Only famous calligraphy must be cleaned up.

1946, Yu Shaosong's Poems of Leng Tang Ke was published by Zhejiang Culture Printing Company, and Yu Shaosong's poetry collection Reading Poems of an Old Friend Huang Huiwen was published in 1938, which made me sad, but I didn't say anything:

Who advocated distinguishing between China people and foreigners? Empty negative talent, fame, faith, sadness.

It's really prescient to miss the chaotic king, but it's too late to learn singing from me.

Be prepared for danger in times of peace, think and teach, and stop poetry when you are poor and sad.

It has been a masterpiece for 300 years, and future generations will never forget it.

If you are a gentleman, do you just sing in poetry and leave a blank name after death?

It means forgetting words into quatrains, and seeing friends in old age.

I am ashamed to go back to Gao Shi, and my time is spent on Fan Juqing.

Idle exhibition of tears, Tianya grass has been reborn.

Huang Huiwen, known as Huang Jie, died in 1935, and Yu and Huang did not recite a poem. This work is a sad story of Yu Shaosong's reading of Huang poetry, which contains many inscriptions. Yu Shaosong recalled the past and wept bitterly. In the inscription, he blamed himself: "Jun died in Hangzhou and couldn't stop by." Your husband's son-in-law Li made a speech afterwards. In particular, the time and frequency of Zuo's phone call "Please invite me to visit our home" made him feel sad. Your ambition is not inferior to Zhang Shao's, but from a paradigm, you are really a bad friend. Why are you pregnant? "As Huang lay dying, he was still entrusted to Shao Song, who called Huang his best friend. This shows that they have a deep friendship.

Huang Jie, 1873, was born in Shunde, Guangdong. His real name is Huiwen, the word Yukun, Xichun, Jianjia landlord, and Ganzhutan stone washer. At the end of the Qing Dynasty, Zhang Taiyan, Ma Xulun, Liu and others founded a preservation meeting of Chinese studies in Shanghai, published the series of Fengyu Mansion and the Journal of Ancient Society, and founded the Journal of Chinese quintessence, which expounded the academic tradition, advocated the people's righteousness and extended the civil rights. After the Revolution of 1911, he served as an inspector of higher education institutions in Guangdong. 19 17, Huang Jie was hired as a professor at Peking University College of Literature, specializing in China's poetics; 1928 was hired by Li as the director of Guangdong Provincial Education Department and the director of Guangdong Provincial Records Museum. /kloc-in the autumn of 0/929, he continued as Professor Peking University and the tutor of Tsinghua Research Institute. His works include Poems on Building Together, Poems on Theme, Elegant Change, Notes on Yuefu in Han and Wei Dynasties, Poems on Wei Wendi and Wei Wudi, Poems on Cao Zijian, Poems on Gu Tinglin and Poems on Qin Zhou. It can be seen from the brief introduction of his life that although Yu and Huang have different academic pursuits, Yu devoted himself to history, especially local chronicles, and was good at painting and calligraphy. Huang is committed to preserving the quintessence of the country and is good at melody. They have many similarities, and their life trajectories overlap in Beijing and Guangdong.

According to "The Pavilion", Yu and Huang met in the early years of the Republic of China, but the exact time was not mentioned. Xuan Tong (19 10) In the autumn of the following year, Yu Shaosong returned from Hosei University in Tokyo, Japan, and served as the director of the foreign affairs department on the recommendation of Biao Liang Bojie 'an. 1911On June 4th, Beijing Huguang Club held the inaugural meeting of "Xian You Hui", with Yu Shaosong as one of 70 sponsors. According to the record of 19 1 1 month 10, the members also elected the promoters of 18 province and the Eight Banners Branch, including Tang, Ma Xulun and Chen from Zhejiang, and Lun Ming, Yao Zifang from Guangdong. It should be said that both Yu Shaosong and Huang Jie are members of "Friends of the Constitution", which provides a platform for their friendship, but there are not many written exchanges between them at this stage.

