Deyun Club caused trouble again, and the program was immediately stopped due to its vulgar content. How did Guo Degang respond?

When talking about cross talk, you have to talk about Deyun Club; when talking about Deyun Club, you can’t talk about Sansu. The three vulgarities refer to vulgarity, vulgarity and kitsch. Teacher Jiang Kun proposed that the three customs should also be opposed in the field of cross talk. Some people say that he is targeting Guo Degang, but who knows.

There are indeed some kitsch phenomena in the cross talk of Deyun Club. No, something happened to Deyun Club again. During the special performance in Suzhou, two Deyun Club actors were on stage twice. The first time they imitated Thai-style movements, they were reminded by supervisors. The second time they showed some bad implications and were stopped directly.

Guo Degang is to blame for the occurrence of such things, because of his teachings.

There is no big or small on stage, but there are rules off the stage

Guo Degang often says this sentence, which means that there is no big or small on stage, and there is no sense of proportion. However, you have to behave yourself off stage. This is originally an old saying and has merit, but the disciples' understanding is different.

Just like what these two actors do, there is no size or sense of proportion on the stage. People in the audience, especially children, may be affected, so they will be stopped by supervisors and eventually end hastily.

This may be because Guo Degang did not notice it during his usual education. He often said that he was not elegant enough. Every word was an allusion, and the listener needed a high degree of cultural accomplishment.

Not even the vulgar. If you go on stage, you will pee your shit. If you go on stage, you will act coquettish. It is definitely inappropriate. Therefore, you should be rewarded by the refined and vulgar. This sentence is not wrong in the first place, but the understanding of the disciples, This may not be the case.

In order to cater to the audience, I saw some people deliberately making some coquettish movements or exaggerated expressions in order to interact with the audience. There is nothing wrong with this, but everyone must be taken into consideration, including children. After watching it, will you learn? If I follow suit, will I be laughed at by my classmates?

Adults know whether something is good or bad and have a strong ability to distinguish. However, children are not good at it. They feel that this action has not been learned before, so they imitate it out of curiosity. This happens in school. The action is definitely inappropriate.

Be sure to make it clear to the disciples in the audience that there are certain rules on the stage, and it is not something that can be done casually. When interacting, you also need to be careful, hug, and don't get immersed in excitement and ignore it.

Luan Yunping is the vice president, responsible for performance arrangements, and Gao Feng is the chief instructor. He needs to strengthen the actors' moral cultivation and learning of rules, and they must keep the word "virtue" at heart.

Deyunshe convinces people with virtue. Although no one can compare with Deyun Society in the current cross talk commercial performance market, training in this area must be strengthened so that everyone can listen to cross talk with peace of mind and interact friendly with the actors.

Moral cultivation must be strengthened, and correct guidance is more important

The actors of Deyun Club need to strengthen their moral cultivation, and Zhang Yunlei is also an example. Although some people say that Zhang Yunlei was framed, there is nothing he can do because there are so many famous people.

Qin Xiaoxian, Zhou Jiuliang, Meng Hetang, Luan Yunping, etc. who came out are all very good in moral cultivation. As a "widow", Yan Hexiang himself is devoid of desire and has good cultivation, which shows that Deyun Society has training in this aspect.

After training, some actors may feel that this is a small theater, not a TV station, so they can relax. To put it bluntly, it leads to performance accidents. This is the actor’s problem and cannot be tolerated. To deny the entire Deyun Society because of one or two actors would be to make the mistake of generalizing.

In the process of improving actor quality, correct guidance is more important than anything else for children. This guidance is what parents need to do, what teachers need to do, and what all levels of society need to do.

Parents should inform their children that this posture is an action on stage, just like Xiao Shenyang’s girly appearance. It is only suitable for doing this on the stage. It is not allowed in real life because it will cause misunderstandings.

The teacher told the children that it would be better not to pay attention to some things.

Ignorance is the greatest contempt. There is no need to learn or look at such actions. Even if you look at them, you don't need to keep them in mind.

Of course, it’s better for the teacher to let nature take its course. Sometimes, the children may not be able to think of that level yet, so the teacher makes a special point and asks the children to pay attention. The result is that the children pay special attention to this. matter.

This is even more true in society. Society is very simple, but people are complicated. If such behavior occurs in a social environment, it is normal. You must maintain a good attitude and do not treat it just because someone has something. Just follow this behavior.

