world. It makes no difference whether you love books or people. We always have to sink into a certain field to know what we are and what we want, and then we will have a new vision and a new vision after resurfacing. That addictive feeling will become a secret, a secret full of love, and then those difficulties and obstacles will no longer be nothingness.

Five months after the last book, the carp finally brought a heavy theme book, Carp Hormone. Hormone concentration may be regarded as an indicator of lust, which affects and changes the environment around us like climate change. This issue focuses on the attitude of the younger generation towards sex and its vivid presentation in the field of literature and art.

An interesting conclusion is drawn from the previous questionnaire survey. Compared with those who were passionate about sex because of environmental repression in the 1960s, and those who grew up in the 1980s when sex was no longer a taboo topic, their passion for sex was consumed a little. The time scale of the first sexual dream, the first sexual fantasy and the first visit to other people's bodies has become blurred, and the thin hormones in their bodies can testify. Love entered the Great Depression, and the alienation of interpersonal relationships turned sex into a lonely and desperate game.

Everyone has a literary word to describe sex. Zhu Xiao described it as "wet and sticky", Li Haiyang described it as "green", and Zhao Ting's wandering experience abroad made his experience of sex "free". Xiaozhuang of the Scientific Squirrel Society discusses AV from a scientific point of view. She believes that "there is no real AV, only the climax of imagination". Two Hong Kong scholars, Su Hei and Tang, analyzed the hidden worries behind the prosperity of Japanese AV industry from the perspective of cultural research. Boys are used to making mosaics in key parts just because they have a heart without codes.

Pornography is rampant and sensual, and the sexiness in men's eyes and writings remains unchanged, and women are shaped into the ideal embodiment of desire. In order to avoid direct conflict with sex, female artists are evasive and look around. When talking about sex and desire with writer Jenny Winterson and director Isabel cosat, carp hormones were answered simply, directly, honestly and emotionally. They believe in love at first sight more than love at first sight. The director shared the filming process of the documentary "Meimei". Four gay men are faithfully recorded in his camera, showing how painfully they are on the road to finding true love.

The novel "Carp Hormone" contains erotic meaning and endless aftertaste. Zhang Yueran brought a new work, Arabian Nights. The Chronicle of Erotic Madness in Journey continues the footsteps of two boys growing up stubbornly in ignorance, but this time the growth and pain are related to sex. The novel also includes two blockbuster works, Death by Chuck Palahniuk, the author of Intestines highly praised by Peng Haoxiang, and Raccoon by Allen. Mysterious author g. In 1980s, people grew up with idols, from Cui Jian to Mayday, from the Four Heavenly Kings to Eason Chan, from Wang Xiaobo to Haruki Murakami, and from Lai Ning to Han Han. In the process of growing up, idols not only touched us, but also inspired us to advance in youth, let us pay passion and love without regrets, and break all the rules with fanaticism.

When we grow up, we find that the idol has existed independently of itself in the process of myth, and his words and deeds have been given meaning. He posed for a speech in public, but lost his clear outline. With the forced maturity process, idols are gradually forgotten by us. The clique once formed by supporting the same idol collapsed. When an idol becomes a label, it also announces the end of an era and the passing of youth.

We used to follow idols and try to build or resist something. Idols are like assembly horns, which bring many people together and March in a certain direction with neat steps. But in the end, we found that the idol, which originally represented freedom and resistance, was a fragile soap bubble, and as an advocate, we were unconsciously domesticated, lived under the illusory light of the idol and lost ourselves. Nowadays, idols are no longer a belief, but a profession.

This issue of "Carp Idol" does not focus on the big era, but starts with the traces of idols in individual memories. Shu Qiao used to study English hard for Michael Jackson. When she really stood at the gate of Neverland, the idol of an era had passed away. During her ten years of youth, Zhou Jianing met Lao Lang several times. Idols are as kind as friends and encourage her to grow up, but they never talk. The website under the banyan tree bears the literary dream of a generation of netizens. The virtual world has created mysterious literary idols, and now they go their separate ways. Wang Shuo and Wang Xiaobo, two literary idols, one is immortal because of death, and the other is devoted to being a father and a craftsman. Wang Shuo rode bicycle No.28 and handed the baton to Han Han, who was better at teasing and driving racing cars. Singer Tian Yuan never projects his feelings on a person. She worships ordinary people who condense the meaning of life.

Mary ellen mark, a photographer who is good at taking photos of stars, used a photo of Woody Allen to carve the image of a typical American intellectual on the axis of history. He condensed the photos into narratives, giving life meaning to the characters. "Carp Idol" specially selected a group of photos of their idols and revealed them on the big screen.

In the novel column, Zhang Yueran and Qi Weinian presented their latest short masterpieces respectively. Qian Jianan, Teng Xiaolan and Buckwheat, as new forces in pure literary creation, also contributed new works to readers. Claire Geegon won the Irish Literature Prize twice for her short stories, and her masterpiece A Farewell Gift was specially selected for Carp Idol.

This leads us to discuss the relationship between words and truth in sonar. "If a writer only makes you feel' moved' and' true', then he is lying intentionally or unintentionally." The argument must be thought-provoking at the creative level. "Miss Sisyphus" and "The Bomb Girl is My Sister" were selected from thousands of submissions, showing the new style of novel creation in the new generation. At the beginning of Doomsday, the carp-themed book, which had been away for half a year, offered readers another literary feast, looking for those "old days" feelings in Doomsday. Looking back on many subjects of carp in the past, it seems to be nostalgia. As editor-in-chief Zhang Yueran said, if we can't do anything about the roughness of reality, what we can do may be to go upstream, go back to the past and bring back some beautiful things from there.