Among the existing materials, Yu Shaosong's Diary of Chunhuitang mentioned the Yellow Festival for the first time in February 19 17: "The handwriting of a natural monk shown by Qian Zixian was actually discovered by a monk named Huang Huiwen in Jiu Feng. If you look at the seal, you will see that an old man is blind in the class, and the blind class is Jiu Feng. I haven't seen the previous inscriptions and postscript. March 4th: "It was the Sun Fairy who wrote poems in Lingnan, knowing that the Blind Monk Hall was posthumous title who was born a monk, but he misheard me. "April 15:" At 9: 30, Tang Dingzhi, Hu Zixian and Huang Hui heard about it, and Zhi Ding's painting March in the South of the Yangtze River was a small gift. " Then, on April 22, Yu added, "It's a big sigh that Tang, Hu Zixian, Huang Huiwen, Lin Zaiping and Yin Yaoqing came to talk about bribery cases. "Huang Jie is also a member of Xuannan Painting Society, but there are not many things about Huang Jie in my diary during this time, and in the next two years, there is no mention of Huang Jie in my diary, which shows that Huang Jie is not keen on participating in the activities of Xuannan Painting Society.

It was not until1919 April 15 that I remembered again: "I talked with Wang Liangchou and Huang Huiwen for a while today." It can be seen that the friendship between Yu and Huang is not in calligraphy and painting, but Yu and "talk quickly" must have other topics.

After reading the diary of Yu Shaosong 1922, I know a little about the friendship between Yu and Yu. On February 27th, Yu said, "In the library, I talked with Shi Youru, Huang Huiwen and Che. Wen Zhong Biao Bo often said that poetry is rare. So I want to delete the teacher's poetry anthology and the uncut manuscript. In the future, I will copy them with Xiao Si as my family's collection. "

March 1 1 Diary: "At about 2 o'clock, the Dharma Museum was revised, and Huang Huiwen read the collection of our festivals and asked him to consult with Zeng to take it, expressing his admiration for his loyal poems, but his most proud pupil, so it was also attached."

In April 1 1, I wrote again: "Huang Huiwen sent me Jie 'an's revised poems and signed dozens of them." On May 25th, I wrote again: "I sorted out Liang Jiean's poems that day. In order to collect records one by one, I copied three catalogues at night. "

On July 29, I also remembered: "I got up early to pay my respects to Liang Zhai, thinking that I was jealous of my life, so I wrote the manuscripts of My Legacy Poetry and Huang Huiwen's proofreading Liang Shi and asked him to edit them."

At this stage, Yu Shaosong was sorting out and proofreading the poems left by Mr. Jie 'an, and the theory of poetry was highly praised by Ding Fen, whose poems emphasized the Tang sound. He thought that "there was no such thing for 300 years." Huang Jie, Liang Jie 'an, Zeng Zhe 'an and Luo Ti 'an are called "four families in eastern Guangdong", but their attitudes towards each other are different. Among them, Liang is particularly important to Huang, one is an old school and the other is a revolutionary pioneer. If the stand is clear, it can be said that the barriers are clear, but it still does not prevent Liang from paying attention to Huang's poems. Yu Shaosong's appreciation of Huang Jie's poetics also shows that his contribution to Huang Jie's poetry is various.

Chen Sanyuan once commented on Huang Jie's poems: Wang Yujiang's Notes on Poetry since Guangxuan recorded that when Chen (1933) entered Beijing, the gloomy smell was the quality of the whole manuscript, and the original prose was amazing. He tasted the positive cloud: "If I had known I could smell the poem, I didn't know its poetic power was so deep!"

The following year, Sanyuan old man wrote an inscription for the Yellow Festival, "Poem of Jianulou": unique, innovative, wonderful, intentional, secluded, solitary. Zhuang Sheng, a god,' If the skin is condensed with snow, it is graceful as a virgin', and Ling Du is called' a horse that flows forever', which is poetic. In early spring in JOE, people read it at 82-30.

