The first five elements of net text

1 suspense

2 conflict point

3. New ideas A, ingenuity B, supporting the overall situation C, so that readers can accept it.

4. Character A should be prominent, and fewer people appear in the early stage of B..

5 a good starting point

1, there must be suspense at the beginning.

It is acceptable for suspense to appear within 10 thousand words, and then it is better to hang it at the end of each chapter.

It is within the first 30 thousand words that there will be an orgasm.

This suspense is related to the main plot and affects the development of the story or the fate of the protagonist.

2. There should be a conflict point (climax) at the beginning

3, innovative, must be innovative, that is, your novel is different from others, but at least let readers accept it.

It must run through the whole text, at least it will affect the whole plot of the novel.

Only a true god can create a system or a trend by himself, so I don't recommend newcomers to write too new things.

It's best not to create ideas indiscriminately, or you'll die if they don't catch on.

4, people: personality must be prominent.

Keep the characters to a minimum from the beginning, so that the reader's perspective can gradually adapt to the protagonist, and then lead to other characters.

It is important to have a stable personality.

5, the breakthrough point:

Its starting point is divided into several parts: the first is time (the day after crossing), and the second is identity.

Specifically: time, place, people, this can be extended, unlimited.

Open point

First of all, it is particularly necessary to mention waste logistics, rebirth and crossing. This is the hottest topic on the website at present. When it comes to a great father or family, the son of a loser, the protagonist wakes up and looks around stupidly. "Where am I?" Am I not dead? "For these three elements, I will basically attach a sentence:" This article will be saved! "

I didn't mean to hurt the author's confidence. Personally, plagiarism and following the trend are recognized. For newcomers, following the trend can easily bring considerable clicks in the early stage. Even the signing orientation of the website is more inclined to follow suit. Because of its commercial value, the works that are slightly passable are basically countersigned, just like when Ghost Blows the Lamp came out, grave robbers prevailed and directly won a series of grave robbers who followed suit, such as Nanpai Sanshu.

Did Nanpai Uncle follow suit? It doesn't matter. After all, he succeeded.

So what's the problem? It is when you need to grasp this theme and have great commercial value in the market that you conceive such a work, which is called following the trend. The popularity of each theme has a time, not an infinite time. At present, the popularity of waste logistics has entered a period of flooding and exhaustion, and readers want to vomit. If you still follow this routine, it is not to follow the trend, but to show that the author has a problem with IQ.

"Old wine in a new bottle" or "new wine in an old bottle" is not plagiarism, just like mothers like watching Taiwan Province province's soap operas. Which one doesn't mean that the housekeeper hooked up with her second aunt and then tried to seize the property, but it's different from countless others? The key is not to copy too clearly. If the reader opens the work a little bit and directly says that the beginning is a copy of Doubu, then he can read Doubu directly. No one will read your novel, so even if you copy it, you need to be different from others.

What is the difference? If you can't write, I'll teach you a way. At first, I directly used a short story as an introduction. Like an author I coached before, I handled it well at this point. When crossing the article, I directly wrote a little beggar who stole steamed bread. He was caught and severely beaten. Then the protagonist squatted in the corner with a crushed steamed bread, crying and remembering that he was a beggar before crossing.

What did the above episode do?

First of all,

Compared with the protagonist's identity, a carefree little white-collar worker in the past life is a bullied beggar in this life, which will easily make the protagonist gain the sympathy of the readers, and then easily make the readers substitute for the protagonist, thus generating interest in continuing reading!

Second, this opening is also a simple description of the protagonist's identity, but his introduction method is more attractive to readers, more natural and faster than the traditional routine of "opening your eyes, the world is very different"!

Then there is one thing I have to say about crossing characters, that is, the way and rhythm of crossing.

Recently, there have been a number of dream-crossing streams, mainly about a young man who had a strange dream and dreamed that a strong man said to him, "Ma Jiajun, you should come back and continue your XXXX", and so on. The most important thing is that an author wrote that the protagonist dreamed of the end of the world, then immediately woke up and sent a group of text messages, called his parents to say goodbye, and then rode back to school to publicize the bad news of the end of the world. ...

This article blinded my dog at that time. Here, I would like to remind everyone in particular that in order to make the opening part relevant and arouse readers' interest in reading, some elements can be added here to make the dream have a certain connection with reality. For example, in the article above, it is normal to dream of the end of the world. No matter how real the dream is, it is still a dream. Just write the protagonist directly.

In order to connect the two, it can be written that the protagonist's doomsday dream is full of blood, and the protagonist really has such a foresight after waking up, so that the two are connected, and readers will not laugh at the protagonist's stupidity, but feel that things are too big. Just adding a small element can drive the overall development and logic of the plot and arouse readers' interest in reading.

