The artistic charm of mobile phone literature

Mobile phone literature is first of all mobile phone short messages, which is bound to be limited by information capacity. Generally speaking, the content of a short message is limited to 70 words (including punctuation marks), which requires mobile phone literature to have the characteristics of short content and strong artistic tension. It can be said that it requires both short content and vivid expression, which in itself reflects an inherent imbalance in literature. At the same time, it also puts forward extremely high requirements for the creation of mobile phone literature.

It is a good strategy to solve this contradiction through serialization. The 4200-word mobile phone novel Outside the City written by the commander and the short message novel Far Away 1008 written by Taiwan Province mobile phone writer Huang Xuan are serialized. Undeniably, these two mobile phone novels have both set a high amount of short messages and achieved good economic benefits. But for a novel, 4200 words and 1008 words can only belong to short stories and mini-novels. According to the content of 70 words at a time, there are dozens of times. If the number of times is increased, it will inevitably affect readers' interest in acceptance. Therefore, even in the form of serial mobile phone literature, we should work hard on the word "short" to seek the internal tension of artistic expression.

In the creation of mobile phone literature, the artistic perspective should be carefully chosen, and there should be no feeling of "fog around", but the power of "killing people with an inch of iron". The artistic perspective of mobile phone literature is the most unconventional and modular, and it is difficult for regular creative thinking to adapt to this literary mechanism. Obviously, mobile phone literature can't be outlined as a whole and comprehensively. Only through excellent viewpoint, clever angle and amazing style can we point directly at the sensitive parts of the soul. The language of mobile phone literature must be wonderful and visually explosive. It's like playing a play, which requires that every sentence has an artistic effect of scratching or stabbing a sore spot. Language body now pays attention to the harmony of phonology and the neat beauty of sentences, highlighting the beautiful and concise visual surface effect. The use of rhetorical devices such as banter, paradox, irony and metaphor also enhances the internal tension of artistic expression, making short language penetrate the reader's spiritual space like a sharp knife and stimulate the reader's psychological blank. In other words, give full play to the bearing function and formal function of mobile phone language, let the language get rid of the dense symbol "curse" temporarily, and produce visual pleasure and psychological shock wave.

In fact, the artistic tension of mobile phone literature is not only reflected in the balance between the system and function of "Bianwen" itself, but also in the balance between the audience's original psychology and reading expectation psychology. The tension structure between the two forms an interactive effect of mutual start and promotion. It is also under the influence of this dual artistic tension that the impetuous reading demand in the context of market economy is met. Mobile phone literature is not a literary feast, but a literary snack. Snacks are small, but they have a special flavor. It is impossible and unnecessary for mobile phone literature to carry too much social content and gain too much artistic appeal. As long as the artistic effect of "happy smile", "happy smile" and "knowing smile" is achieved, or the aesthetic effect of humor, irony and ingenuity is achieved, it will be "satisfied". It can even be said that mobile phone literature should be a kind of "laughing" literature, and it should make a fuss about the word "laughing", which can give people a feeling of relaxed release and laughter and play a role in regulating emotions in the fast-paced and tense modern life. If the artistic tension is the foundation of the existence of mobile phone literature, then the humorous, ironic and clever aesthetic effect is the root of the life of mobile phone literature.

Humor can untie the dead knot of stagnant emotions and release the seeds of happiness in life. Humor is enough to make people laugh. Take short message literature, which is popular among students, as an example. "Hao Di said that everyone's escape is the real escape; Dabao said you escaped today? Huiren Shenbao said that he fled and I fled; Melatonin said that he would not skip classes at the beginning of this year, and he would skip professional courses if he wanted to. Colgate said that our goal is that no one will attend classes! " Skipping classes is a very common thing for students. However, after the creator's spoof and polishing, it added a lot of joy to the students immersed in the intense learning atmosphere.

If satire leaves humor, it will lose its inherent artistic charm and become a disguised satire and abuse. Wonderful satire and humor are always in harmony. The short message literature on the topic of skipping classes is full of parody irony.

Cleverness is the natural expression of life wisdom and the "heart-to-heart" between creators and readers. In other words, the creator said what the reader wanted to say but didn't say, or what he didn't think but wanted to say. For example, the short message poem "About Love" wrote, "Before we leave, we fantasize about reunion; I haven't met yet, but I am afraid of separation. " At first glance, a few words, think about it, but the charm is long, which really conveys the unique feelings in the hearts of lovers, and people can't help but smile. This artistic effect is full of the spark of wisdom and the agility of life, which is as meaningful as the quatrains in the Tang Dynasty. In fact, just like humor and satire are mixed together, agility is sometimes mixed with humor and satire, thus forming diversified aesthetic significance. Of course, in this aesthetic pursuit of humor, satire and agility, the postmodern spirit is revealed from time to time, showing the artistic tendency of planarization, fragmentation and deconstruction. Repetition and kitsch. Mobile phone literature, in the final analysis, is the result of the collision between science and technology consumption era and literature, and also the result of literature grafting modern business lifestyle. Taking the road of industrialization and pursuing commercial interests is the original intention of mobile phone literature. "Under the boundless information, endless financial resources are rolling in." Downloading and sending have become two major events related to the fate of mobile phone literature. As far as traditional literature is concerned, in the dual context of science and technology era and market economy, it is inevitable to commit "two sins", namely, mechanical copying and excessive kitsch for profit.

Jean baudrillard once said, "Consumption is the actual integration of all goods and information in a relatively consistent discourse. Consumption, only in its sense, is a systematic behavior of manipulating symbols. " As a kind of technical consumption, mobile phone literature is symbolized and reduced to a manipulated systematic behavior, which indicates the arrival of the era of literary mechanical reproduction. It can't be said that the subject consciousness of literature has completely disappeared, and the cultural consciousness is gradually declining.

Mobile phone literature under the situation of industrialization embodies the distinct commodity nature. Obviously, mobile phone literature, as the discourse space of traditional literature vision, is still in a marginalized position, between goods and literature. More precisely, mobile phone literature has a "dual identity", commodity is its hidden factor and essence, and literariness is its dominant factor and surface. In order to gain a large audience, mobile phone literature must set off a certain wave of herd consumption, and kitsch naturally becomes the "initiator" of this trend. However, excessive kitsch will completely lose the artistic personality and aesthetic character of mobile phone literature.

Under the influence of mechanical copying and excessive kitsch for profit, mobile phone literature will inevitably produce a large number of "fast food culture" and even "cultural garbage". Mobile phone is no longer the position of literature, on the contrary, it has become the maker of literary desertification. Of course, dim sum is varied and unique, but dim sum is harmful after all. For readers of mobile phone literature, the "changed" mobile phone literature will undoubtedly become a potential "cultural poison". Therefore, it cannot be said that behind the quiet rise of mobile phone literature, there is also a lack of culture and anxiety.

Undeniably, mobile phone literature has played a certain role in the literary construction in the era of popular culture, and any kind of exaggeration or depreciation is unrealistic talk. Facing up to the artistic appeal and cultural deficiency of mobile phone literature will play a guiding role in the development of mobile phone literature in a healthy and high-quality direction.