The seven suspected methods in the volume are superior to others. If they are effective in ancient times, they must be compared with others. They are not as good as others, so they pretend to be postscript.

The Yellow Festival is the most worship of Chen Houshan, engraved with Xiao Zhuan and written "Houshan". However, the old man said "worse".

In Wang Bijiang's Collected Works, Huang's praise is: "I once taught in Beiyong, and communicated with poets in old Beijing, such as Chen, Zeng Xijing and Luo Tianzong. And my poems are getting higher and higher, and my names are getting richer and richer. Everyone in the northern and southern poetry circles knows that. His poems are full of throat, thin and lonely. There are ethereal thoughts in the place where they blend in with the scenery, and what makes people deeply moved is in the whole article, which is difficult to extract. " The yellow festival itches on the table for a long time, and its reputation is increasing day by day. For example, Zhu Ziqing, a famous writer and scholar, is also his disciple and often asks him for advice.

Liu, a fellow countryman, wrote in The Teahouse and the Legacy of Huang Huiwen. When he was in zhejiang comrade Museum, he went to see the Chen You pianist. Teacher Chen said that your curator has a friend named Huang Huiwen, and his poems are great. Again, I have repeatedly stressed that Mr. Huiwen's poems are not generally good, but rare good friends.

Huang Jie is good at poetry and is highly respected by Yu Shaosong. Later, because of the fate of the poem left by Mr. Jie' an, they became bosom friends.

Before 1937, Yu Shaosong didn't write any poems, but in the period of1921-kloc-0/933, there were as many as seven poems for Yu Shaosong or poems related to Yu. 1927, when Yu Shaosong lived in Tianjin, Huang Jie wrote a poem "Send Yu to Tianjin in the rain on June 22nd":

Don't think about what was written in early summer.

Close to Jingu Road, a day southeast of Jianghai.

People's happiness turns into seclusion, which is like summer and autumn.

Is it really that the birds in the court are floating in the wind and talking to their mothers in the depths of their nests?

At this time, I left Beijing for just over a month, and I returned to the south to serve my mother in seclusion. Huang highly appreciates Yu's filial piety.

1June 2, 927, Wang Guowei committed suicide by throwing himself into the lake. On June 3, Yu Shaosong wrote in his diary: "I heard about this because I told Wang Jing 'an about suicide. I was deeply moved by the news. As for my runny nose. The purpose of Jing 'an Gai's martyrdom is different from Huiwen's. Therefore, those who feel sad will feel the decline of the famous religion, and don't want sinologists to have their own people. " The so-called bosom friend, appreciate each other. On the eve of Yu Shaosong's return to the south, he made a fan-shaped landscape as a gift to the Yellow Festival and wrote: "This ignorance and simplicity are beyond my appreciation." People who know yellow, yeyu!

After Yu Nangui settled in Hangzhou, Huang Jie presented two poems on 1929 and 193 1, both of which were titled "Send the Garden":

The old student is so unlucky that he doesn't even ask about the West Lake in his daily life.

Birds are lonely. They have no complaints about winter.

Another kind of cloud:

The flowers in the north are bullied by the wind and snow, which makes people sigh at the sunny branches.

Without Linghan Pavilion, Penmei is afraid of losing the poems of Chu Shi in the West Lake.

/kloc-in the spring of 0/928, Yu returned to an old friend of the Beijing-Tianjin Association, and Huang Zaishi wrote a poem titled "Liang Zhuoru painted landscapes for Yu, Guangdong Garden has come from Yanbei".

If you don't write a good mountain for everyone, the boat will go home after Fuchun.

You don't * * Liang Hongfu is in Wu, but unfortunately it is in February.

Yu Huang and Yu Huang not only know each other in poetry, but also share the same interests in compiling local records. 1928, was hired as the director of Guangdong Tongzhi Museum, wrote to Yu Shaosong, and invited Yu to be the editor-in-chief, which recorded the situation and friendship of Tongzhi Museum at that time in detail.