Adding elements to novels with various themes is a subject that writers need to study seriously. Because there is no need to improve the author's overall writing level, it can greatly increase the appeal of the opening. As long as you master a few tips, it can be applied to works of all themes.

For example, in order to reflect the particularity of the protagonist at the beginning, Xiu Xianwen described the lightning and thunder when the protagonist was born. In other words, when the protagonist was born, it triggered a war between several strong people. Some people in heaven look down on the world and shake their heads and sigh. Or, a fortune teller pinched his fingers and his face changed greatly. These are the use of elements.

How to use elements to inject interesting points into traversal is just a simple example, which needs the author's own understanding. The way of crossing can also be strange, but remember one thing: the rhythm of crossing cannot be described too much before crossing. Generally, it is a little late to arrange the crossing at the end of the first chapter. Many writers like to describe the protagonist before crossing, being fired, breaking up, being diagnosed with a terminal illness, and then committing suicide. Many people even commit suicide.

What readers want to see is the situation after the protagonist crosses, not the situation before crossing. You can't cross alone, dragging your family with you, can you? Therefore, the story before crossing has little influence on the subsequent development, so I will not mention it in the future. Too much writing is nonsense, which easily affects the rhythm and progress of the opening. Unless the protagonist can travel back and forth between the two worlds in a short time after crossing, it is best to pass by.

However, it is undeniable that due to the protagonist's different life experiences and crossing reasons, many crossing articles are mentioned before crossing. In order not to affect the opening progress, there is another way to learn from, that is, to work hard at the starting point and give a simple example.

A crossing article, the protagonist jumps off a cliff and crosses. At the beginning, it was said that the protagonist came out of the hospital, holding the hospital's cancer diagnosis book, and then walked all the way to render the protagonist's inner world, and then walked all the way to the cliff to commit suicide ... How much pen and ink and time does it take to write it down in order? Whether the reader has the patience to see the protagonist crossing is still a question, so it is necessary to find a starting point to directly describe the protagonist standing on the cliff at the beginning.

"Ah ~ ~ Why, why?" Hu Pingyang roared and threw a broken book of liver cancer at the cliff. His fingers trembled and touched the wedding ring on his index finger. The wind blew on his face with a slight drizzle, which made him feel a little cold, completely cold. On the wedding day, when he put on the wedding ring for the devil, he thought he could finish the journey of his life with his beloved. Why, only three days, but he got this?

In just a few words, it shows the reasons, highlights and things that need to be introduced at one time. Why do you spend so much ink?

Cliff, cancer diagnosis, the protagonist in a trance, fools can think of what the protagonist wants to do. In this way, the advantage of the entry point of the work is to leave readers with some sense of expectation, so that readers can easily see the selling points of your work, increase the transparency of the plot, and do not affect the progress of crossing, which can be said to be multifaceted.

So the starting point is good. When writing, the author must know and learn to use the starting point. There was an author who made me read the article and was reborn. The protagonist was reincarnated into a six-year-old royal child. The opening part revolves around the scene of his father's successful return from expedition, and then the protagonist witnessed the process of his father being shot by a dark arrow on his way to town. The story is actually well drawn, but I saw a series of problems in the follow-up of the story.

First of all, the opening theme is not around the protagonist, and there are too many characters involved, which leads to the reduction of the protagonist's scenes. I feel that the protagonist directly turned into a passerby watching the army at the opening, which greatly reduced the sense of substitution at the opening.

Then there is the question of the protagonist's sustainable development. The age of the protagonist is set at six years old, which is an embarrassing age. You may be able to cheat and create something by comparing the protagonist's past life memory with the protagonist's age. But what should I do to find something cool through the opposite sex? I can't write about the protagonist seducing underage girls. I said to four or five-year-old DOG, "If you let me kiss you, I will give you some candy!" Right?

Therefore, the age problem limits the protagonist's ability to make great achievements in many fields. The author needs to consider some plans for the development of the plot. From the age of six until the protagonist reaches adulthood, how much pen and ink does it take to get the reader through the period of no girl bubble and no blame? Whether readers have the patience to follow is another question.

Why set the author's age at six? The author said: Because the shooting of his father directly led to the decline of the protagonist's family and had a great impact on the protagonist's life, I have to mention it here!

But is it true that this matter must be explained to readers through the personal experience of the protagonist, as the author said? In fact, everyone's life has something worth mentioning, just like the plot of a novel. When an author writes a novel, it is as if he needs to introduce the life of the protagonist to the readers, but do you need to start with the birth of the protagonist?

Sometimes the author might as well change his mind and look for a breakthrough point from the place where the protagonist is the most brilliant, from the place where he can win the sympathy of readers the most, from the place where he can best reflect the plot and substitute it quickly. Taking the above article as an example, the shooting of my father directly led to the decline of the protagonist's family and had a great impact on the protagonist's life, so we tried to disrupt the order of the plot and started directly from the place where the family declined.