In the new issue of Carp, the authors salvage the old action of "writing letters" and pursue the tenderness and violence that have passed away. In the "attitude", there are both Su De's lamentation that "what is important is no longer important" and "distrust between people", and the love story about letters between little people in the big era excavated by Tang Yibin and drunkdoggy, looking for the real track of those powerful letters in reality.

The columns of "Letter Writing" and "Salon" recorded the "heartfelt feelings" of more than a dozen writers. Luo Yijun, a famous novelist and writer in Xixia Hotel, and Zhang Yueran's personal stationery talked about writing, the writer's confusion and astrology, and conveyed to us a goodwill and sincerity belonging to the writer; The cutting-edge writer Hu and the increasingly popular novelist bring us love and struggle, arrogance and anxiety in the secular world. Those discussions about love can be described as good words. Zhou Jianing, a young writer, wrote a letter to her lover "Zhang Wu", describing the days and nights when she lived in "Taocheng". The novelist Chen Chuimei carefully told us about her love affair with the "monster". In addition to the familiar works of Carp: Bad Birds and Qu, there are also works by recent writers such as He Hetao.

As a carp who has been committed to introducing foreign literature, the foreign literature published this time is still very eye-catching. Leonard cohen's poems, as well as James Joyce, a famous writer and author of Dubliners, also bring us other beautiful things.

We don't deliberately go back to the old times, but compared with emails deleted at any time, Weibo with 140 characters, and symbolic short messages, letters undoubtedly represent a more serious era, and at the same time, they are more regretless. I believe that the new issue of carp will give you more firm strength. Aging is the second book in the carp series edited by Zhang Yueran 20 12. The book is about 220,000 words. Getting old explores what aging is like for people born in the 1980s. What attitude do young people in this era want to grow old? How do they face the aging of idols and parents? How to treat the attitude of the whole society towards aging? Are they afraid of aging, or have they already seen their future, and all they have to do now is go there step by step.

Growing Old contains the novels of famous young novelists Nei Lu, Cao Kou and Zhang Huiwen. There are interviews with writers Sun Ganlu, Hong Ying and Shu Guozhi, and essays by Zhang Yueran and Zhou Jianing. This paper expounds young people's views on aging from the perspective of literature. Getting old does not seek a final answer, but only encourages young people to keep a sensitive heart and the ability to cry all the time in the process of getting old.

Literary Youth explores the living conditions of literary youth in this era. "I am not a literary youth." More and more people are eager to show their position because they are afraid of being dragged down by the crowd of young artists. Become synonymous with weakness, selfishness and no position. Non-literary youth should speak out and stand in another camp of the times. The camp released some illusory weapons to make it more effective. They are eager for combat effectiveness, thinking that this is the way to break through the evil world. And those young people who are still literature and art, under the coercion of this kind of combat effectiveness, are more and more curled up in their own corners. Because of the self-defense mechanism, they began to resist dialogue with the outside world. They are disappointed with the outside world. Their spiritual world is actually understandable, but most people pretend that they can't understand it and are busy understanding it. There are still some people who are themselves part of the literary youth, or the weakest part. They are unwilling to accept confusion and face themselves, but they ridicule their allies with malicious emotions. This is fragility. Through various interviews with young literary and art leaders and their self-reports, we call for a better society. Everyone tries to catch more things in this world. Wealth, honor. But no one can grasp the most fundamental thing, his own life.

In a sense, the concept of fatalism is not negative. Sometimes, it can even be regarded as optimism: since fate has carefully designed for us and respected life, it is worthwhile to come here.

The 17 issue of The Fate of Carp went on the market in March, which brought an in-depth interview with david mitchell, the author of Cloud Map, and koren McCain's most satisfactory work, Everything is Destiny in this Country, with the exclusive debut of Carp. Do you want to believe in the "life program" set by God?

David mitchell | Interview

The only honest answer is, "I don't know if I believe in rebirth" ... in life, I think fate is a less useful concept. Do you want to be a passive robot, programmed by something the size of the universe called "God" or "history" or "destiny"? No, thank you. I prefer that individuals and countries have the ability to decide their own destiny.

Colleen McCain | In this country, everything is doomed.

"Father is very quiet. I want to go back to the barn and wait for the rain with the tip of my tongue. I'm wearing Steve's jacket, but I'm cold, wet and still shaking. I was frightened because Stevie and the packhorse would die, and since everything in this country was doomed to die. "

Shu Qiao | "Warm"

Is everything over? No, I just think this is just the beginning. Although I have a heavy memory, I can still bear it. Perhaps no one believes that my mood at the moment is actually calm and calm.

Go, go, go | Jing San's story

She remembered the night before. The night before, she stayed in the bathroom for a long time, with mint-flavored foam rolling in her mouth and feeling much better. Then she put on her pajamas. The pajamas showed no signs of waiting to be taken off again. She stood quietly behind the door for a while. Then hold the ball of the door lock, open the door and let him in. The time is one thirty.

Li Shu | The Curse of the Wife

William is still lonely; Liang later took a new love in Baise and left angrily, and their marriage broke down; Cao teaches at Shenyang Agricultural College. After her divorce from her husband, she never married. Lu Xiaoman lingered on his sickbed, fighting opium. After Xu Zhimo's death, she and Weng Wurui lived together awkwardly and suffered endless spiritual destruction. As for Mr. Jiang Menglin, in a few years, he will eventually fall ill and die because his third wife cheated him of his property, which seems to prove Jiang Dongxiu's idea once again: screwing around will not end well!