Kneeling for the plot of the movie "Mobile Phone" plus film review.

Plot: Yan Shouyi, the famous host of "Let's Talk", left his mobile phone at home when he went to the TV station to host the program. This little mistake made his wife discover the secret between him and a strange woman. Recalling her husband's smile on TV, he came home in a trance: talking outside, but not telling her anything, and his wife seemed to know everything. The wife filed for divorce. The story centers on the mobile phone and unfolds some urban emotional stories. ...

Film review:

"All mobile phone holders are free", which is the propaganda language of the movie poster of "Mobile Phone". What is interesting is the usage of the word "exemption". Only by watching the whole movie will you know that this is not a typo, but contains an exhortation. Correspondingly, this film only uses a very limited narrative (although Feng Dao said it is well narrated), editing and photography skills, costumes and artists are also quite restrained, and even the well-known "Feng-style teasing" is very economical, so it seems that the investigation of it can only stay in the ideological significance of our current society, that is, its practical value.

Without the target audience, there is no real value of the film, so we must first find out who the target audience is. Mobile phones, the product of modern social technology and civilization, are now almost available to everyone, and "all mobile phone holders" are also mentioned in the propaganda of the film, so the probability that the logic of the film itself is almost equal to the logic of the real world is very small. This shows that the director's ambition is too great, and he should take the whole society as his target audience. Understandably, the film points out from Murphy's mouth that your mobile phone is full of secrets; In the real world, who doesn't have some secrets in their mobile phones? At this point, the director has reached a tacit understanding with the broadest audience (the audience does not want to have such a tacit understanding), thus truly locking his target audience in the whole society. Therefore, the practical value of this film has become very realistic, even making people breathless. The film still borrows Murphy's words, "It's too close, too close". Therefore, this is a film with a rather heavy theme, which can even be said to be depressing. So, what is the practical value of this film? In my opinion, it is mainly privacy and lies.

What do you think of the theme of privacy? The film first explains the history of Yan Shouyi, and then has subtitles. The first scene after the subtitles is that the mobile phone signal sent to Yan Shouyi instantly passes through the vast space and is transmitted to Yan Shouyi's mobile phone. This description is reflected in the movement of the camera, and then we see a magnificent lifting lens, which reflects a gross invasion of privacy. Judging from the following scenes, I heard that it is more practical to carry it. Therefore, the mobile phone is the carrier of keeping a person's privacy strictly. At the end of the movie, the same camera action is repeated again, this time following Yan Shouyi's frightened expression, which violates his personal privacy and causes him considerable psychological trauma. This theme is reflected in many details in the film: for example, Yan Shouyi always forgets to delete the records of phone calls and text messages that he thinks are private, and he has to hide in the toilet when making phone calls. He has repeatedly opposed Shen Xue to tidy up his handbag, and even the photos of his ex-wife and son need to be kept by Murphy and others. But overall, mobile phones are still the main reserve of personal privacy. This theme is also an unavoidable theme for most people in the real world. The word "privacy" is interpreted in Modern Chinese Dictionary as "private affairs that they don't want to tell or reveal." Privacy can be a specific behavior in life, or a person's mentality and so on. Privacy is a citizen's personality right, and its content is freedom of personal life, and interference by others is prohibited. However, in real life, our personal privacy has repeatedly encountered embarrassing scenes. Although the so-called personal privacy of the protagonist in the film should be morally condemned, it is undeniable that it is still privacy, and it still has the antagonism of "privacy"-one side wants privacy, and the other side tries to spy on privacy-it is precisely because of this confrontation that the scene of marriage tragedy appears, and it is also because of this confrontation that another theme of the film appears: lies.

Yan Shouyi said in the film: If you want to tell the truth, I'm afraid you have to go back to the era of body language. One thing is certain, we can't go back to the era of body language. Thus an interesting syllogism appears: in today's society, we can't tell the truth. This may really be Yan Shouyi's habitual thinking logic. He is a person who is good at weaving language and has the habit of telling lies. When Yan Shouyi got a call from Shen Xue in the delivery room of the study room, he said without hesitation that he was in a meeting. This is a very meaningful scene, which is more meaningful than the scene where he received a phone call at the planning meeting: on the one hand, we clearly see that lying has become a habit, even ignoring the contempt of his ex-wife; On the other hand, we can also see that he lied out of his instinct to protect his privacy. He didn't want Shen Xue to know that he still kept in touch with his ex-wife. Here, we see the internal relationship between privacy and lies-privacy is the origin of lies, and lies wrap privacy. More than that, lies not only wrap privacy, but also condone privacy, and then exaggerate privacy, leading to more lies ... Lies and privacy make privacy a sore throat and always remind the parties not to forget their privacy, so it has occupied a considerable proportion of the total daily output of language in our era. Now that it has become a phenomenon, we can no longer condemn it blindly, but face it squarely. The film's presentation of this phenomenon is only superficial, and it is important to understand the life under the surface. How do you know? There is such a lyric in the film: three catties of cattle, three catties of cattle, your daughter-in-law is Lu Guihua, and Lu Guihua asks you if you have come home recently? This lyric appeared once at the beginning of the film and once at the end of the film, thus forming a ring structure, or reincarnation. When the lyrics first appeared, it was a confession of Yan Shouyi's pre-history, but when they appeared for the second time, it was already Yan Shouyi's psychological reincarnation. He told us that in human society, the progress of science and technology does not necessarily bring about the development of human nature.

"I still want to dig deep into life as always, and even expose the scars of life." Xiaogang Feng said so. Indeed, this is the first time I have seen a film that can have such a strong interaction with real life. No matter how life ends, I still hope that the more such films, the better.