At the beginning, the second generation of cocky officials in the streets of Beijing were discussing how good Cui Hua was in Zui Xiang Building last night. His cry was so fascinating that he was suddenly hit by a sloppy drunkard (the protagonist). All the rich children lead an honest and clean life, knock the protagonist to the ground and then walk away. The protagonist wiped the blood from his mouth, took a sign in his hand, looked disdainfully and sneered, "Damn son of a bitch!" "

Naturally, through some fragments of memories, readers can be introduced to the identity of the protagonist and why it has fallen to this point today. What you need to pay attention to is that the initial episode makes the protagonist's age not embarrassing. The plot centers on the protagonist. The second generation of the pretentious official also paved the way for the protagonist's first comeback, and compared with the previous prominent family background as a sloppy drunkard, it can better reflect his father.

A small starting point can enhance the sense of substitution, increase the transparency of the plot, highlight the selling point of the work, show what needs to be introduced at one time, and leave readers with a sense of expectation without affecting the progress of the plot.

Therefore, I often tell the author that a good starting point is the highlight of the pre-competition of your work, which can make your work different, because it highlights the selling point of the work in advance and it is easy to retain readers in the early stage of the work. Its importance is self-evident. It is necessary to learn to find the breakthrough point from the place where the protagonist is the most brilliant, can win the sympathy of readers, can best reflect the plot and can be quickly substituted, in order to let everyone.

Someone introduced a successful entrepreneur to his friend.

A: "There is a shit collector in our village called the ancient temple. Then my classmate, who had a crush on the demon in the next class in the first grade, was beaten by Tiger Brother. "

B: "Then what?"

A: "That kid is a foodie. When he was in the third grade, he came to my house to eat rice once and ate all the remaining half barrels of instant noodles that my family ate half a month ago. "

B: "Er ... really edible, and then what?"

A: "He later became a successful entrepreneur!"

B: "Oh!"

Note: when you don't have any selling points at first, even if you are introducing a work with a rather tortuous and wonderful follow-up plot, others will feel bored!

Use the version after the breakthrough point!

A: "The enterprises of the ancient temple were recently rated as the industry flaunt of Guangdong Province! It is one of the top ten richest people in the province, and that person is my classmate! "

B: "No way? Do your classmates get along so well? What makes you rich? "

A: "That boy used to collect dung in the village. In the first grade, he had a crush on the demon in the next class. He was beaten by Emoko and even borrowed a band-aid from me ... "

B: "A excrement collector can be one of the richest people in 10. Isn't this crazy? Did you get back at that emoko after him? Who did the demon finally marry? "

Note: When you reveal the attractive selling points to the readers in advance, even if the story behind you is boring, others will maintain considerable interest in reading!

The brilliant career of an entrepreneur is his selling point. His background is the man who used to pick shit, and his plot clue is how he achieved today through various efforts. If you don't point out the selling point at the early stage and leave readers with a sense of expectation, but approach the selling point by introducing clues and background of the plot, this work will easily lose its appeal.

You need to create a scene that can immediately attract readers at the first time of the opening, which is the skill of finding the right starting point. As long as readers are attracted by your story, your work will stand out from the previous competition and become the focus of attention. The key to the problem is not whether the theme is flooding, but whether your vision and writing ability can tap the commercial value of this theme.

Therefore, the author's thinking should not be bound by traditional ideas, but should think about how to present the selling points of your works to readers as quickly as possible. I believe that every smart person can understand by saying so much and giving so many examples.

This is about how to use the starting point to create an opening that attracts readers. Personal feelings are more important, so I will say more.

.

Here are some common mistakes that new authors should pay attention to.

1, don't replace the reader with your own perspective.

Many newcomers often make this mistake when writing, and at least one out of every three books will have this problem. Because the author knows the plot of the work by heart, he feels that the readers, like him, can immediately integrate into the story at the beginning, so at the beginning, he did not choose to let the readers know the author and the story through the plot, but tried his best to render the psychological changes of the characters and some environmental factors, and wrote a lyrical and dreamy long article. Or add a sad poem, and then start writing that the protagonist is lovelorn, trying to create an atmosphere for readers to feel the same, so that they feel sorry for the protagonist's experience, but will it really happen?

When readers first come into contact with your story, they don't know your story and have no feelings for the protagonist, so what you need to do is how to make readers fall in love with your protagonist through the story, instead of introducing a lot of past events and lyrical memories about the protagonist from the beginning, so that readers can look at your work from your point of view, which will only make readers feel sick. (Most of these authors are fans of the authorities, because there is a saying in the online world. In the eyes of every author, his works are excellent. If he is unpopular on the website, he will always feel that the website has left him out. )