9.4 points screenwriter new work, smashed.

Our Distance from Evil is one of the rare Chinese dramas with high scores in recent years, with a score of 9.4 for 300,000 people in Douban.

The word-of-mouth of many works by screenwriter Lu Chanyuan is quite hardcore and was once considered to be worth looking forward to.

However, the score of Douban 7.7 is not a good result for online drama.

It is more complicated to tie up the updated 10 episode "The Things They Start a Business".

There are three different styles and textures in the play, and the sense of separation and gap is particularly obvious.

The first one is an old and outdated idol drama routine, and the resume of the second director Feng Jiarui contains a large number of familiar desktop ancient idol dramas. All kinds of unusual routines in the play, such as cancer, mountaineering rescue and dog blood love, make people wonder: maybe they are all wholesale from the old routines?

The second is the comic style of the original work (the play is adapted from the comic book "Strong Woman Club"). The play retains the lovely structure of many minor characters. Although the closed-loop rationality of the logic chain is not high enough, being cute and fun is an advantage in itself.

If the idol drama routine itself is disgusting, then the role's "two-dimensional comic style" is no problem. What is problematic is the irreconcilable mixed feeling of several different textures.

The third kind is sporadic, cold and spicy, but there is no lack of warmth, which is a reflection on real life.

I didn't expect Lu Chanyuan's screenwriter to reproduce the texture of "Our Distance from Evil", but after all, I was greedy for such a great god screenwriter.

The first few episodes give people the impression that this occasional realistic texture is a plus item, and with the lovely atmosphere, the ordinary story has a high-quality texture. However, after watching 10 episode, I found that this "sporadic realism" has long disappeared, and the only reaction may be that the abrupt contrast shows how embarrassing the other parts of the play are.

The name of "The Things They Start a Business" is entrepreneurship. The main line is that three girls quit from a big company and start a company together.

The atmosphere of the previous episodes is relatively more lovely, and the texture control is relatively online, which covers up many common problems to some extent and is regarded as a "high match" routine.

Unfortunately, it soon collapsed.

The problems encountered by a few entrepreneurs are almost all old-fashioned routines, and they are all solved by men with emotional entanglements.

What is particularly worth voicing is the single business of the resort.

Xia Zhi, played by Chen Yihan, persuaded Long Jun, the owner of the resort, to give himself a chance. Originally, the problems of this bridge were just grandiose, false and routine. The terrible thing is that these two suddenly have the love of life and death!

One second, I was still talking about my views on the mountain. The next, the heroine, a master climber, got lost on the mountain alone, and Long Jun went back to save her.

The hostess had a fever and thought Long Jun was an ex-boyfriend. Hugging and adding the old-fashioned bridge of "helping the unconscious to change wet clothes", the two became lovers.

The career story has hardly been filmed, and artificial saccharin that is not sweet at all has been added?

What's even more shocking is that after the two friends made up, her boyfriend Long Jun suddenly disappeared and suddenly came back to confess to Xia Zhi.

Xia Zhi tried hard to meet the deadline and wanted to fulfill his wish. When her partner asked why, she was silent and caused misunderstanding.

When a group of people quarreled in a mess, Long Jun's father revealed the truth that "his cancer has recurred" on the Internet.

It's been 202 1 year, and I'm still using this dog blood three-piece set.

Completely rely on coincidence to create plot conflicts, and forcibly create dramatic conflicts through misunderstandings.

It's terrible. After reading this passage, I can't believe that this is the work of the same screenwriter as "The Distance between us and Evil" and "Who fell in love with him first".

There are also coincidences of serious illness and accidents, but coincidences and accidents in these excellent works are not the core of the story. The above is just a brief introduction, which introduces a lot of contents worth pondering.

However, behind these coincidences arranged in "Those Things about Their Entrepreneurship", it is likely that a group of old terrier were randomly selected from the routine inventory.

The story of being trapped in a mountain climbing, falling in love with someone who saved himself, and then unfortunately dying, is completely deleted, as if it had no effect on the main line?

However, there is nothing to see in the main line of this profession. The project owner is a lover, and the money is not enough to find a bank loan. The manager is a schoolmate who has a crush on Xia Zhi for many years.

Any story is inseparable from chance, but if we rely entirely on coincidence to promote the progress bar and rely on routines and golden fingers to resolve contradictions, then the texture of this drama will only hang.

The initial shaping of the role is not so much to write the role well as to set up a thin person.

A three-dimensional figure with flesh and blood, her strength, weakness, changes in good and evil, and emotional changes are all traceable, psychologically motivated, dynamic, struggling and painful, and so on, which may leave a deep impression on people.

However, "Those Things about Their Entrepreneurship" did not create a good role, and it seems that it only achieved "establishing people".