"... but the museum is far from politics and there are no obstacles, so the safety is not affected. Buju should be in Dongshan, but get back the curator's car to facilitate long-distance travel. This floor can be described as Duan Fu. There are no new poems after arriving in Pingping. It rained yesterday, and now it is autumn. When is the departure date? Ask for a letter first. Hand recovery and praise daily life. Brother's Day is the first day of August 24th.

The local chronicles museum has a monthly budget of more than 4,700 yuan, and now it's really not good to pay 20% off. Therefore, we must get enough funds before we can start. And ... "

1929 65438+ 10/0/6. The Guangdong Provincial Department of Education entrusted Huang Dianjie as the editor-in-chief of the Guangdong Provincial Records Museum. The next day, Yu Shaosong immediately replied to Huang Jie:

..... Gu Diecheng's elder brother didn't abandon him, and finally he didn't dare to entertain guests passively and cut off his friends. When you go to Guangdong after the Lantern Festival next spring, you can learn from it ... that is, it is enough to report to your brother, and you don't have to live in his name.

But in the end, due to the turbulent situation, the road was full of dangers, especially in central Guangdong, so that Huang Jie also left Guangdong to live in Macau, and the funds for the local chronicles museum were particularly insufficient. Huang Jie wrote a letter, please go slow. The local chronicles museum was closed, and Huang went north to shoulder the heavy responsibility of Professor Peking University.

1926, Shanghai Zhonghua Book Company published the first edition of Yu Shaosong's A Record of Painting, with the title page of Yellow Festival and the stamp of "Yellow Festival".

1932, Yu Shaosong's Calligraphy and Painting Guide was published by the National Beiping Library. This book is specially designed by Huang Jiebu, with Lin Zhijun as the preface and Liang Tingcan as the postscript.

Yu Huang often writes letters. The last time they met was in the autumn of 1934. On October 7th, 65438/KLOC-0, Yu Shaosong revisited his old place and went north to visit his old friend. Huang Jie and Lin Zai both went to the station to see him off. After more than 20 days, Yu Huang and his wife met almost every day. No.8: "After drinking Xinfenglou, I have to meet a gentleman in a Chinese book. After drinking, I will go to Huiwen's house to talk and return to the apartment at eleven o'clock in the evening. I will be rewarded with many old paintings. " 9th: "After returning to China, I learned that Dai Junliang came, but I heard that Yi 'an also came. The conversation started at eleven o'clock." 13: "I heard." 15: "I went to Yi 'an and Huiwen, and talked with Huiwen for the longest time. 17: "I went to listen to my parents chatting until noon, and I heard that Yang Lianfu's calligraphy poems were very fine. The first six words' Mrs. Jiangshan Yue Feng' were quoted as the title, which was quite different. "Chat for a long time every day.

10, 19 June, wrote a poem for Yu's "Returning to the inkstone building to entertain guests". "I have been to Huiwen, but I haven't written many poems recently, so I call myself a poet. Today, I wrote a poem for Yu's Entertainment Atlas. The poem says:' Bak Yan's literary talent inspires me to sing. I have cleaned up my talent and calligraphy, and I am old enough to learn your language. "That's very kind and delicious."

10 On June 26th, the Yellow Festival presented another chapter in Yu Shi: "I visited Huiwen this morning, that is, I ate fish and raw porridge at home. I was disappointed to hear that Yu Shi would come back. I offered a poem saying,' Last night, the chrysanthemums were cold and the flowers were eager to stay. Chrysanthemum in the West Lake originally bloomed in autumn, only in the north and south of the river. In front of me, there is endless lust and joy, and it is rare to go through troubled times. At that time, the low mountains pressed the eaves, but now the promenade is towering. In eight years, this place has moved, and the country is frozen in spring. Frost dew leaves are weak, so you can lean on the handrail today. Don't thank Bao for poetry, and don't save your hunger with wine. Poetry is inseparable from wine, but it is a pity that purple crabs are not three. In the past 20 years, Yanshi has protected itself, and sea bass is thinking about watering and cooking every day. The white fish in the bear's paw is very beautiful. How can it be used as a burnt orange? "The beauty of this poem is beyond the understanding of the sages at that time. I'm glad to hear that I received a gift from the printed color box of Yuanming porcelain, so that I can always remember you and feel it. "