Children are the flowers of the motherland. The vigorous growth and brilliant blooming of flowers require the joint efforts of many parties. It is not just the gardener, but also the fog, water, thunder and lightning. Only then can the flowers bloom. Be more beautiful.

If the flowers are in the greenhouse, they will be blown off by the wind when they go out, and they will be frightened when they hear thunder and lightning. Will such flowers add beauty to the edifice of the motherland?

Of course, literary and artistic workers should also take care of flowers. Flowers also need nutrients. The knowledge and nutrients provided by literary and artistic workers are irreplaceable, so they need to create with heart and express kindness, but you can't pass all the responsibilities to them, right?

The scale must be controlled, but it cannot be too rigid.

When talking about cross talk, you have to think of things that the other party has not thought of, so as to attract others. If others think of everything first, they will They will look down upon you, and they will look down on you the first time and not come back the second time.

This is the value of commercial performance. You can always hear what you can't hear, and this is the charm. Nowadays, Deyun boys and Deyun girls sometimes go to small theaters not to listen to cross talk, but to interact with the actors.

This is also a star-chasing model, which was also introduced by Guo Degang. It is a different commercial performance model that started when he was in a small theater. At the beginning, they sent flowers, and then they gave small gifts. When it came to Qin Xiaoxian, there was basically everything, only things that the actor could not think of, and nothing that fans could not give.

During the performance, there is another link, which is the interaction between the actors and the audience. Many Deyun girls remember Zhang Jiunan. He was the one with the "mad dog-like" performance style, who irritated the audience and was not afraid of sealing the box.

Normally speaking, there is nothing wrong with such a performance, because both aspects are acceptable. This is the control of standards. If everyone can do it, then there will be no problem.

Of course, when performing, you can't be afraid of the wolf in front of you and the tiger in the back. Sometimes, you need a little bit of driving baggage to make it sound. Guo Degang once said: I only account for 20% of our success, and the remaining 80% is contributed by teacher Yu Qian.

Both it is Yu Qian’s father, Mr. Wang. She is Yu Qian's daughter-in-law. Everyone is happy to hear her, but no one takes her seriously. Just like there is a popular saying now: people who listen to rap are afraid of hearing swear words, people who listen to rock are afraid of being too rebellious, and people who eat hot pot are afraid of spicy food.

The actors on the stage cannot choke and lose their vitality or vitality just because one or two people said the wrong thing. They are just like traditional cross talk artists. They stand on top and two people sing and talk in harmony. It’s over, I’m bowing down. Are you feeling energetic or not?

This is also one of the reasons for the decline of traditional cross talk back then. This is the reason why everyone is reluctant to listen to cross talk. However, you may still remember Luosang. His and Bolin's wonderful performance in "Quyuan Miscellanies" won the favor of many people.

The cross talk performance style of the two of them is comparable to that of the current Deyun Society. It is not only the speaking on the stage, but also a lot of effort in it, which is more capable. It’s not just two people saying the lines they’ve memorized.

To develop the art of cross talk, it must be bold and innovative. Li Dan once said to Qian that he had not heard Xiao Yueyue’s cross talk for a long time. He had left the cross talk stage before, but teacher Qian Qian said, Already working on it.

The charm of cross talk stage art lies in continuous output, and you cannot lose your enthusiasm just because of some people. Yang Mi once said: I will not lose my enthusiasm for doing things because of the opposition of someone or some people. Because I have experienced much more than you.

In other words, you don't deserve it!

Written at the end:

Deyunshe is the current cross talk group. There are many powerful cross talk actors in it. The captains of each team are all outstanding people, such as Zhang Yunlei, Yan Hexiang, Luan Yunping, Meng Hetang, Shaobing, etc., they have been moving forward with their own teams.

On the way forward, you will naturally encounter ditches and landslides. At this time, don't be upset, let alone sad. What you need is to see if there are roads around? If so, can it be detoured?

There is really no way out, and there is only one way to go back the way we came. There is no need to wait or fight to the death. As the saying goes: All roads lead to Rome. There is no need to sink into small ditches and rivers. In this case, the layout will be too small.

Guo Degang is also a person who has experienced great storms. Cao Yunjin and the other four Deyun sons left, but they did not destroy the Deyun Society. After that, he started a new journey. This little flower is not considered a storm. He can handle it.

Deyun society is getting better and better, at least Qin Xiaoxian is good! Do you like Lao Qin? Besides him, who else do you like?