Xia Zhi, played by Chen Yihan, has a smart, optimistic and loving heart.

In the early stage, people can't help but think that she is really a girl with eternal vitality, and in the later stage, she is the big head of a strange coincidence.

Similarly, Gong is also very routine. The love she met in the tenth episode made people want to smash the routine with a sledgehammer: she and a young painter took a fancy to a shop at the same time, and the painter rented it first, and then said, "If you associate with me, I will withdraw the rent."

Then she found that the painter was wronged and copied, helped the painter solve the problem and became the painter's agent.

Not to mention the routine of "everyone should pack things together and love together" and "overbearing female president and young German shepherd" in this drama, which is so boring and already crowded.

Then I thought to myself, "Why haven't you given up the play?" ?

Probably because the mode of three girls getting along is quite cute.

However, no matter how cute it is, I can't catch up with it.

I prefer some trivial details when getting along with each other to the highlight of a three-person quarrel.

After sitting down to work, Meimei gave everyone a pen, took a fancy to one and threw it back to Ye Gong Xiaoyan and Ye Gong Xiaoyan. This is not an important bridge, but the overall atmosphere is comfortable and lovely.

Although all three people are routines, they are very cute together.

Unexpectedly, this "beautiful adult" Maggie Lin (Jane) turned out to be the most interesting one.

When she went online, she seemed to have many shortcomings that she didn't like, such as the suspicion of using beauty to exchange resources for herself, such as never saying "I" but "others".

Introducing myself to anyone is not "my name is Maggie Lin", but "people are called Maggie"

Looking down, I found that this is a smart, hardworking, lovely and positive role.

She likes Roy Chiu's Zheng Yinan, but Zheng Yinan likes Xia Zhi, and she must have rejected her many times, but she can turn "entanglement" into a very enthusiastic thing.

The other party rejected her and sent her a friend card "You are an excellent girl". She was confident and nodded happily.

The other party said, "Don't waste your youth on me." She shouted, "I am infinitely young." Ha ha ha ha ha.

Before meeting Zheng Yinan, stand at the door and cheer for yourself;

Before attending the company's important meeting, I dragged two other girls to shout slogans while doing square dance-style refueling.

These are all exaggerated features of comics, but Lin Meijia, who was disliked at first sight when she went online, became the least ambiguous one in the trio.

A drama focusing on three female characters, at first I thought Roy Chiu's role was just a tool man.

He plays the younger brother of the hostess, and he is responsible for her infatuation and absolute infatuation after her boyfriend leaves her.

Keep the mobile phone that my ex-boyfriend doesn't want, and send her a message every birthday under the guise of identity.

Such an old-fashioned idol drama is not well set, and there is actually a moment that is very touching. After his worries were exposed, the two confronted each other on the spot.

Chen Yihan's character says: He still loves me, otherwise why does he send me text messages every year?

Zheng Yinan is very tolerant. He didn't say (that was from me).

This passage has an emotional impact, although the reason why this character "confessed when he was a child was corporal punishment, so he dared not confess when he grew up" is nonsense. Although the two people in the story don't look like seniors, at least this moment's forbearance shows that heavy, long-lasting and unbearable affection.

This role has also been hovering between "an honest man who insists on his ideals" and "an interest grabber who is about to be swallowed up", which makes people confused whether to remain virtuous or gloomy;

Frankly speaking, the first two episodes of the play are about the workplace injustice encountered in the summer solstice, and the expression is very comic;

She stood behind her, thanked her for her special help and supported her at any time, but failed to really express the horror of the black workplace.

On the contrary, the previous episodes of Roy Chiu's workplace scene really captured the sadness of a junior employee at the bottom.

It is also his embarrassing moment that reminds me of the lawyer king snake in Sin.

But the overall texture of the play is obviously far from perfect, and it seems that every time he talks about his difficulties, he is given a shortcut.

Another problem with the play is that the clues are scattered. From the perspective of these three women, this story should have a boundary when it radiates to Zheng Yinan.

But the play is about his family and his ex-girlfriend.

In the trailer, it seems that the ex-girlfriend will join the entrepreneurial team of three women in the next episode, so the story radius can be regarded as round;

The most ridiculous thing is that because the role of Xia Zhi is dull and boring, I even began to think that my ex-girlfriend is more suitable for the heroine script?

There are many parents of the summer solstice (played by Li Liqun and Lan Xinmei) in the previous episodes, which is also a lovely atmosphere.

Even if it's just a lovely routine story of fighting monsters to upgrade, it can maintain a lovely atmosphere;

However, the story batches out outdated routines, with intermittent bridges and fragmented textures. The more you look at it, the more people want to vomit.

There is still a long way to go in China's "four unlike" drama about women's workplace romance.