On June 29th, A.D. 10, he wrote an inscription for Li Wenji collected by Huang. "I heard that Li You has a copy of the Filial Piety Draft, which was given to me by Ye Yuhu. Zhang Daqian told me it was a fake, and when I heard it, it was a boutique. Such as the title:' This book is popular with pens. The day before yesterday, I read A Brief Introduction to the East Sacrifice written by Shia, and the cursive script was the same. I watched two Shia's plays in three days, which was pleasing to the eye. The grass on the west cliff is extremely strong and thick, and a pavilion continent has emerged. Today, people only know Tingzhou, but don't know Xiya. "

At noon the next day, Yu and Huiwen ate in the Yuxuan of Central Park: "I was blocked by Yu, and more than 30 people drank with Yu one by one, so I dare not retreat. Today, I drank a lot. Fortunately, I am not drunk, and you treat each other well, which makes me unforgettable. " After recovering from drinking, I took a photo with you, Li Sheng, Pingfu and Shen Sheng and talked for two hours at the waterside pavilion. I was very reluctant to part with you, and I was particularly impressed. "The first five people in Yu Xuan took a group photo, which is also the last photo between Yu Huang.

1October 3 1 8: 00, Huiwen bid farewell to Yu Shaosong at the station. When I arrived in Tianjin, "I heard the evil of books and gave a poem saying:' I have not finished talking about the country's major plans and plans, and I have already shed tears. When the Ming Dynasty bid farewell to Gao Shi, I looked like a drunken Li Yuan. "I'm afraid of reading, how dare I hope to return to Gao Shi? However, I was so grateful that I cried. " I don't want to say goodbye, but it will be a farewell. Because the Yellow Festival is approaching, I will not write poetry. Perhaps this poem is also his last poem.

1On October 24th, Yu Shaosong was deeply saddened by the news of Huang Jie's death. He wrote in his diary: "Li was so sad that he burst into tears when he heard about Zhejiang." This is the first confidant in his life, and his love and affection are beyond others' reach, completely out of his sincerity and nothingness. I haven't been drinking for a while, and I still can't sleep at 12 because I sent a telegram expressing my condolences. Hu Zixian called me from Tianjin and told me that grief came from it and he couldn't control himself. Alas, I am deeply impressed by this. My friends and friends have never been deeper than this. "

The next day, Yu Shaosong got up unconsciously and wrote a book about the deaths of Chen, Luo Fuan, Lin Zaiping, Hu Zixian, Li and An. I've never heard of it in my life. It's morally self-sustaining. My poems are unique and unparalleled. I should be praised to show my knowledge, because I have worked with the public in Shu Ren. I was going to paint today, but I'm still very sad and have no interest. The smell of meditation and gloomy past friendship can't help but die! As the ancients said, you get a bosom friend without complaining. Now my bosom friend is safe! It hurts!

Yu Shaosong wrote Wan Wenhui: "It is wrong for the world to praise China, and it is better to be immortal; I have a sense of justice about life. I am at home. Who am I going to spit on? " Yu Shao-Song knew that he was slow, Wen Ping was overstocked, and he was extremely depressed behind him. To this end, I wrote to Ye Gongchuo and other old friends and asked them to arrange their funerals.

65438+1October 27th, Yu Shaosong wrote another couplet, moire: "I can't say enough about the national plan, but I can't stand it alone, and I can't bear to remember the sentences that Qi Lin often gives; It is even more painful to talk about harmony. And the postscript goes: "Two months ago, I visited my old capital and formed an indissoluble bond with Gong Hui. "I gave you two poems when I left, and then I gave you something. There is a saying that "tears are in the coffin before the national plan and physical plan are finished", and there is another saying that "only when I am famous, I have to tidy up my calligraphy and learn your language when I am old." "It's sad to read ink. The meaning of the former couplet is not complete, because it is more connected with its sentences, which is still not enough to express my sorrow. " At this moment, we can see the pain of Yu Shaosong losing his friend.

After Huang Jie's death, the memorial service was very grand, almost approaching the standard of state funeral. It seems that before Mr. Lu Xun was buried, there had never been such a magnificent scene in the Republic of China.

Huang Jie returned to Daoshan for more than a month, and arrived at/kloc-0 in March 65438. On April 9, 935, Yu Shaosong went to Guangdong. This time, Yu Shaosong's trip to the south was also to comfort his children for the funeral of Huang Jie, so his son-in-law Li also went with him. On the morning of March 6th, Yu Shaosong arrived in Guangzhou by boat, and Cang Ping's third daughter and Huang Jie came to the dock to meet him. "I heard that Zi Tianxing is quite honest. His eldest daughter has not been married yet, and his second daughter, Liu Shaoqi, is Shao Qing's wife. The younger daughter, Shao Jia, is still waiting for words. She will stay in Xinya Hotel for a while, just to send a telegram to inform her mother, so as not to be kind. " Yu Shaosong lived in Huang's small painting workshop for more than forty days.

During my stay in Guangdong, 12 March: I came to talk to Li for a long time. Because he heard that the mountain was settled, the library also allowed books, and everything else went its own way. He made a special book with Chinese books and Yi Chu. Tomb raider Chen Xian came to see you, and Shao also came. "March 25th:" Li Lai discussed the matter of burial. Madam has written with Dazhong, Yi Chu and Ping Fu, and promised it.

With the help of friends, the cemetery of Huang Festival has been selected, and the books left by Huang Festival have been handed over to Guangzhou Library for collection. Other Yellow Festival affairs were also arranged. Yu Shaosong settled down to write to his friends Chen Zhongshu, Ma Xulun and Ye Gongchuo to inform them of the handling of Yellow Festival affairs. Bit by bit, Yu Huang is kind and sincere.

The epitaph of the Yellow Festival was written by Lin Bing, Zhang Yuhang. Elegy: The red symbol is the symbol of Chen Fu, and Yan Zi is the attacker; Although Huang Chu is chaotic; Guan Sheng still wields a hoe all day. 1935 65438+ On February 4th, Yu Shaosong was the epitaph of Huang Shudan. He said in his diary: "I am not ashamed to hear about the epitaph of the book, but I am determined to write for Zhang Taiyan, and my writing style is excellent." I am sorry that I showed more about his life. " The epitaph was compiled by Zhang Ertian in Qiantang.

From 194 1 year1month 17 to 20, my mother is 80 years old. Although Yu Shaosong didn't dare to tell his relatives and friends, the quartet had long anticipated it, so he made a collection of poems or made a picture to wish him well. Birthday gift to mother's adult, very rewarding, like to move colors. However, Yu Shaosong wrote in his diary: "I recall that when Ci Shou was sixty or seventy years old, poems and paintings from all directions reached the company. At the age of sixty, the worst was more than 1,200. At that time, Wu Changshuo, He, Liang Rengong and Huang Huiwen were still alive, so they got the best. " Recalling the past of an old friend, Yu Shaosong is unforgettable.

As I wrote for Yu's "Returning to the inkstone building to entertain my relatives", "Only talents can learn calligraphy and learn language when they are old." Yu and Huang met because of their physique, became attached to each other because of their poems, and met because of their feelings. That gentleman is frank and sincere, and they are worthy of being the first bosom friends in life.